Art, Architecture & Photography / Music, Theatre & Dance

BARROW, John. Reizen in China, ...
Haarlem, François Bohn, 1807-1809. 3 volumes. 8vo. With 10 engraved plates (6 folding, 1 double-page), the double-page plate with 2 portraits hand-coloured, 4 leaves with engraved music, and several woodcut and engraved illustrations in the text. Original publisher's boards. VIII, 288; VI, 334; VI, 341, [1] pp. Full description

[BINDING]. [GHELARDI SCOLOPI, Orazio Antonio]. La pace tra la virtu', la gloria, ed amore. Componimento drammatico da cantarsi in occasione delle faustissime nozze del nobil uomo signor Silvestro Michele Arnolfini con la nobil donzella signora Beatrice Luisa Bernardini dedicato alla medesima.
Lucca, Giuseppe Rocchi, 1767. Small 4to (17 x 14 cm). Contemporary red velvet, embroidered with silver and gold thread and white and yellow silk (each board with an emblematic image: a crowned mirror[?] showing a hand planting a flag, perhaps intended as the groom's hand on the front and the bride's hand on the back), sewn without supports through 3 holes, brocade paper endpapers (grape vines and large flowers, white on a copper background), green silk ribbon marker. 24 pp. Full description

BORGHÈSE, Antonio D.R. Traité général de musique, ou l'Art musical ramené a ses vrais principes; humblement dédié a Son Altesse Royale le Prince des Asturies ...
[back wrapper:] Bayonne, Imprimerie de Duhart-Fauvet, [ca. 1807?]. Large 4to (27 x 20 cm). With 11 folding "plates" containing manuscript examples of mensural music. With no title-page, but with the letterpress title and composer's name on the front wrapper and the letterpress imprint on the back wrapper. Bound with the wrappers in contemporary gold-tooled, long-grain red goatskin morocco, gilt edges. V, 65, [2] pp. Full description

BUIJS, Jacobus. [Set of 22 drawings and 1 engraving].
[Ca. 1781]. Various sizes. 22 washed pen and ink drawings and 1 engraving on paper. Mostly loose, nos. 8, 10, 20-23 pasted on paper support. Full description

CANNA, Pasquale. Raccolta di disegni alla Sacra Real Maestà D.A M.ria Cristina Borbone Regina di Spagna ed delle Indie.
[Naples, 1828-1831?]. Oblong 1mo (39×50 cm). One letterpress leaf dated 22 August 1830, mounted on flyleaf, and 18 hand-coloured lithographs, dated from 1828 to 1831, drawn on stone by Angelo Belloni, Federico Gatt, Gaetano Dura and Settimio Severo Lopresti, and printed by the "Reale Litografia Militare". Contemporary green half sheepskin, gold-tooled spine, front board with letterpress title-label. Full description

[DUMAS, Antoine-Joseph]. L'art de la musique enseigné et pratiqué par la nouvelle methode du bureau typographique.
Paris, Sr. Auguste [for the author], [1753]. Large oblong 4to (26 x 33.5 cm). Wholly engraved, including an engraved title-page, two-page engraved dedication, a double-page folding engraved musical table ("Elémens de la musique. Plan général du bureau typographique musical") and 427 engraved text pages by Mademoiselle Vandôme. Contemporary gold-tooled dark green (goatskin) morocco, richly gold-tooled spine with red morocco title label, gold-tooled boards with the coat of arms of Louis-Philippe d'Orléans (1725-1785) on both sides, gold-tooled board edges and turn-ins, pink silk endleaves, gilt edges (attributed to Jean-Charles-Henri Lemonnier). [4], 12-427, [1 blank]; 11, [1 blank] pp. Full description

FERRIOL Y BOXEREAUX, D. Bartolome. Reglas utiles para los aficionados a danzar: provechoso divertimiento de los que gustan tocar instrumentos. Y politicas advertencias a todo genero de personas. Adornado con varias laminas.
Capoa, Joseph Testore, 1745. Small 8vo (14×10 cm). With 35 woodcuts in text (including many full-page), 7 folding leaves with woodcut music notation and letterpress text, and some letterpress text set along curves. Many of the full-page woodcuts and some on the folding leaves also include dance notation. Mid 19th-century gold-tooled green calf, with the emblematic device of the "Bibliotheca de Salvá" and initials VSP (=Vicente Salvá y Pérez) on each board. [20], 302 pp. Full description

