Early Printing & Manuscripts / Religion & Devotion

AUGUSTINE of Hippo (Saint AUGUSTINE). De la cita d'Dio.
[Venice?, Antonio di Bartolommeo Miscomini, ca. 1477? (not after 1483)]. Folio. Printed in two columns, each 47 lines, with spaces for 3-6 line initials left blank. Early 19th-century gold-tooled calf. [1 blank], [322], [1 blank] ll. Full description

AUGUSTINE of Hippo (Saint AUGUSTINE). Collectanea, ex universo opere librorum D. Aurelii Augustini passim decerpta, semitam quanda[m] media[m] Christianis, nu[n]c misere dissentie[n]bus[!] mon[s]trantia, qua unanimiter ad ecclesiam Christi redeant.
Deventer, Albert Paffraet, 1529. 8vo (16.5 x 10.5 cm). With the title in letterpress in a woodcut border and one woodcut initial. With a contemporary manuscript index (31 1/2 pp.) and contemporary manuscript notes (1 1/2 pp.) giving quotations from Saint Augustine on 16 leaves bound at the front. Contemporary blind-tooled brown calf over wooden boards (the back board replaced with paperboard), with a brass catch-plate in the middle of the fore-edge (clasp and anchor plate lacking and binding repaired). 196 ll. Full description

AUGUSTINE of Hippo (Saint AUGUSTINE). Explanatio Psalmorum. [Incipit:] Annotatio principaliu[m] sententiariu[m]/ principaliu[m] sente[n]tiariu[m] in expla-natione psamo[rum]...
(Colophon:) Basel, Johann Amerbach, 1489. 3 parts in 1 volume. Folio (ca. 31 x 21.5 cm).
Contemporary blind-tooled pigskin over wooden boards, with 1 brass clasp and remnants of a 2nd. [1 blank], [14], [1 blank]; [146]; [192]; [192], [5 blank] ll. Full description

AUGUSTINUS DE LEONISSA. Sermones pulcherrimi sup[er] d[omi]nica[m] or[ati]o[n]em Pater noster & angelicam salutat[i]o[n]em Ave Maria. Unicuiq[ue] ad populu[m] vole[n]ti declamat[i]o[n]es facere acco[m]modati. editi p[er] venera[n]du[m] patre[m] Augustinu[m] de Leonissa ...
(Colophon: Cologne, heirs of Heinrich Quentel, 1505). With 3 decorated woodcut initials, many 3-line and 2 larger Lombardic initials. With the first decorated initial hand coloured, and rubricated throughout.
With: (2) BONAVENTURA, Saint (pseudo). Sermo[n]es Quattuor novissimorum perutiles et n[e]cc[ess]arii. unu[m]que[m]que in devot[i]o[n]is ardorem dei quam timore[m] i[n]ducentes. a Beato Bonaventura editi.
(Colophon : Cologne), [Cornelis de Zierikzee, ca. 1502]. With a small woodcut of Christ at the Last Judgement on the title-page framed by 4 decorative woodcut strip borders, a full-page woodcut of King David meeting Christ at the Last Judgement (repeated at the end), a few 3-line Lombardic initials and spaces left for a few larger manuscript initials (not filled in). 2 works in 1 volume. Small 8vo (14.5 x 10.5 cm). Modern blind-tooled brown goatskin morocco. [92]; [128] ll. Full description

ALVERNUS, Guillelmus (William of AUVERGNE). Libri ... de fide et legibus.
[Augsburg, Günther Zainer, ca. 1475/1476]. Small folio. Set in a hybrid roman type with gothic elements (a single column of 43 lines per page plus running heads), with the first 3 lines, including the title, in a slightly larger rotunda gothic. With all initials supplied in manuscript in red, rubricated throughout. Contemporary, richly blind-tooled vellum over wooden boards, two brass clasps, blue edges, "Nr. 56" in red ink written at the foot of the spine. [139] ll. Full description

