Religion & Devotion / Bibles, Liturgy & Devotional Works

DAVIES, John (translator). Te mau Episetole a te Aposetolo ra a Paulo. I to Galatia, Ephesia, Philipi, Colosa, Tesalonia, ia Timoteo hoi, Tito, e Philemona. Te taio ra, e haapao oia iaite. Iesu Christi.
Tahiti, i neia i te nenei raa a te mau misionari ra [colophon: printed at the Windward Mission Press], 1824. 12mo (17.5 x 11 cm). The text is printed in Tahitian, in two columns. Contemporary diced brown Russia, kept in a green slipcase. 71, [1 blank] pp. Full description

DIEU, Louis de. Animadversiones sive commentarius in quatuor evangelia, in quo collatis, Syri imprimis, Arabis, evangelii Hebræi, Vulgati, Erasmi & Bezæ versionibus ...
Leiden, Ex officina Bonaventura & Abraham Elzevir, 1631.
With: (bound before ad 1): (2) CHRISTEN, Johannes. Speculum harmonicum ...
Bern, Georgius Sonnleitnerus, 1642. 2 works in 1 volume. 4to. With a woodcut printer's device on the title page, 3 woodcut decorated initials, 2 woodcut headpieces and a woodcut tailpiece. Ad 2 with a frame built up from typographical ornaments on the title page, 3 woodcut decorated initials, a woodcut headpiece, plus 8 headpieces and 2 tailpieces built up from typographical ornaments. Contemporary blind-tooled overlapping vellum, with the manuscript title on the head of the spine, blue edges. [16], 87, [1 blank]; [16], 548, [19], [1 blank] pp. Full description

DRUSIUS, Johannes. Opuscula quae ad Grammaticam spectant, omnia, in unum volumen compacta.
Franeker, Gilles van den Rade, 1609.
With:
(2) DRUSIUS, Johannes. De litteris mosche vechaleb libri duo.
Franeker, Gillis van den Rade, 1608.
(3) DRUSIUS, Johannes (junior). Lachrymae, Iohannis Drusii Iunioris, tribus carminum generibus expressae, in obitum illustriss. et incomparabilis Heroïs Josephi Scaligeri.
Franeker, Gillis van den Rade, 1609.
3 works in 1 volume. 4to. Each title-page with a woodcut vignette (ad 1 and 2 the same, ad 3 different) and with some woodcut decorated initials (3 series). The text is set in roman and Hebrew type. Contemporary limp vellum, with the author and title in manuscript on the spine, remnants of ties. [8], "152" [= 160]; 55, [1 blank]; [8] pp. Full description

DURAND, Guillaume (Guillelmus DURANDUS or DURANTI). Rationale divinorum officiorum.
Strasbourg, [Johann Prüss], 1486. Chancery folio (32.5 x 22 cm). Printed in 2 columns, with 48 lines to the column. Set in 2 sizes of rotunda gothic types, Prüss types 2 (180G) and 3 (90G), with spaces left (some with and some without printed guide letters) for manuscript initials (1 8-line, 2 7-line, 4 6-line, 3 5-line and numerous 3- and 4-line). From the beginning to h3r these spaced have been filled in with manuscript lombardic initials in red and the text has been rubricated (the first fifth of the book). Contemporary blind-tooled pigskin over wooden (beechwood?) boards by an Augsburg bindery (Eindbanddatenbank workshop w002998, active ca. 1488-1497). [3], 272 ll. Full description

ERASMUS, Desiderius. Enarratio in primum psalmum davidicum potissimum iuxta tropologiam. Martini Dorpii ... ad eundem epistola, de moriae encomio, deque novi testamenti ad graecos codices emendatione. Erasmi ad Dorpium suos labores defendentis copiosa & plaenae eloquentiae apologia ...
Leuven, Thierry Martins, October 1515. 4to. With the title page printed in red and black, 2 decorated woodcut initials, and a full-page woodcut printers device at the end of the work. 19th-century gold-tooled half brown morocco. [44] ll. Full description