[FOKKE, Jan or Myndert DE BOER (attributed to)]. Historie van den Amsterdamschen schouwburg.With: (2) Historie van den nieuwen Amsterdamschen schouwburg.
Amsterdam, Gerrit Warnars and Petrus den Hengst, 1772-1775. 2 works in 1 volume. 4to. With an engraved frontispiece, a small engraved illustration by Noach van der Meer II on both title-pages, 4 folding engraved plates of the old theatre; 5 folding engraved plates of the new theatre, all engraved by the publishers after designs by Van der Meer and 1 by Simon Fokke. Contemporary marbled calf, gold-tooled spine. [10], 80, [12]; [6], 56 pp. Full description

FORBES, John (publisher). Cantus, songs and fancies, to severall musicall parts. Both apt for voices and viols. With a brief introduction to musick, ... The third edition, exactly corrected and enlarged. Together also, with several of the choisest Italian-songs, and New English-Ayres, all in three parts, (viz.) two treebles and a bass.
Aberdeen, John Forbes, 1682. Small oblong 4to (12.5 x 16 cm). With a facsimile woodcut title-page (with woodcut arms on the back), a general letterpress title-page (with the woodcut arms of King Charles Stuart on the back), a full-page woodcut of a human hand, and musical scores throughout. 19th-century brown morocco. [57] ll. Full description

FRANCK, Bernard. Collection de 124 carnets de bal du XVIIIe siècle formée par M. Bernard Franck a Paris de l'année 1875 au 23 avril 1902.
Paris, Gerschel, Photographe, 1902. Large 4to (32.5 x 29 cm). With one full-page (27.5 x 23 cm) and 248 mounted carbon print photographs (ca. 8.5-9 x 4.5-5.5 cm) on 63 leaves of thick hinged card board, and 4 preliminary letterpress text pages printed in red and black. Original dark green half morocco, with title in gold on front board and spine, gilt edges. Full description

GOMES DA SILVA, Alberto José. Regras de acompanhar para cravo, ou orgaõ, e ainde tambem para qualquer outro instrumento de vozes, reduzidas a breve methodo, e fácil percepçaõ.
Lisbon, Francisco Luís Ameno, 1758. 4to (21 x 15 cm). With 12 pages of engraved music printed from 12 copper plates on both sides of 6 inserted leaves (mostly polyphonic music with 4 double staves - G and F clef - per page). Further with a full-page engraved dial showing the 12 intervals in all major and minor keys, including diminished and augmented intervals (lacking the inner rotating dial with the twelve notes: photocopy supplied), a woodcut ornament on the title-page, 2 woodcut decorated initials (from 2 different series) and 2 woodcut head pieces. Contemporary, richly gold-tooled red goatskin morocco. [8], “39” [= 47] [pp. 45-47 numbered as 37-39], [1 blank], [2], [2 blank] pp. Full description

GUARINI, Giovanni Battista. Il pastor fido, tragicommedia pastorale ... Editione nuova, arricchita di curiose, ed utili annotazioni, e riveduta, e corretta da A.P.D.A.
Amsterdam, Franco Soudaan, 1732. 4to. Contemporary richly gold-tooled red morocco, with an elaborate arabesque central ornament in a triple panel design, crowned ornaments, flowers, acorns and stars, richly gold-tooled turn-ins, dark green title label, marbled endpapers, gilt edges (so-called "Bird's Head Bindery", Amsterdam). [24], 319 [= 316] pp. Full description

