Art, Architecture & Photography / Music, Theatre & Dance

YSERMANS, Joan. Triumphus Cupidinis. In-houdende veel schoon stichtighe, en[de] seer vermaeckelijcke liedekens, en[de] andere ghedichten, verciert met veel loffelijcke sententien, als oock sommighe epitalamien, bruyloft-liedekens en andere poëmata.
Including:
-Ecomium matrimonii. In-houdende een bruy-loft spel, epithalamien ende sommighe liedekens.
-Nederlantsche poëmata. In-houdende sommighe sonetten, liedekens, graf-dichten ende andere.
Antwerp, widow of Jacob Mesens, 1628. 3 parts in 1 volume. Small oblong 8vo (8.5 x 12.5). With richly engraved allegorical frontispiece by Anthoni Spirincx and many songs accompanied by music scores. Contemporary sheepskin parchment. 374, [2] pp. Full description

ZEHENDTNER VOM ZEHENDTGRÜB, Paul. Ordenliche Beschreibung mit was stattlichen Ceremonien und Zierlichheiten, die Röm. Kay. May. unser aller gnedigster Herr, samt etlich andern Ertzhertzogen, Fürsten und Herrn, den Orden dess Guldin Flüss, in disem [15]85. Jahr zu Prag und Landshüt, empfangen und angenommen.
Dillingen, Johann Mayer, 1587. 4to (20 x 15.5 cm). With title printed in red and black, 7 full-page engraved illustrations (showing the collar (chain) of the Order, the Emperor Rudolf II in his robes and 5 coat-of-arms), and 13 large folding engraved plates showing the splendid ceremonies held at Prague and Landshut, probably all drawn by Anthony Boys. Contemporary gold-tooled tanned sheepskin; rebacked with most of the original backstrip laid down. [1], [1 blank], 155, [1], [2 blank] pp. Full description

ZEHENTNER, Paul. Promontorium malae spei: impiis periculose navigantibus propositium. Sive, signum & nota reprobationis: procrastinatio poenitentiae, scripta cautelae hominum, emendatione[m] vita[e] cunctantium, spe aliquando resipiscendi.
Graz, [heirs of Georg] Widmanstetter for Sebastian Haupt, 1643. Large 4to (25.5 x 19 cm). With an engraved allegorical frontispiece and a richly designed armorial and emblematic dedication plate, both by David Tscherning. Contemporary, richly gold-tooled black morocco, each board in a panel design of rolls and stamps with a large built-up centrepiece in a double frame of multiple decorative rolls (the diagonals connecting the inner and outer frames possibly intended to give the effect of a three-dimensional niche), and the spine treated as a single field with built-up decorations in a frame of multiple rolls, gold fillets on turn-ins, the whole with hundreds of impressions of dozens of stamps and rolls, gilt edges, traces of 2 pair of ties. [36], 752, [10] pp. including engraved frontispiece but not dedication plate. Full description