Literature & Linguistics

HUTTEN, Ulrich von. Dialogi. Fortuna. Febris prima. Febris secunda. Trias Romana. Inspicientes.
Colophon: Mainz, Johann Schöffer, April 1520. Small 4to (19.5 x 14 cm). With a lovely woodcut of the blindfolded Fortuna on title-page (by Hans Weiditz?), a large woodcut initial Q (repeated twice) and several vine leaf ornaments. Printed in roman type. 19th-century half vellum. [72] ll. Full description

IGNATIUS a Jesus (Carlo LEONELLI). Grammatica linguae Persicae. Auctore Patre Fratre Ignatio à Jesu Carmelita Discalceato missionario, & vicario residentiae Tripolis, & Montis Libani.
Rome, Propaganda Fide, 1661. 4to. With a device on the title-page, 1 woodcut decorated initial, decorations built up from arabesque typographic ornaments and a 4-page letterpress table showing the Persian alphabet with the initial, medial, final and stand-alone forms of the letters. Modern ivory vellum in the style of the time, manuscript title on spine. [2], 60 pp. Full description

IRIARTE (YRIARTE) y Oropesa, Tomas de. Fábulas literarias.
Madrid, Imprenta Real, 1782. 4to. With rococo decorated capitals. Mottled calf, richly gold-tooled spine with red morocco label lettered in gold, double blind fillets on boards. [4], 157, [16] pp. Full description

ISSELBURG, Peter and Georg REMUS. Emblemata politica. In aula magna Curiae Noribergensis depicta quae sacra virtutum suggerunt monita prudenter administrandi fortiterque defendendi Rempublicam.
[Nuremberg, Peter Isselburg, 1617]. Small 4to (19 x 14 cm). With an engraved title-page, engraved dedication with the Nuremberg coat of arms and the coat of arms of the eight Nuremberg Senators, and 32 engraved plates with emblems, with engraved captions above and four-line Latin verses below. Modern brown morocco with a large panel on both sides of green imitation reptile skin, encrusted with small gems in centre, chamois endleaves, with matching half morocco chemise and matching half morocco slipcase (Perez-Noriega, 1995). [5] ll. of text. Full description

[JESUITS]. INTORCETTA, Prospero. R.P. Prosperi Intorcetta societatis Jesu missionarii sinensis testimonium de cultu sinensi, datum anno 1668.
Paris, Nicolas Pepié, 1700. 8vo. With a small woodcut ornamental vignette on the title-page and some head- and tail-pieces built up from typographical ornaments Contemporary vellum. [2], 318, [10] pp. Full description

[JOCELIN, Elizabeth Brook]. Uyterste wille van een moeder aan haar toekomende kind, toegeeigent aan de volmaaktste huysmoeder. Den Tweden Druk. [With extensive verses and other additions by Adriaan SPINNEKER].
Together in a single edition with:
HOUTE, Soetgen van den. Uyterste wille, dewelk sy hare kinderen David, Betgen en Tanneken, tot een memorie en voor het alderbeste goet heeft nagelaten, en heeft dat met haren dood bevestigt, tot Gent in Vlaenderen. [With several educational verses by Gezine BRIT].
SPINNEKER, Adriaan. Morgen- en avondgezangen, gebedswijze berijmt.
Amsterdam, Jacobus van Nieuweveen, 1699. 3 works plus additional verses in 1 volume. Small 8vo. A single edition, containing three main works, each with its own title-page with Van Nieuweveens imprint (the first undated, the others 1699) and with all engravings on integral leaves (frontispiece and 16 nearly full-page emblematic engravings by Jan Luyken and 6 smaller emblematic engravings plus 2 small engravings of Hope and Faith, some possibly by Jan Luyken). The first work with a richly engraved allegorical frontispiece, an engraved figure of Faith (with cross and book) on the title-page, and 7 nearly full-page engraved emblems; the second with an engraved figure of Hope (with anchor and bird) on the title-page, a nearly full-page engraved portrait of the author writing in her prison cell, 2 nearly full-page engraved emblems and 4 smaller emblematic engravings in the main text, and 6 nearly full-page engraved emblems and 2 smaller ones accompanying the added verses; and a woodcut vase of flowers on title-page of the third work. Further with several woodcut tailpieces and decorated initials. Contemporary vellum. [8], "259" [= 267], [1, 4 blank] pp. Full description

JONCHÈRE, Charles Chrétien de la. Fables imitées de Lessing, Gellert, Lichtwer, Pfeffel, Dodley, et autres fabulistes étrangers suivies de fables originales.
Stockholm, Johan Imnelius, 1819. 8vo. Contemporary gold-tooled red morocco, gilt edges. [2], 144, [2] pp. Full description

JUNIUS, Hadrianus. [title-page *1:] Eiusdem Aenigmatum libellus, ad ... Arnoldum Rosenbergum jurisconsultum. [title-page A1:] Emblemata, ad D. Arnoldum Cobeliu. Eiusdem Aenigmatum libellus, ad ... Arnoldum Rosenbergum.
Antwerp, Christoffel Plantin, 1565 (colophon: 15 May 1565). 2 works in 1 volume. Small 8vo (17 x 11.5 cm). With 57 woodcut emblems, mainly by Gerard Janssen van Kampen with a few by Arnold Nicolai, all after Geoffroy Ballain and Pierre Huys. Red goatskin morocco (ca. 1850/60?) by Charles-François Capé in Paris, signed "CAPÉ" in the foot of the front turn-in. [15], [1 blank]; 149, [3] pp. Full description

JUNIUS, Hadrianus. Emblemata, ad D. Arnoldum Cobelium. Eiusdem aenigmatum libellus, ad D. Arnoldum Rosenbergum.
Including: IDEM. Aenigmatum libellus, ad vivum clarissimum, Arnoldum Rosenbergum jurisconsultum.
Antwerp, Christophe Plantin, 1565 (colophon: 15 May 1565). 2 works in 1 volume. 8vo (ca. 17 x 11 cm). With Plantin's woodcut printer's device on both title-pages, 57 woodcut emblems by Geeraard Jansen van Kampen and Arnout Nicolai after Geoffroy Ballin and Peeter Huys. The text of the entire first work and the title-page of the second work are set within a decorative frame built up from typographical ornaments. Further with two woodcut decorated initials. Splendid late 19th-century elaborately gold-tooled red morocco bound by a French book binder named Allô, possibly Paul Charles Allô (1824-1890) and signed "Allo" in the lower turn-in of the front board. With the title lettered in gold on the gold-tooled spine, gold-tooled board edges and turn ins, gilt edges. 149, [3]; [1], [1 blank], [13], [1 blank] pp. Full description

JUSTINIANUS I, Emperor and Jean CHAPPUIS (editor). Codex. Codicis d[omi]ni Justiani sacratissimi principis libri novem...
Paris, Yolande Bonhomme for Jean Petit, 1538. 4to. With the woodcut printer's device of Thielman Kerver on the title-page, one full-page woodcut illustration, a near full-page woodcut illustration of emperor Justinian I, and numerous woodcut initials throughout. The title-page and text are printed in red and black. Contemporary blind-tooled pigskin, with the manuscript title on the spine and the front board. [40], CCCCCCCIIII, ll. Full description