Early Printing & Manuscripts / Art History & Literature

CATULLUS, Gaius Valerius; Albius TIBULLUS; Sextus PROPERTIUS (Hieronymus AVANTIUS, ed.). [Opera]. Catullus. Tibullus. Propertius.
[colophon:] Venice, Aldo I Manuzio, January 1502. 8vo. With more than 100 spaces (2 8-line, 6 6-line and the rest 2-line) with guide letters left for manuscript initials, none filled in. Set in Alduss italic type (with upright capitals) throughout, the first italic printing type, first used in 1501, with titles, headings, running heads, etc. set in the capitals of the same type, with an occasional word of Greek in the text. Gold-tooled, green long-grained sheepskin (vertical grain) (ca. 1800). [152] ll. Full description

CATULLUS, Gaius Valerius; Albius TIBULLUS; Sextus PROPERTIUS (Hieronymus AVANTIUS, ed.). [Opera]. Catullus. Tibullus. Propertius.
[colophon:] Venice, the heirs of Aldo I Manuzio & Andrea I Torresano, March 1515. 8vo. With Aldos woodcut anker and dolphin device on the title-page and on the verso of the last leaf, each flanked by "AL ... DVS" in letterpress capitals. Set in Aldos italic type (with upright capitals), the first italic printing type. Blind-tooled brown goatskin morocco (early 20th-century) by the Paris bookbinder G. Vignal (active ca. 1890-ca. 1930), signed with a blind stamp in the foot of the front turn-in ("G. VIGNAL REL. DOR.". 148, [2] ll. Full description

OVIDIUS NASO, Publius (Lodovico DOLCE, translator). Le trasformationi, ... . In questa quarta impressione da lui in molti luoghi ricorrette.
Venice, Gabriele Giolito de Ferrari, 1557. 4to. With title in a richly designed architectural woodcut frame, a half-page woodcut hemispherical map of the Americas, Europe and Africa and 82 large woodcut illustrations (plus 2 repeats) with fine ornamental and grotesque borders at either side. Contemporary(?) Polish(?) blind-tooled calf. 17th- or 18th-century endpapers. [16], 309, [3] pp. Full description

DOLCE, Lodovico. Dialogo della pittura. Nel quale si ragiona della dignità di essa pittura, e di tutte le parti necessarie, che a perfetto pittore si acconuengono: con esempi di pittori antichi, & moderni: e nel fine si fa mentione delle virtù e delle opere del divin Titiano.
Venice, Gabriel Giolito de Ferrari, 1557. Woodcut vignette on title-page. Later half vellum, title in ink on spine. 60 ll. Full description

DOLCE, Lodovico. Dialogo ..., nel quale si ragiona delle qualità, diversità, e proprietà de i colori.
Venice, Giovanni Battista & Melchiorre Sessa and brothers (colophon: 1565). Small 8vo (15 x 10.5 cm). With woodcut scrollwork Pegasus device on title-page, the word "Dilogo" in a woodcut scrollwork frame, 2 woodcut headpieces, 3 woodcut decorated initials (1 with a figure riding a griffon, 1 with a leopard(?)) and 3 fleurons. With the main text set in italic and preliminaries in roman. 18th-century half parchment (recased?). 87, [1] ll. Full description

DONI, Anton Francesco. Disegno ..., partito in piu ragionamenti, ne quali si tratta della scoltura et pittura; de colori, de getti, de modegli, con molte cose appartenenti a quest' arti: & si termina la nobiltà dell' una et dell' altra professione. ...
Venice, Gabriele Giolito de Ferrari, (colophon: February) 1549. Small 8vo (16 x 10 cm). With the imprint in the base of an elaborate woodcut on the title-page, with Ferrari's motto, initials and phoenix device, a different woodcut phoenix device on last page, and 21 woodcut pictorial initials (3 series) plus 1 repeat. Italian sheepskin parchment (ca. 1700?). 63, [1] ll. Full description

[DU BARTAS, Guillaume de Salluste]. La divina settimana: tradotta di rima Francese in verso sciolto Italiano.
Tours, Giametto Metaieri (Jamet Mettayer), 1592. 12mo. With the title with in a border, built up from cast fleurons, and some woodcut initials and headpieces. Contemporary limp sheepskin parchment. [6], 152 ll. Full description

[DUTCH MORALITY PLAYS - REDERIJKERS]. Zeven spelen, van die wercken der bermherticheyd. In rym ghemaeckt en nu tot Aemstelredam opentlyck ghespeelt, Anno 1591
Amsterdam, H. J. Muller, 1591. 8vo. Woodcut title vignette and 6 woodcut illustrations at the beginning of the plays, Contemporary vellum with manuscript title on spine. [302] pp. Full description

ERASMUS, Desiderius. De duplici copia verborum ac rerum commentarii duo.
(Colophon: Mainz, Johannes Schoeffer, August 1521). With title in woodcut architectural border; 6 large, beautiful woodcut initials. With 1 initial coloured by hand.
With: (2) ERASMUS, Desiderius. Parabolae sive similia.
(Colophon: Basle, Johannes Froben, July 1521). With title in an elaborate woodcut border, first page of the dedicatory letter by Erasmus to Petrus Aegidius on back of title-page with a border made of woodcut strips, Froben's large woodcut device on the last page, and 2 decorative woodcut initials. 2 works in 1 volume. 8vo. German contemporary richly blind-tooled calf, in a panel design. The central panel on each board is filled with dozens of impressions of 3 floral stamps, 1 on the front board and 2 on the back. [16], 247, [1 blank]; 191, [1] pp. Full description

ERASMUS, Desiderius. Apophthegmatum libri octo cum primis frugiferi, denuò vigilanter ab ipos recogniti autore, non sine lucro novae accessionis.
Cologne, Johann Gymnich I, 1538. 8vo (16 x 11 x 4.5 cm). With Gymnich's woodcut device, 9 woodcut initials (2 series) plus 1 repeat, and a vine-leaf ornament. Set in an Aldine-style italic with incidental roman and Greek. Near contemporary blind-tooled calf (the owner's stamp ca. 1564?, added later than the rest of the tooling) over wooden boards, each board in a panel design, the front board with the large oval armorial panel-stamp (72 x 55 mm) of Simon Cluver of Gedansk (ca. 1540-1598); the back board with 2 rolls showing Christian imagery. With 1 of 2 brass catchplates but further with only remnants of the fastenings. [16], 712, [38], [2 blank] pp. Full description