BEAUXAMIS, Thomas. In sacro sancta Coenae mysteria, passionem, et resurrectionem domini nostri Jesu, homeliae, & tabulae, annexis quibusdam scholiis, ex primis ecclesiae patribus. Ad amplissimum, & illustrissimum principem carolum cardinalem Lotharingum.
Mons (Belgium), Claude de Bronchin [printed in Paris by Guillaume Chaudière], 1570. 8vo. With Chaudières woodcut device on the title-page (Chronos, with the motto, "hancas iem sol retundit virtus"), a woodcut headpiece, 2 woodcut tailpieces and 2 woodcut initials (from 2 different series). Limp vellum (ca. 1700?). [6], 321, [1] ll. Full description

[BECKET, Thomas à (subject)]. [Diego Afonso de MIRANDA, translator]. Historea da vida e martyrio do glorioso Sancto Thomas Arcebispo, Senhor de Cantuaria, Primas de Inglaterra, legado perpetuo da sancta see apostolica, trelada da novamente de Latim em lingoagé Portugues.
(Colophon: Coimbra, João Alvarez, printer to the University, 12 November) 1554. 4to. With several woodcut decorated initials. With the 4 preliminary leaves in facsimile. 20th-century Portuguese tree calf, gold-tooled spine, red spine label, brown sprinkled edges, marbled endpapers. [8], “CCCI” [= 303], [1 blank], [20] pp. Full description

[BERSE, Gaspar, Francis XAVIER et al.]. Epistolae Indicae et Iapanicae de multarum gentium ad Christi fidem, per Societatem Iesu conversione. Item de Tartarorum potentia, moribus, & totius penè Asiae religione. Tertia editio cum indice castigatior & auctior.
Including: Epistolae Iapanicae, de multorum in variis insulis gentilium ad Christi sidem conversione.
Leuven, Rutger Velpius, 1570. 2 parts in 1 volume. 8vo. Each part with woodcut publisher's device on last blank. Contemporary limp sheepskin parchment. [24], 361[=316], [20]; 401[=399], [25] pp. Full description

[BERSE, Gaspar, Francis XAVIER etc.]. Epistolae Indicae et Iapanicae de multarum gentium ad Christi fidem, per Societatem Iesu conversione.
Louvain, Rutger Velpius, 1570.
With: (2) GARETIUS, Johannes. De sanctorum invocatione liber...
Ghent, Gislenus Manilius, 1570.
2 works in 1 volume. 8vo. Ad 1 with the title-page in a frame built up from fleurons, and a woodcut publisher's device on last blank, ad 2 with the title-page in a frame built up from fleurons, the woodcut coat-of-arms of Cunerus Petri (bishop of Leeuwarden) on the back of the title-page and on the last leaf a woodcut printer's device within a frame built up from fleurons.
Contemporary limp vellum sewn on 3 leather supports laced through the joints, with the manuscript title on the spine, leather ties, red edges. [24], “361”[=316], [20] pp.; [16], 103, [9] ll. Full description

[BIBLE - DUTCH - VULGATE]. Biblia sacra. Dat is de geheele heylighe schrifture bedeylt int out ende nieu Testament: van nieus met groote neersticheyt oversien, ende naer den lesten Roomschen text verbetert door sommighe doctoren inder Heyligher Godtheyt inde vermaerde universiteyt van Loven.
Antwerp, (colophon: printed by Daniel Vervliet and Hendrik Swingen for) Jan I Moretus & Jan I van Keerberghen, 1599. 2 volumes bound as 1. Folio. With an engraved title page (coloured by a contemporary hand with extensive use of gold) showing Moses on the left, David on the right, and the four evangelists below, and 90 woodcuts in the text of both the Old and the New Testament, all except one vividly coloured by a contemporary hand. Contemporary richly blind-tooled calf over wooden boards, sewn on 5 supports, with brass catchplates, remnants of leather strap fastenings, brass corner pieces on all corners and a brass centrepiece on each board, all with brass bosses. [4], 410; [106] ll. Full description