Art, Architecture & Photography

VINNE, Jan Jansz. van der. [Passiflora caerula or blue passion flower].
[Lekzigt, near Dordrecht?, ca. 1780?]. Folio. (43 x 27.5 cm). Watercolour drawing on laid paper, signed on the back by the artist, "J. van der Vinne Jzn.". Attached by the top corners to a (19th-century?) wove millboard mount kept in a modern passe-partout. Full description

[VINNE, Jan Jansz. van der]. [Tiger lily].
[Netherlands, ca. 1780?]. Watercolour on a half sheet of laid paper (42.5 x 27.5 cm), mounted on wove paper. In a passepartout. Full description

VISSCHER, Claes Jansz. [and Simon FRISIUS]. t' Arminiaens testament.
[Amsterdam, Claes Jansz. Visscher, 1618]. Large 1mo broadsheet (66.5 x 46.5 cm), with engraved illustration (53 x 45.5 cm) at the head (with Visscher's name in the plate at lower right) and a letterpress verse text below. Full description

VISSCHER, Claes Jansz. Cort verhael ende afbeeldinghe der justitie, geschiet den 5. mey 1623. in 'sGravenhaghe.
Amsterdam, Claes Jansz. Visscher, 1623. Engraved illustration (26.5 x 14.5 cm), giving four circular portraits and 10 separate scenes, flanked by a letterpress description in Dutch. Full description

VISSCHER, Claes Jansz. Justitie over enige Arminiaensche verraders, geschiet in s'Gravenhaech.
[Amsterdam, Claes Jansz. Visscher, 1623]. Engraved print (26.5 x 32 cm) mounted on a large sheet of 18th-century(?) laid paper (50.5 x 33 cm), with manuscript text in three columns with the title: Cort verhaal ende waerachtige afbeeldinge der justitie geschiet in s'Gravenhage, over seeker, conspirateurs, diens conspiratie deur Gods voorsienigheid ontdekt is den 6e. February 1623. Full description

VISSCHER, Claes Jansz. Hendrick Danielsz Slatius, gewesene predicant tot Bleijswyck, naert 'tleven afgebeelt den 12 maert 1623.
[Amsterdam, Claes Jansz. Visscher, 1623]. Engraved illustration (22 x 12.5 cm), with an engraved title in Dutch at the head and Visscher's name at the foot, and with two letterpress poems in French on the left signed "A. Lancel."(measuring 24.5 x 25 in tital). Mounted on a larger blank leaf (36 x 41 cm). Full description

VISSER, Willem Abrahams. [Drawing book by an apprentice silversmith].
Emden, 1755-1759. 4to. Drawings on paper, some in red chalk and others in black ink with washes, some sketches of e.g. flowers in pencil on the verso of the leaves. Contemporary vellum, leather ties. 92 ll. Full description

[VLIEGER, Simon de]. [Hilly and wooded landscape with a bridge over a stream in the foreground].
[The Netherlands?, ca. 1620/40]. 43 x 56 cm. Landscape drawing in black chalk(?) and white chalk on paper. Under glass in a black and gold wooden frame. Full description

[VODDIGEL, Jan Simon & Ferdinand Karl KLIMSCH]. [Album von Wiesbaden].
Wiesbaden, C.W. Kreidel, [1852]. Small oblong folio (30 x 23 cm). Suite of 10 steel-engraved views, all finely hand-coloured and highlighted with gum arabic, tipped onto thick brown leaves with printed decorative borders and captions. Contemporary decorated red cloth, gold-tooled spine, new endpapers. [10] engraved views. Full description

VOGEL VON VOGELSTEIN, Carl Christian (artist); DANTE Alighieri. La divina commedia ...
Rome, Stamperia de Romanis, 1815-1817. 4 volumes. Large 4to (27 x 21 cm). With 3 etched illustration plates and an engraved portrait of Dante, all part of the edition. Interleaved copy owned by the German painter Carl Christian Vogel von Vogelstein (1788-1868), with 108 of his original lead pencil sketches, pen and ink drawings, watercolours, etc. (mostly illustrating Dantes Divine comedy), some drawn directly on the interleaves, some on separate leaves tipped in and a few on the leaves of the printed book. Further with a few additional images (including an etched portrait of Vogel and 5 sepia albumen(?) photographic prints: one showing an early portrait of Dante on coated paper, and 4 on uncoated paper showing details from Vogels oil painting of Dante and ten episodes from the Divine Comedy), along with many letters, clippings and other documents inserted, extensive notes by Vogel on the interleaves and some inserted leaves, and some manuscript notes in pen or pencil in the margins of the printed pages. Uniform half calf (ca. 1850?), sewn on 4 recessed cords, each volume with 2 dark brown morocco labels on the smooth, gold-tooled spines, the upper with "Divina Commedia|di Dante" and the lower with the volume number and relevant volume title ("Inferno", "Purgatorio" and "Paradiso"), glazed yellow paper sides, green edges, glazed ruddy blue endpapers, each volume with a pink ribbon marker and vols. 1-3 with numerous vellum tabs on the fore-edge and a few at the head and foot. li, [1 blank], 486; vii, [1 blank], 519, [1 blank]; “7” [= 5], [1], 522; viii, 184, 132, 164 pp., plus 3 engraved plates and the extensive collection of original drawings and manuscript material Full description