Monumental and seminal critical edition of the Greek New Testament (1550) with all woodcut devices, headpieces and initials coloured, including much gold and silver and extensive additional colour decorations in a rococo style
[BIBLE - NEW TESTAMENT - GREEK]. ESTIENNE, Robert, editor.
Tῆò Káéíῆò ÄéáèÞêçò ἅπáíôá [Tes Kaines Diathekes Apanta] = Novum Jesu Christi D.N. Testamentum Ex Bibliotheca Regia.
Paris, Robert Estienne, King's printer, 1550. Folio (35 x 24 cm). With a Greek and Latin title-page including Estiennes woodcut basilisk device as Kings printer (and 1 repeat), his woodcut olive tree device on the otherwise blank last page (N6v), 3 single-piece decorated architectural frames with putti, etc. (plus 3 repeats) for the tables of the Eusebian canons for the Gospels, 9 woodcut headpieces and 21 decorated woodcut initial letters (plus numerous repeats). Set almost entirely in the three sizes of Claude Garamonts famous Greek printing types, known as the Grecs du Roi, and the first use of the largest size. The present copy has been richly decorated, probably around the time it was bound, not just by colouring Estiennes woodcut devices (the basilisk in gold), decorative frames, headpieces and initials, but also by adding extensive decorations in rococo style, the whole using a large number of mostly bright colours plus gold and silver. Gold-tooled black sheepskin, the gold-tooled spine with the title, publisher and date in the 2nd and 6th of 7 compartments in roman capitals, gold-tooled board edges and turn-ins, gilt and richly gauffered edges, Dutch combed and curled endpapers. [32], “272” [= 268], 202, [2] pp. Full description
€ 95,000
Paris, Robert Estienne, King's printer, 1550. Folio (35 x 24 cm). With a Greek and Latin title-page including Estiennes woodcut basilisk device as Kings printer (and 1 repeat), his woodcut olive tree device on the otherwise blank last page (N6v), 3 single-piece decorated architectural frames with putti, etc. (plus 3 repeats) for the tables of the Eusebian canons for the Gospels, 9 woodcut headpieces and 21 decorated woodcut initial letters (plus numerous repeats). Set almost entirely in the three sizes of Claude Garamonts famous Greek printing types, known as the Grecs du Roi, and the first use of the largest size. The present copy has been richly decorated, probably around the time it was bound, not just by colouring Estiennes woodcut devices (the basilisk in gold), decorative frames, headpieces and initials, but also by adding extensive decorations in rococo style, the whole using a large number of mostly bright colours plus gold and silver. Gold-tooled black sheepskin, the gold-tooled spine with the title, publisher and date in the 2nd and 6th of 7 compartments in roman capitals, gold-tooled board edges and turn-ins, gilt and richly gauffered edges, Dutch combed and curled endpapers. [32], “272” [= 268], 202, [2] pp. Full description
