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Early Printing & Manuscripts / Art History & Literature

First edition of nearly all Euripides plays, in Aldus's best and last Greek, type:
Thomas More's fictional hero gave a copy to the Utopians in 1516!

EURIPIDES. [Title in Greek then Latin:] Tragoediae septendecim [recté octodecim], ex quib[us]. quaedam habent commentaria. & sunt hae. Hecuba[,] Orestes[,] Phoenissae[,] Medea[,] Hippolytus[,] Alcestis[,] Andromache[,] Supplices[,] Iphigenia in Aulide[,] Iphigenia in Tauris[,] Rhesus[,] Troades[,] Bacchae[,] Cyclops[,] Heraclide[,] Helena[,] Ion[, Hercules furens].
(Colophon to each volume: Venice, Aldus Manutius, February 1503). 2 volumes. 8vo. With Aldus's anchor device on the last page of each volume, printed in Aldus's beautiful Greek type.Matching limp vellum (made from 2 leaves from a ca. 1560/70? Spanish legal manuscript), constructed or reconstructed ca. 1900. [268]; [190] ll. Full description
€ 40,000
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Three editions of humanist works, two from Antwerp known only from 1 other copy each, in contemporary Flemish panel-stamped calf with 6 animals in foliage plus an unusually detailed peacock

[FIOCCO, Andrea Domenico] under the name of Lucius FENESTELLA. De magistratibus, sacerdotiisq[ue] Romanorum libellus, iam primum nitori restitutus. Pomponii Laeti itidem de magistratibus & sacerdotiis, & praeterea de diversis legibus Rom[anorum]. Item Valerii Probi grammatici de literis antiquis opusculum.
Including: POMPONIO LETO, Giulio. De Ro[manorum]. magistratibus, ...
Basel, (colophon: Valentino Curio, May 1523). With the general title in a woodcut border, Curio's large architectural woodcut device on the otherwise blank final page.
With:
(2) LUCIANUS OF SAMOSATA. Complures ... dialogi à Desiderio Erasmo Roterodamo ... in Latinum conversi, & à Nicolao Buscoducensi illustrati, additis Fabularum & difficilium vocabulorum explanationibus.
(Colophon: Antwerp, Michael Hillen van Hoochstraten, 1524).
(3) MOSELLANUS, Petrus (Peter SCHADE). Paedologia ..., in puerorum usum conscripta & aucta. Dialogi XXXVII. Dialogi pueriles Christophori Hegendorphini. XII. ...
Including: HEGENDORF, Christoph. Dialogi pueriles ... XII. ...
(Colophon: Antwerp, Michael Hillen van Hoochstraten, 1523).
3 editions in 1 volume. 8vo (16 x 10.5 cm). Contemporary panel-stamped calf, each board with the same 3 panel stamps: 2 virtually identical panels with 6 animals in 2 grape vines (the animals from head to foot in the left vine: a monkey, dog and wyvern; and in the right vine: a squirrel, hare and lion) in a border of a diaper of quatrefoils in lozenges, the two separated by a small panel stamp sith a peacock, paste-downs made from a leaf from an Aristotle manuscript on vellum. 91, [1]; 26, [2]; [40] ll. Full description
€ 12,000
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Most beautiful and influential (but also censored) edition of 13th-century stories, including several borrowed and reworked by Boccaccio in his Decameron

GUALTERUZZI, Carlo (compiler) and [Vincenzo BORGHINI (“corrector”)]. Libro di novelle, et di bel parlar gentile. ... Cento novelle ... Di nuovo ricorrette.
Florence, Filippo & Jacopo Giunta, 1572. 4to (21.5 x 16 cm). With the Giunta's woodcut device on the title-page and a different one on the last page and about 120 woodcut decorated initials (about 7 series) including some repeats. With the main text set in roman type but the extensive preliminaries in italic. Contemporary limp sheepskin parchment. [26], [2 blank], "153" [= 165], [3] pp. Full description
€ 2,500
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Early work on navigation and a primary source for seamen’s “barbaric” language

GUEVARA, Antonio de. Libro de los inventores del arte de marear, y de muchos trabajos que se passan enlas galeras. ... Tocanse enel muy excellentes antiguedades, y avisos muy notables para los que navegan en galeras.
Antwerp, Martin Nutius, [ca. 1545/46]. Small 8vo (13.5 x 10 cm). With Nutius's woodcut device on the title-page. Set in rotunda gothic type with a few words in a large roman. Blind-tooled brown goatskin (1920s?) in 16th-century style by Victor Arias (1856-1935) in Madrid, gold-tooled turn-ins. XXIX, [1], [2 blank] ll. Full description
€ 12,000
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1472 incunable encyclopaedia of the world,
containing references to Arabia, Syria, Palestine and the Saracens

