Art, Architecture & Photography

VENTURINI, Gio Francesco. [Collection of 12 prints showing fountains and other water sources from "Le Fontane di Roma"].
Rome, Gio Giacomo Rossi, [1691]. Oblong folio (ca. 33 x 23.5 cm.) Selection of 12 fine engraved views of the fountains of Rome by Gio Giacomo Venturini, including 9 in passepartout. [12] engraved plates, including 9 mounted in a passepartout. Full description

VERGNAUD, Armand Denis. Manuel de perspective, du dessinateur et du peintre, contenant les élémens de géométrie indispensables au tracé de la perspective, la perspective linéaire et aérienne, et l'étude du dessin et de la peinture spécialement appliquée au paysage.
Paris, Roret, 1825. 12mo. With 8 folding engraved plates. Modern gold-tooled beige paper over boards, with a red morocco author and title label on the spine, lettered in gold, brown sprinkled edges. [4], 229, [1] pp. Full description

VERGNAUD, Narcisse. L'art de créer les jardins, contenant les préceptes généraux de cet art; leur application développée sur des vues perpectives, coupes et élévations, par des exemples choisis dans les jardins les plus célèbres de France et d'Angleterre; et le tracé pratique de toute espèce de jardins. ... Nouvelle edition.
Paris, La Librairie Encyclopédique de Roret (on the back of the half-title: "Imprimerie et fonderie de Fain, imprimeur de l'Université Royale de France"), 1839. Royal folio (49.5 x 32.5 cm). With 24 lithographed plates showing plans, designs and views of gardens in England, France and Italy. Modern black half morocco, on 7 supports, gold-tooled spine. [3], [1 blank], [1], [1 blank], 106 pp. Full description

VERHAEREN, Émile. Les plaines.
Paris, Henri Piazza (colophon: printed by G. Kadar, Paris, 15 February 1934). 4to (23 x 16 cm). With an original watercolour drawing (10 x 10 cm), 35 colour collotype facsimiles of watercolour drawings (1 as frontispiece, the others in the text), some finished by hand, and 70 plates repeating the 35 illustrations: once in black and white and once in colour, all by Henri Cassiers. Contemporary (1934) gold-blocked brown morocco by George Canape and Georges Corriez in Paris, each board with an unidentified (prince's or duke's?) coat of arms in the centre in a frame of rose branches (the roses in red), spine with author and title in gold and rose branches in red and gold, gold fillets on board edges, turn-ins in gold with red roses, decorated cloth doublures and free endleaves (yellow background with multi-coloured flowers all woven), gilt edges. 174, [2] pp. plus 70 plates and 1 watercolour drawing. Full description

[VERLIJ, P. J.]. Verhandeling van de schilderkonst in miniatuur, om gemakkelyk te leeren schilderen zonder meester...
Amsterdam, Gerrit de Groot, 1759. 8vo. Frontispiece, title-page in red and black, woodcut head- and tailpieces and 2 engravings on a single double-page plate. 20th-century half vellum, oil-marbled sides, light green morocco spine label, lettered in gold, green top edge. [24], 196 pp. Full description

VERMAARSCH, Joost. Eerste deel der bouw-kunst, ofte Grondige bewijs-redenen, over den sin ende practijck van den autheur Vincent Scamozzi, waer in grondigh wert bewesen, dat men door den middel van den autheur Scamozzi, Palladio en Vinjola hare vijf colommen kan uytwercken; als oock van alle de voornaemste meesters der bouw-kunst, ende dat alleen met het verdeelen van een duym-stock, of voet-maet.
Amsterdam, Hendrick Doncker, 1678. 4to. With an engraved architectural frontispiece by G. Wingendorp, engraved vignette with carpenters' and masons' tools on title-page, and hundreds of diagrams, measured drawings of columns, architectural ornament and other architectural elements, orthographic projections, etc., on 46 engraved plates (including 5 folding). 19th-century half cloth, paste-paper sides. [16], 40, 16, 34, [2 blank] pp. Full description

VIDAL, Emeric Essex. Picturesque illustrations of Buenos Ayres and Monte Video, consisting of twenty-four views: accompanied with descriptions of the scenery, and of the costumes, manners, &c. of the inhabitants of those cities and their environs.
London, R. Ackermann (printed by L. Harrison), 1820. Elephant 4to (36.5 x 30 cm). With 24 unnumbered hand-coloured aquatint plates, including 4 folding, all drawn by Vidal and executed by G. Maile, T. Sutherland, G. Bluck and D. Havell. 20th-century gold-tooled, black morocco. XXVIII, 115 pp. Full description

[VIEW - NETHERLANDS - AMSTERDAM]. BAST, Pieter. Amstelredam.
[Antwerp], Pieter Bast, 1599. Large engraved panorama on 2 sheets (ca. 27 x 76 cm as assembled). Framed. Full description

VIGERIUS, Marcus. Decachordum Christianum Julio II. Pont. Max. dicatum. Controversia de excellentia instrumentorum Dominicae passionis, per eundem Dn. Marcum Vigerium discussa.
[Hagenau, printed by Th. Anselm & Joh. Albertus for Joh. Koberger, Nuremberg, 1517]. Folio. With title in woodcut border by Urs Graf and 10 beautiful full-page woodcuts (ca. 13.9-14.4 x 9.7-10.2 cm) by the "Master I S with the shovel", a pupil of Hans Schäufelein. Contemporary calf over wooden boards, blind-tooled side, two brass clasps. Leaves from a 14th-century liturgical manuscript pasted on the inner sides of the boards. From the "Koberger Werkstatt". [6], 204, [14] pp. Full description

VIGNOLA, Giacomo Barozzi da. Le due regole della prospettiva pratica. Con i commentarij del Egnatio Danti.
Rome, Francesco Zannetti, 1583. Folio. With a richly engraved architectural title-page by Cherubinus Albertus, 120 woodcut mathematical illustrations and figures in the text explaining perspective, including woodcuts of anamorphoses and 1 full-page woodcut, designed and cut by Danti, 29 engraved plates showing perspective designs, including 8 full-page, by Vignola. Further with a large woodcut printer's device on verso of the last leaf, and some woodcut decorated initials and head pieces. Later gold-tooled half calf and green decorated paper over boards, red and blue sprinkled edges. [1], [1 blank], [10], 145, [5] pp. Full description