HOUWAERT, Johan Baptista [recté: MOL, Jacob de, Colyn KEYART and “SMEECKEN” (Jan SMEKEN?)]. Den handel der amoureusheyt inhoudende vier poetische spelen, 1. Van Aeneas ende Dido. 2. Narcissus ende Echo. 3. Mars ende Venus. 4. Leander ende Hero. Poetelijck geinventeert ende rethorijckelijck ghecomponeert.
Rotterdam, Jan van Waesberghe III, 1621. 4 parts in one volume. 8vo. With an engraved ornamental title-page with the title in an oval cartouche and 4 roundels in the corners with scenes from the four plays; 4 full-page engraved plates with similar scenes, one in the preliminaries of each play. Contemporary calf, spine richly gold-tooled in compartments with red title label lettered in gold, gold-tooled board edges. 237 ll. Full description

[HUGO, Victor]. [Théatre. Gravures sur soie].
[Paris, J. Lemmonyer, G. Richard and Cie, E. Testard, between 1885-1895]. 4to (ca. 27 x 24.5 cm). With 30 full-page engravings on silk. Contemporary gold-tooled red morocco, with the title and author lettered in gold on the spine, gold-tooled board edges and turn ins, marbled end papers. Bound by the French bookbinder Louis Guétant (1848-1936), signed in the bottom turn in of the front board. [30] silk ll. Full description

HULSEN, Esaias von. Aigentliche Wahrhaffte Delineatio[n] unnd Abbildung aller Fürstlichen Auffzüg und Rütterspilen ....
[Stuttgart], Esaias von Hulsen, [1617]. With an engraved allegorical title-page and 91 (out of 92) numbered engraved plates.
With: (2) WECKHERLIN, Georg Rodolf. Kurtze Beschreibung dess zu Stutgarten, bey den fürstlichen Kindtauf und Hochzeit jüngst-gehaltenen Frewden-Fests. Tübingen, Dietrich Werlin, 1618. An extra leaf is bound between pp. 4 and 5: "Cartel, und Articul beym Ringrennen". 2 volumes in 1. Oblong folio (28 x 35 cm). Contemporary richly blind-tooled pigskin, remnants of ties. [2], 1-50, 52-92 ll.; [2], 4, [2], 71, [1] pp. Full description

LA BORDE, Jean-Benjamin de. Essai sur la musique ancienne et moderne.
Paris, printed by Denys Pierres and sold by Eugène Onfroy, 1780-1781. 4 volumes. 4to. With 463 engraved plates (including several folding), 3 folding letterpress tables, an engraved vignette on each title-page, letterpress music notes, and numerous engraved head- and tailpieces. Including: Mémoires sur les proportions musicales, le genre énamonique des Grecs et celui des modernes ... Supplément a l'essai sur la musique
Contemporary gold-tooled calf. Full description

MALIBRAN, Maria. [Autograph letter, signed, from Maria Malibran to Mr. Colladon].
Norwich, 23 September [1830]. 4to. Written in ink on paper. Disbound. Gilt edges. 4 pp. Full description

MARMONTEL, Jean François and Pieter PIJPERS. Zemire en Azor, zangspel. Met konstwerken en balletten. Gevolgd naar het Fransche.
Amsterdam, Jan Helders, Abraham Mars, 1783. 8vo. With an engraved title-page including a vignette by H.L. Meyling, a letterpress title-page with an emblematic engraved vignette by Reinier Vinkeles. Extra added in this copy are an additional letterpress title-page, also dated "1783", but with a portrait of Pieter Pijpers engraved by Theodorus Koning dated 1789, accompanied by the letterpress explanatory leaf with a poem "Op myne afbeelding door Theodorus Koning", dated 1789, signed by Pijpers in brown ink. Further with 3 extra added engraved plates, plus 1 repeated in an earlier state with no lettering, depicting scenes from the play by various Dutch artists (A. Fokke, H.L. Myling, W. Immink, A. Hulk Jacobsz), 1 dated 1784. And finally with 6 engraved plates by various French artists, made for the original French edition. The engraved title is richly coloured and highlighted with gold (incl. the lettering) by a contemporary hand. The six French plates are splendidly coloured and highlighted with gold and gum arabic by a contemporary hand. Contemporary half calf, gold-tooled spine. [16], 76, [2] pp. Full description

