Literature & Linguistics

HOMER. Iliade di Omero. Traduzione del Cav. Vincenzo Monti.
Milano, Dalla Stamperia Reale, 1812. 2 vols. Large 8vo (23.5 x 16 cm). Contemporary(?) elaborately gold-tooled green calfn (or sheepskin), with a light brown title-label on the spine lettered in gold. All boards show the large gold-tooled crowned coat-of-arms (possibly of the family Paule, from the Provence - similar to Rietstap 5, Pl. XXI) within a gold-tooled frame, brown marbled endpapers, gilt edges. [1], [1 blank], [1], [1 blank], [4], 366; 386 pp. Full description

HÖNN, Georg Paul. Betrugslexicon, worinnen die meisten Betrügereyen in allen Ständen, nebst denen darwider guten Theils dienenden Mitteln, ...
Coburg, Johann Carl Findeisen, 1761. 8vo. With a woodcut title-vignette and woodcut headpieces. Contemporary brown sprinkled paper over boards, red edges. [16], 524, [4] pp. Full description

[HOOFT, Pieter Cornelisz.]. Emblemata amatoria. Afbeeldinghen van minne. Emblemes d'amour.
Amsterdam, Willem Jansz. Blaeu, 1611. Oblong 4to (15 x 19 cm). With an engraved title-page, with the title in Latin, Dutch and French. With 30 engraved emblems (ca. 10.5 x 13.5 cm), each with tri-lingual mottos in the engraving and distichs in Dutch with Latin and French translations on the opposite page. The Dutch text is mainly set in gothic letters, while the Latin and French texts are set in roman and italic letters respectively. The Dutch songs and sonnets in the second half of the work are set in roman and gothic letters, sometimes in two columns. 19th-century gold-tooled red sheepskin, with two triple-fillet frames and 4 ornamental corner pieces between the two frames. With an elaborately gold-tooled spine, including the French title and the year of publication, gold-tooled board edges and turn-ins, gilt edges, marbled endpapers and a yellow, red and green reading ribbon. 144 pp. Full description

HORACE. [Opera] cum quattor commentarijs.
Venice, printed by Philippus Pincius for Benedictus Fontana, 1495-1496. With large woodcut printer's device on last leaf, and numerous woodcut initials.
With:
(2) PERSIUS. [Opera] cum tribus commentariis.
Venice, Giovanni Tacuino de Tridino, 4 November 1499. With woodcut printer's device on verso of penultimate leaf, and fine woodcut on title-page.
(3) JUVENALIS. [Opera] cum commento Ioannus Britannici.
Reggio Emilia, Francesco de Mazalibus, 1503. With fine woodcut at the head of text, and some woodcut initials. 3 works in 1 volume. Folio. Contemporary blind-tooled vellum over wooden boards with 2 brass clasps. [264] ll. Full description

HOUSMAN, Laurence; Edmund DULAC (ills.). Stories from the Arabian nights.
London, Hodder and Stoughton, November 1907. 4to. With 50 full-page coloured illustrations after drawings by Edmund Dulac, with descriptions on the flyleaves. Original publishers orange cloth with gilt title in gold on decorated spine and front cover. xvi, 133 pp. Full description

HOUWAERT, Jean Baptista. Pegasides pleyn. Ofte den lust-hof der maechden.
Volume 1: Delft, Adriaen Gerritsen, 1615 (colophon: 1614); volume 2: Leiden, Jan Paets Jacobszoon, 1611. 8vo. Volume 1 with an engraved title-page by Jan Wiericx and 8 full-page engravings by Jan Wiericx; volume 2 with the main text set in civilité type. Uniform contemporary vellum. XLVI, [2], 867, [1]; 464, 1-471, [1 blank] pp. Full description

HOUWAERT, Johan Baptista [recté: MOL, Jacob de, Colyn KEYART and “SMEECKEN” (Jan SMEKEN?)]. Den handel der amoureusheyt inhoudende vier poetische spelen, 1. Van Aeneas ende Dido. 2. Narcissus ende Echo. 3. Mars ende Venus. 4. Leander ende Hero. Poetelijck geinventeert ende rethorijckelijck ghecomponeert.
Rotterdam, Jan van Waesberghe III, 1621. 4 parts in one volume. 8vo. With an engraved ornamental title-page with the title in an oval cartouche and 4 roundels in the corners with scenes from the four plays; 4 full-page engraved plates with similar scenes, one in the preliminaries of each play. Contemporary calf, spine richly gold-tooled in compartments with red title label lettered in gold, gold-tooled board edges. 237 ll. Full description

[HUGO, Victor]. [Théatre. Gravures sur soie].
[Paris, J. Lemmonyer, G. Richard and Cie, E. Testard, between 1885-1895]. 4to (ca. 27 x 24.5 cm). With 30 full-page engravings on silk. Contemporary gold-tooled red morocco, with the title and author lettered in gold on the spine, gold-tooled board edges and turn ins, marbled end papers. Bound by the French bookbinder Louis Guétant (1848-1936), signed in the bottom turn in of the front board. [30] silk ll. Full description

HULSIUS, Bartholomaeus. Den onderganck des Roomschen Arents, door den Noordschen Leeuw. Af-ghebeeldt in verscheyden konstige figuren, met sin-rijcke verklaringhen der selver, beydes in en buyten rijm, vertoonende, in 't kort, de gedenckwaerdighste saken, die van den beginne, tot noch toe, in dese oorlogen zyn omgegaen. Met een verhael van den doodt des Koninghs. Hier zyn noch by ghevoeght de victorien der Croon Sweden, sedert de doodt des auteurs vercreghen.
Amsterdam, Crispijn vande Passe, 1642. 4to. Engraved allegorical title-page with engraved title in a central panel below Fame sitting on a swan. Beautifully bound in 19thcentury light brown gold-tooled calf (1850s or 1860s?), each board with triple along the edges, decorated spine with red and green labels lettered in gold, gold-tooled board edges and turn-ins, marbled endpapers, signed "PETIT SUCCr DE SIMIER": Charles Petit operated a Paris bindery from 1848 to 1873 as successor to René Simier (1772-1843), relieur du roi from 1815, and his son. [12], 91, [1 blank] pp. plus engraved title-page. Full description

HULTHEM, Charles van (A. VOISIN, cataloguer). Bibliotheca Hulthemiana ou Catalogue méthodique de la riche et précieuse collection de livres et des manuscrits.
Ghent, J. Poelman, 1836-1837. 6 volumes. 8vo. With lithographed portrait of Charles van Hulthem as frontispiece. Contemporary half goatskin. Full description