ERASMUS, Desiderius. Paraphrases in epistolas Pauli, ad Timotheum duas, ad Titum unam, et ad Philemonem unam ... recens ab illo conscriptae, et nunc primum typis excusae...
(Colophon:) Basel, Johann Froben, March 1520. 4 works in 1 volume. Small 8vo. With a decorative woodcut border on the title-page of each work, a woodcut printer's device at the end of the first 2 works, 9 decorative woodcut borders in the text, 16 decorative woodcut initials, and 4 woodcut headpieces. With: (2) IDEM. Paraphrases in Epistolam Pauli ad Ephesios, Philippenses, et Colossenses, et in duas ad Thessalonicenses, cum epistola nuncupatoria ad ...
(Colophon:) Basel, Johann Froben, March 1520.
(3) IDEM. Modus orandi deum.
(Colophon:) Strasbourg, Johann Knobloch, March 1525.
(4) IDEM. Consilium in caussa evangelica.
[Leipzig, Michael Blum], 1526. Later blind-tooled pigskin over bevelled wooden boards, each board in a panel design with a lozenge-shaped ornament and cornerpieces in the central panel, surrounded by a decorative border, 2 metal clasps and catches, the manuscript title at the head edge, a blank paper label on the spine, and 4 pigskin tabs. 141, [3]; 167, [1]; [91], [1 blank]; [14], [2 blank] pp. Full description

ERPENIUS, Thomas (editor). Turat Musa al-Nabi alayhi al-salam id est Pentateuchus Mosis Arabicè.
Leiden, Thomas Erpenius for Johannes Maire, 1622. 4to. With the title in a woodcut architectural frame, head- and tailpieces built up from cast arabesque fleurons, woodcut factotums. Contemporary vellum. [16], 458, [2] pp. Full description

ESTIENNE, Robert (editor). Tῆò Káéíῆò ÄéáèÞêçò ἅπáíôá [Tes Kaines Diathekes Apanta] = Novum Jesu Christi D.N. Testamentum Ex Bibliotheca Regia.
Paris, Robert Estienne, King's printer, 1550. Folio (35 x 24 cm). With a Greek and Latin title page including Estiennes woodcut basilisk device as Kings printer (and 1 repeat), his woodcut olive tree device on the otherwise blank last page (N6v), 3 single-piece decorated architectural frames with putti, etc. (plus 3 repeats) for the tables of the Eusebian canons for the Gospels, 9 woodcut headpieces and 21 decorated woodcut initial letters (plus numerous repeats). Set almost entirely in the three sizes of Claude Garamonts famous Greek printing types, known as the Grecs du Roi, and the first use of the largest size. The present copy has been richly decorated, probably around the time it was bound, not just by colouring Estiennes woodcut devices (the basilisk in gold), decorative frames, headpieces and initials, but also by adding extensive decorations in rococo style, the whole using a large number of mostly bright colours plus gold and silver. Gold-tooled black sheepskin, the gold-tooled spine with the title, publisher and date in the 2nd and 6th of 7 compartments in roman capitals, gold-tooled board edges and turn-ins, gilt and richly gauffered edges, Dutch combed and curled endpapers. [32], “272” [= 268], 202, [2] pp. Full description

FLAMINIUS, Marcus Antonius. M. Antonii Flaminii in Librum Psalmorum Brevis Explanatio, ad Alexandrum Farnesium Cardinalem amplissimum. Adiectae sunt in studiosorum usum eiusdem authoris in Psalmos aliquot, suo quaeque ordine & loco, Paraphrases. Item adiectae sunt in triginta Psalmos Paraphrases, carmine ab eodem conscriptae, & suo loco positae.
Antwerp, Christopher Plantin, 1558.
With: (2) FLAMINIUS, Marcus Antonius. M. Antonii Flaminii De Rebus Divinis Carmina ad Margaritam Henrici Gallorum Regis sororem.
Antwerp, Christopher Plantin, 1558.
2 works in 1 vol. 16mo (11.4 x 7.7 cm). With woodcut printer's device on both title-pages: "Labore et constantia" and a different one on the verso of the final blank page of the second work: "Christus vera vitis". Ruled in brown/red throughout, 2 decorated initials at the beginning of the first work and 3 in the second work. Contemporary brown leather, gold-stamped frame and ornamental centrepieces on both covers, gold-tooling on spine, gold edges with blind-tooled arabesques. 365, [3]; [24] ll. Full description

FOKKE, Simon. [12 drawings of Old Testament scenes].
Amsterdam, 1783. Twelve pen and ink wash drawings (each ca. 8 x 6.5 cm) in subtle shades of grey and sepia. All 12 drawings mounted on a single contemporary stiff paper support (44 x 61 cm), neatly arranged in three rows of four, each with a border of lines drawn around it in ink. A contemporary pencil inscription below the lower right drawing reads "S. Fokke Amsterdam 1712-1784". Another in a later hand in the lower right corner of the support reads "S. Fokke". Full description