NOMSZ, Johannes. [A choice collection of 6 original plays written by Johannes Nomsz and 10 plays of French playwrights - Racine, Corneille, Voltaire and others - together with other texts highly interesting for the history of the Amsterdam stage, and Nomszs historical work on the life of Mohammed in 2 volumes].
Amsterdam, Izaak Duim, Johannes Smit, David Klippink, widow of David Klippink, Hendrik Gartman, Johannes Smit, heirs of David Klippink, 1764-1780. 16 plays, 3 essays and 1 biography bound in 11 volumes. 8vo. With two portraits of Nomsz by Reinier Vinkeles (vol. I) and J. Houbraken (vol. IX), a portrait of Mohammed by J. Houbraken (vol. I) and 14 frontispieces by the best engravers of the time: Jan Punt, Reinier Vinkeles, Simon Fokke, P. Tanjé and Th. Koning. Uniform contemporary vellum with a blind-tooled centrepiece and cornerpieces on each board, manuscript titles on spines. [8], 76; [8], 64; [8], 56; 14; 62; [8], 54; 12, [74]; [4], 54; [12], 74; [6], 71; [8], 71; [6], 58; [12], 78; [6], 112; [8], 82, [2]; 35; [4], 88, [2]; 43; [10], 113; [10], 67; [12], 73, [2]; XXVI, 182; [4], 190 pp. Full description

[PERAU, Gabriel-Louis Calabre]. L'Ordre des Francs-Maçons trahi, et le secret des mopses revelé.
Amsterdam, 1745. 8vo. With vignette on the title-page and 14 engraved plates (4 folding). 19th-century half calf. [16], 174, [1], [1 blank] pp. Full description

[PERRY, Matthew Calbraith]. Ethiopian concert. United States steam frigate Powhatan, Hakodadi, Island of Yesso, Empire of Japan, May 29th [1854]. An Ethiopian entertainment will be given by the Japanese Olio Minstrels, on board this ship, this evening, weather favorable, to which the Officers invite your attendance.
[On board the Powhatan], Japan Expedition Press, [1854]. 19 x 26 cm as opened flat. A programme and invitation, printed letterpress on washi mulberry tissue paper with a lace-like decorative flower pattern in white. Full description

PFEIFFER, François Joseph junior, Jacob van LENNEP and Gerrit van ENST KONING. Tooneel decoratief, voorgesteld in op steen geteekende platen door F.J. Pfeiffer Jr.
Amsterdam, Coenraad Weddepohl, 1845. Folio. With a lithographed portrait of the artist (mounted), 8 lithographed plates of stage designs, and 9 poems in red decorated letterpress frames, the lithographs by Desguerrois & Co. With the 8 plates of stage designs hand-coloured as published. Original publisher's cloth, with a gold-blocked lyre in the centre of each board. [2 blank], [1], [1 blank], 10 pp., [9] ll. + plates. Full description

PLANELLI, Antonio. Dell'opera in musica trattato del cavaliere Antonio Planelli dell'ordine Gerosolimitano.
Napels, Donato Campo, 1772. 8vo. Contemporary half vellum with a 19th-century spine label. 15, [5], 272 pp. Full description

[PROSTITUTION]. Les filles en cage, ou Déguerpissons! Par un abonné au cachet des maisons de plaisir de la capitale.
Paris, Peytieux (colophon: Sétier), 1830. 8vo. With a lithographed title-page with an illustration and a small woodcut decoration on the letterpress title-page. Later black half morocco. 14, [2] pp. Full description

QUTB AL-DIN AL-SHIRAZI. Durrat al-taj wa-khulasat al-nitaj fi ilm al-musiqa.
Shiraz, 1151 AH [= 1738/39 CE]. 4to (ca. 16.5 x 21 cm). Persian manuscript on gold-flecked paper. In tidy black naskh script in 22 lines, with highlights and important words and phrases picked out in red. WIth numerous tables and diagrams. Contemporary leather-backed patterned boards. 57 ll. Full description

RACINE, Jean and Antonio José de Lima LEITÃO (translator). Iphigénia tragédia de João Racine. Traduzida em verso portuguez, e offerecida como uma prova da mais sincera gratidão.
Rio de Janeiro, Impressão règia, 1816. 8vo. With a woodcut printer's device on the title-page. Contemporary blue-grey wrappers. [8], 53, [3 blank] pp. Full description