HONORIUS AUGUSTODUNENSIS (HONORIUS OF AUTUN). [Incipit:] ... de ymagine mundi.
[Nuremberg, Anton Koberger, 1472(?)]. Folio (31 x 22 cm).Rubricated throughout and about half of the spaces left for initials filled in by hand in red ink. 19th-century red sheepskin. [46], [1 blank] ll. Full description
€ 45,000
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Superb Humanist "Sammelband"

HORACE. [Opera] cum quattor commentarijs.
Venice, printed by Philippus Pincius for Benedictus Fontana, 1495-1496. With large woodcut printer's device on last leaf, and numerous woodcut initials.
With:
(2) PERSIUS. [Opera] cum tribus commentariis.
Venice, Giovanni Tacuino de Tridino, 4 November 1499. With woodcut printer's device on verso of penultimate leaf, and fine woodcut on title-page.
(3) JUVENALIS. [Opera] cum commento Ioannus Britannici.
Reggio Emilia, Francesco de Mazalibus, 1503. With fine woodcut at the head of text, and some woodcut initials. 3 works in 1 volume. Folio. Contemporary blind-tooled vellum over wooden boards with 2 brass clasps. [264] ll. Full description
€ 25,000
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Antipapal dialogues (1520), with a lovely woodcut of Fortuna

HUTTEN, Ulrich von. Dialogi. Fortuna. Febris prima. Febris secunda. Trias Romana. Inspicientes.
Colophon: Mainz, Johann Schöffer, April 1520. Small 4to (19.5 x 14 cm). With a lovely woodcut of the blindfolded Fortuna on title-page (by Hans Weiditz?), a large woodcut initial Q (repeated twice) and several vine leaf ornaments. Printed in roman type. 19th-century half vellum. [72] ll. Full description
€ 3,750
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First edition in its very rare first state of a famous emblem book printed by Plantin, from the celebrated library of Robert Hoe III

JUNIUS, Hadrianus. Emblemata, ad D. Arnoldum Cobelium. Eiusdem aenigmatum libellus, ad D. Arnoldum Rosenbergum.
Including: IDEM. Aenigmatum libellus, ad vivum clarissimum, Arnoldum Rosenbergum jurisconsultum.
Antwerp, Christophe Plantin, 1565 (colophon: 15 May 1565). 2 works in 1 volume. 8vo (ca. 17 x 11 cm). With Plantin's woodcut printer's device on both title-pages, 57 woodcut emblems by Geeraard Jansen van Kampen and Arnout Nicolai after Geoffroy Ballin and Peeter Huys. The text of the entire first work and the title-page of the second work are set within a decorative frame built up from typographical ornaments. Further with two woodcut decorated initials. Splendid late 19th-century elaborately gold-tooled red morocco bound by a French book binder named Allô, possibly Paul Charles Allô (1824-1890) and signed "Allo" in the lower turn-in of the front board. With the title lettered in gold on the gold-tooled spine, gold-tooled board edges and turn ins, gilt edges. 149, [3]; [1], [1 blank], [13], [1 blank] pp. Full description
€ 8,500
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Variant of the rare editio princeps of a famous emblem book printed by Plantin

JUNIUS, Hadrianus. [title-page *1:] Eiusdem Aenigmatum libellus, ad ... Arnoldum Rosenbergum jurisconsultum. [title-page A1:] Emblemata, ad D. Arnoldum Cobeliu. Eiusdem Aenigmatum libellus, ad ... Arnoldum Rosenbergum.
Antwerp, Christoffel Plantin, 1565 (colophon: 15 May 1565). 2 works in 1 volume. Small 8vo (17 x 11.5 cm). With 57 woodcut emblems, mainly by Gerard Janssen van Kampen with a few by Arnold Nicolai, all after Geoffroy Ballain and Pierre Huys. Red goatskin morocco (ca. 1850/60?) by Charles-François Capé in Paris, signed "CAPÉ" in the foot of the front turn-in. [15], [1 blank]; 149, [3] pp. Full description
€ 9,500
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First collected edition of three classical writers, set in an Aldine-style italic

JUSTINUS, Marcus Junianus. Trogi Pompei externae historiae in compendium ab Justino redactae.
Including:
PROBUS, Aemylius [recté NEPOS, Cornelius]. De vita excellentium imperatorum liber.
VELLEIUS PATERCULUS, Caius. Historiae Romanae duo volumina, ...
(Colophon: Florence, Philippo Giunta, 1525). 3 works published as 1. 8vo. With Giunta's woodcut device on the title-page and a nearly identical one on the verso of the otherwise blank last leaf. Set in an Aldine-style italic, with numerous spaces with guide letters where manuscript initials could be filled in (left blank in the present copy). Dark green gold-tooled morocco (ca. 1833?), the with AAR-monogram of Antoine Augustin Renouard, gold-tooled board edges and turn-ins, pink watered-silk endleaves, matching ribbon marker, gilt edges. Attributed to the Bradel family in Paris, probably Antoine Louis François Bradel. 15, [1], “103” [= 203], [1 blank]; [8], “105” [= 205]-267, [1] ll. Full description
€ 5,000
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