Early Printing & Manuscripts / Art History & Literature

LENCKER, Hans. Perspectiva hierinnen auffs kürtzte beschrieben ...
Nürnberg, Dietrich Gerlach, 1571. Small folio (29 x 19 cm). With the title within a woodcut border, 10 full-page woodcuts within collation and 1 double-page woodcut within collation (the latter not included in page numbering). Decorated black and red boards (ca. 1900). [6], XXIX ll. Full description

LEO VI (the Wise) of Byzantium and Antonius SEVERUS of Rome (attributed). Vaticinium Severi, et Leonis Imperatorum, in quo videtur finis Turcarum in praesenti eorum imperatore, una cum aliis nonnullis in hac re Vaticiniis ...
Brescia, Pietro Maria Marchetti, 1596. Small 8vo (14.5 x 10 cm). With 16 numbered engraved emblematic illustrations. Contemporary limp sheepskin parchment. 106, [6 blank] pp. Full description

[MARTIAL d'Auvergne]. LIII. arrests d'amours. Arresta amorum. Accuratissimis Benedicti Curtii Symphoriani commentariis ad utrusque iuris rationem, forensiumque actionum usum quàm acutissimè accommodata. Le tout diligemment reveu & corrigé en une infinité d'endroits outre les precedentes impressions.
Rouen, Thomas Mallard, 1587. 16mo. With title within an ornamental woodcut border. 19th-century gold-tooled red sheepskin. 899 [=897], [58], [1 blank] pp. Full description

MARTIALIS, Marcus Valerius. [Epigrammata].
(Colophon: Venice, Aldus Manutius, December 1501). 8vo (16 x 10 cm). With 15 (mostly 6-line) spaces with printed guide letters left for manuscript initials. Except for an occasional word in Greek, the book is set entirely in the world's first italic printing type (with small upright capitals, which are also used, usually letterspaced, for running heads, headings, the opening line of each liber, etc.). Francesco Griffo cut it for Aldus, who uses it here 8 months after he introduced it in his Virgil. Tanned sheepskin (ca. 1700?), gold-tooled spine and board edges. [381], [3 blank] pp. Full description

MATHAM, Jacob (engraver), Hendrick GOLTZIUS (artist) and Cornelius SCHONAEUS (author). Andromeda.
[Haarlem, Hendrick Goltzius,] 1597. 26.7 x 37 cm. Copper engraving. Full description

MEXIA, Pedro. Coloquios o dialogos compuestos por el magnifico cavallero Pero Mexia, vezino de Sevilla, en los quales se disputan y tratan varias y diversas cosas de mucha erudicion y doctrina. Al illustrissimo senor don Perasan de Ribera Marques de Tarisa &c.
Antwerp, widow of Martinus Nutius, 1561. Small agenda 12mo (14 x 6.5 cm). With Nutius's woodcut device on the title-page. 17th-century(?) blind-tooled overlapping vellum, each board with the coat of arms of the Landgrave of Hesse, gilt edges. 165, [3 blank] ll. Full description

NOOT, Jan van der. Cort begryp der XII. boeken Olympiados. ... Abregé des douze livres Olympiades.
Antwerp, Gillis van den Rade, 1579. With 1 engraved plate (portrait of the author), 17 full-page engravings (ca. 16 x 11.5 cm.) by Dirk Volkertsz. Coornhert after designs of the monogrammist CVSK and a full-page woodcut of an obelisk at the end, signed with the monogram "HE".
With:
(2) NOOT, Jan van der. Lofsang van Braband. ... Hymne de Braband.
Antwerp, Gillis van den Rade, 1580. With 4 full-page woodcuts (portrait of the author, allegorical illustration, arms of Brabant and the other 16 provinces, and an obelisk).
(3) NOOT, Jan van der. Verscheyden poeticsche werken. ... Divers oeuvres poetiques.
Antwerp, Gillis van den Rade, 1581. With full-page woodcut portrait of the author, and a full-page woodcut obelisk at the end. 3 works in 1 volume. Folio. All 3 works with text in Dutch and French. Early 18th-century gold-tooled mottled calf. [14], 87, [1]; [8], 33, [4]; [40] pp. plus 1 plate. Full description

NOOT, Jan van der. De poeticsche werken van mijn Heer vander Noot. Les oeuvres poetiques du Sr. Jan vander Noot.
Antwerp, Daniel Vervliet and Arnout Coninx (shared printing), "1594" [=1588-1595]. Folio. With the general title-page bearing Vervliets 1594 imprint, the only part-title (for the Inkomste bifolium) bearing sConincxs 1594 imprint, 7 small bust portraits, 2 portraits of the author, 10 small rectangular illustrations, 2 medium illustrations and 8 full-page illustrations (on integral leaves), all woodcut, some (and the 2 title-pages) in architectural and/or arabesque woodcut frames. The text is variously set in 1, 2 or 3 columns, sometimes even mixing them on one page, each page in a frame (made partly from rules) and with the running titles in Dutch and French at the foot of the page. An occasional bifolium includes a woodcut decorated initial. The text, in Dutch, French, Spanish, Italian, German, Latin, and Greek, is set in dozens of roman, italic, textura, civilité, fraktur and Greek printing types plus interlaced typographic capitals and arabesque typographic ornaments. Blind-tooled calf (ca. 1725/30?) by the so-called "Minnewit" bindery in Amsterdam, sewn on 6 supports, each board with two double-fillet frames, the inner field sprinkled and the outer field blackened, with a large centrepiece and 2 different corner pieces, the smaller inside and the larger outside each corner of the inner frame, headbands in red and green, red sprinkled edges, plain endpapers. [102] ll. Full description

OPPIAN of Anazarbus and OPPIAN of Syria (C. RITTERSHUSIUS, translator). Oppiani poetae Cilicis de venatione libri IV. De piscatu libri V.
Leiden, Franciscus Raphelengius, 1597. 2 parts in 1 volume. 8vo. With Raphelengius' (Plantin's) printer's device on the title-page, decorated woodcut initials, and the text is partially set in Greek script. Late 18th-century gold-tooled red morocco. [1], [1 blank], [86], 376, [32]; [8], 344, 164, [3], [1 blank] pp. Full description

PALLADIO, Andrea. I quattro libri dell'architettura di Andrea Palladio. Ne' quali, dopo un breve trattato de' cinque ordini, et di quelli avertimenti che sono piu necessari nel fabricare; si tratta delle case private, delle vie, de i ponti, delle piazze, de i xisti, et de' tempii.
Venice, Bartolomeo Carampello, 1581. Folio. 4 volumes bound as 1. With 4 title-pages, each with the same richly decorated woodcut architectural frame, more than 200 woodcut illustrations, Carampellos woodcut device, woodcut headpieces and decorative initials. 67, [1 blank], 78, [2 blank], 46, [1], [1 blank], 133, [1], [2 blank] pp. Full description