RADEKER, Johannes. Korte beschryving van het beroemde en prachtige orgel, in de groote of St. Bavoos-kerk te Haerlem.
Haarlem, Johannes Enschedé en zoonen, 1775. 8vo. With a woodcut vignette on page 32, showing cherub holding a book with the motto "musica dis curae est" Contemporary marbled wrappers, side stitched through 3 holes. 32 pp. Full description

RAMEAU, Pierre. Le maître a danser. Qui enseigne la maniere de faire tous les differens pas de danse dans toute la regularité de l'art, & de conduire les bras à chaque pas.
Paris, Jean Villette, 1725. 8vo. With etched frontispiece and 59 etched plates (including 3 double-page and 1 larger folding) showing 2 couples dancing the minuet before King Louis XV and his court, individuals and couples demonstrating dance positions, dance steps, positions and movements of the hands and arms during the dance, drawn and mostly etched by the author. Further with numerous charming woodcut headpieces and tailpieces (2 signed "V.LS" or "V.LS in"), woodcut decorated initials, and decorations built up from cast fleurons. Green morocco (ca. 1900?), gold-tooled spine, gold-tooled turn-ins, fillets on board edges, curl-marbled endpapers, gilt edges (stamp on endleaf: "Gloss. Elldt Jnr"?). XXIV, 272 pp. Full description

REITZ, Johann Frederik, and others. Oude en nieuwe staat van't Russische of Moskovische Keizerryk, behelzende eene uitvoerige historie van Rusland en deszelfs groot-vorsten; benevens de beschryvinge van dat uitgestrekte ryk, de zeden en godsdienst der inwoneren: zyne opkomst en voortgang in koophandel, kunsten, land- en zeemacht, oproeren, oorlogen en verdere wisselvalligheden, tot dezen tegenwoordigen tydt toe.
Utrecht, Johannes Broedelet, 1744. 4 volumes. 4to. With 4 folding maps, 3 folding plates and a folding letterpress table. Early 19th-century half red sheepskin. [2], 296; [2], 200, 200a-200d; [2], 501; [2], 830 pp. Full description

[RHETORICIANS]. Spelen va[n] sinne byde[n] .xix. gheconfirmeerden cameren van rhetorijcken binnen der stede van Ghendt comparerende, verthoont, volghende den octroye vander K. Maiesteyt, Grave va[n] Vlaendren, onsen gheduchte[n] Heere, schepenen der selver stede, en[de] camere van rhetorijcke vander heylige drievuldicheyt, gheseyt de fonteynisten, verleent, en[de] der charte uutghesonde[n] op de questie, welck den mensche stervende, meesten troost is: die selve spele[n] beghinnende by ordre, so hier na volcht, de[n] .xii. junij, int jaer m.ccccc.xxxix. En[de] werde[n] volspeelt en[de] gheeyndt, den .xxiii. vanden jare en[de] maent voorsz.
(Colophon: Antwerp, [Matthias Crom], 25 October 1539). 8vo. 18th-century half vellum. [220] ll. Full description

HEYNS, Zacharias. Const-thoonende juweel by de loflijcke stadt Haerlem, ten versoecke van trou moet blijcken, in't licht gebracht. Waer inne duydelick verclaert ende verthoont wordt alles wat den mensche mach wecken om den armen te troosten, ende zijnen naesten by te staen. In twaelf spelen van sinne, so veel intreden, refreynen ende liedekens ghestelt in redenrijck naer de volgende voorgegevene caerte van 't speel-korenken.
Zwolle, Zacharias Heyns, 1607. With large emblematic device with the coat of arms of Haarlem on title-page, 2 full-page engravings of raised-platform stages, 13 full-page engraved emblematic devices of the chambers of rhetoric (most including 1 or 2 coats of arms), 13 pages of songs with letterpress music notes, and 13 large folding oblong plates on 2 or more sheets depicting the festive entree of each group of actors from the competing chambers of rhetoric.
(2) [RHETORICIANS - REDERIJKERS - HAARLEM]. Haerlems juweel, tot nut vande oude arme uyt liefden ten thoon ghestelt nae de voorgegevene caerte vant speelcorenken.
Zwolle, Zacharias Heyns, 1608. With a large engraving on title-page, repeated from the first work, a full-page engraved emblematic device of the Flemish chamber of rhetoric, "Het Wit Angelierken" from Haarlem, and large folding oblong plate on 3 sheets depicting the festive entree of the actors of the Flemish chamber of rhetoric. 4to. 2 works in 1 volume. Contemporary vellum. [266]; 12 ll. Full description

[AUTOGRAPH]. RÖNTGEN, Julius. [Autograph letter, signed, to Max Seiffert(?)].
Bilthoven (the house 'Gaudeamus'), 19 November 1926. Doubleleaf (21.5 x 13.5 cm). In German. 4 pp. Full description

ROUSSEAU, Jean Baptiste. Odes sacrées ..., détachées du corps de ses ouvrages.
Brussels, Gilles Stryckwant, 1738. 4to. With a woodcut coat of arms of Austria on title-page. Contemporary mottled calf, richly gold-tooled spine and board edges. [6], 109, [1 blank] pp. Full description

SABBATTINI, Nicola. Pratica di fabricar scene, e machine ne'teatri.
Pesaro, Flaminio Concordia, 1637. 4to. With the woodcut coat of arms of the dedicatee Cardinal Grimaldi on the title-page and 49 woodcut diagrams and illustrations of decors and stage settings in the text, many illustrating the use of perspective to give an illusion of three dimensions and some showing mechanical systems, such as screens raised and lowered with pulleys. Decorated paper wrappers (ca. 1700?). [4], 89, [2] pp. Full description

[SONGBOOK - DUTCH]. Eerste [-Tweede] deel van 't nieu geusen liet boeck, waerinne begrepen is den gantschen handel der Nederlanden, beginnende anno 1564. uit alle oude geusen liet-boecken by een versamelt. Verciert met schoone oude refereynen en[de] liedekens, te voren noyt in eenige liet-boecken ghedruct. Met de figuren der gouverneurs.
Amsterdam, Gerrit van Breugel, 1616. 2 parts in 1 volume. 8vo. Title-page printed in red and black with borders built up from typographic ornaments, woodcut on title-page, and 10 small woodcut portraits in text of the two parts together. Later limp sheepskin parchment, with remnants of ties. [1], 93, [1]; 86, [1] ll. Full description

SONNAVILLE, Louis de, S.J. De nieuwe muziekleermiddelen van het systeem-Sonnaville.
[Leiden, Johannes Eggers, ca. 1895]. 25 items in 1 box. All items in a green half cloth box (37 x 29 x 4 cm) which opens at the front and can be closed with cloth strings, with a letterpress title-label mounted on top. Full description

SVINYIN, Pavel Petrovic (here Paul SWININ, elsewhere SVIN'IN or SUININE). Tafereelen uit eene reis naar Noord-Amerika.
Haarlem, A. Loosjes Pz., 1818. Large 8vo. Contemporary half calf, marbled sides. [4], IV, 127 pp. Full description

TASSO, Torquato. Il Re Torrismondo tragedia.
Venice, Fabio & Agostino Zoppini, 1588. 12mo or long 24mo in 12s (13.5×7 cm). With the Zoppinis' woodcut device on the title-page, a woodcut headpiece, several woodcut tailpieces, several woodcut decorated initials (3 series), and cast fleurons. Gold- and blind-tooled overlapping sheepskin (ca. 1900?). 58, [1], [1 blank] ll. Full description

TAURELLUS, Nicolaeus. Emblemata physico-ethica, hoc est naturae morum moderatricis picta pracepta.
Nürnberg, Simon Halbmayer, 1617. With Halbmayers woodcut globe, bird and book device on the title-page, 116 emblematic woodcuts, in most cases incorporating a coat of arms, woodcut decorated initials.
With: (2) IDEM. Carmina funebria, quae magnorum aliquot, clarorum que virorum felici memoriae dicavit. Nürnberg, Christophor Lochner the elder, 1602. With the title in a frame built up from arabesque typographic ornaments. 2 works in 1 volume. 8vo. Contemporary vellum. [23], [120] ll; 38, [2 blank] pp. Full description

XAVERY, Gerard Joseph. Het nieuw geopend Italiaans tóneel, vertonende de wonderlijke ziekte bezwangerheid en baring van Arlequin: benevens de opvoeding van des zelfs jongen zoon.
With: (2) XAVERY, Gerard Joseph. Het Italjaansch tooneel voortreffelijk in 16 verbeeldingen uytgevoert ..., verrijkt met Nederduytsche en Fransche vaarzen door Florentius H. J. van Halen.
Amsterdam, Petrus Schenk II, [1728?] & [1735?]. Royal 4to (30.5 x 26 cm). With 2 engraved title-prints, each followed by 16 numbered prints (pictorial images ca. 15 x 19 cm; plate size ca. 23.5 x 21 cm), with verses engraved in the feet of the plates. With all 34 engravings coloured by a contemporary hand and varnished, probably for the publisher. Contemporary vellum. [1], 16; [1], 16 engraved ll. Full description

YSERMANS, Joan. Triumphus Cupidinis. In-houdende veel schoon stichtighe, en[de] seer vermaeckelijcke liedekens, en[de] andere ghedichten, verciert met veel loffelijcke sententien, als oock sommighe epitalamien, bruyloft-liedekens en andere poëmata.
Including:
-Ecomium matrimonii. In-houdende een bruy-loft spel, epithalamien ende sommighe liedekens.
-Nederlantsche poëmata. In-houdende sommighe sonetten, liedekens, graf-dichten ende andere.
Antwerp, widow of Jacob Mesens, 1628. 3 parts in 1 volume. Small oblong 8vo (8.5 x 12.5). With richly engraved allegorical frontispiece by Anthoni Spirincx and many songs accompanied by music scores. Contemporary sheepskin parchment. 374, [2] pp. Full description

ZEHENDTNER VOM ZEHENDTGRÜB, Paul. Ordenliche Beschreibung mit was stattlichen Ceremonien und Zierlichheiten, die Röm. Kay. May. unser aller gnedigster Herr, samt etlich andern Ertzhertzogen, Fürsten und Herrn, den Orden dess Guldin Flüss, in disem [15]85. Jahr zu Prag und Landshüt, empfangen und angenommen.
Dillingen, Johann Mayer, 1587. 4to (20 x 15.5 cm). With title printed in red and black, 7 full-page engraved illustrations (showing the collar (chain) of the Order, the Emperor Rudolf II in his robes and 5 coat-of-arms), and 13 large folding engraved plates showing the splendid ceremonies held at Prague and Landshut, probably all drawn by Anthony Boys. Contemporary gold-tooled tanned sheepskin; rebacked with most of the original backstrip laid down. [1], [1 blank], 155, [1], [2 blank] pp. Full description

ZEHENTNER, Paul. Promontorium malae spei: impiis periculose navigantibus propositium. Sive, signum & nota reprobationis: procrastinatio poenitentiae, scripta cautelae hominum, emendatione[m] vita[e] cunctantium, spe aliquando resipiscendi.
Graz, [heirs of Georg] Widmanstetter for Sebastian Haupt, 1643. Large 4to (25.5 x 19 cm). With an engraved allegorical frontispiece and a richly designed armorial and emblematic dedication plate, both by David Tscherning. Contemporary, richly gold-tooled black morocco, each board in a panel design of rolls and stamps with a large built-up centrepiece in a double frame of multiple decorative rolls (the diagonals connecting the inner and outer frames possibly intended to give the effect of a three-dimensional niche), and the spine treated as a single field with built-up decorations in a frame of multiple rolls, gold fillets on turn-ins, the whole with hundreds of impressions of dozens of stamps and rolls, gilt edges, traces of 2 pair of ties. [36], 752, [10] pp. including engraved frontispiece but not dedication plate. Full description