Middle East & Islamic World / Islamic Art & Culture

[DUBAI – ROYAL FAMILY]. Photograph album.
Pakistan, Early 1970s. 40 photographs (29 in colour and 11 black-and-white). Various sizes (300 x 207 mm to 125 x 125 mm). Includes 51 original colour slides. Stored in large, six-leaf self-adhesive tan leather album (oblong folio, 43 x 34 cm). Full description

EFFENDI, Mahmoud. Mémoire sur le calendrier arabe avant l'Islamisme, et sur naissance et l'age du prophète Mohammad.
[Brussels, 1861?]. 4to. Modern paper wrappers. 45, [1 blank] pp. Full description

EGE, Otto F (compiler & author of the annotations). [Drop-title:] Fifteen original oriental manuscript leaves of six centuries. [Binding title:] Fifteen original oriental manuscripts.
[Cleveland, Ohio?], [Cleveland Institute of Art or Western Reserve University?], [ca. 1952]. 15 manuscript leaves (in one case a fragment of a scroll) of various formats and sizes, some glazed (see the detailed list of contents for specific dimensions), 7 written on straight-forward laid paper (European and non-European), 6 more problematic (probably all non-European), 1 on straight-forward wove paper (no. 14, supposedly made in Russia) and one on vellum (no. 7), most rubricated and/or decorated in various colours, some decorated or highlighted in gold. Each manuscript leaf is mounted (hinged on one edge to allow access to both sides of the leaf) in a passe-partout (46.5 x 33 cm) and each has a letterpress slip (10 x 18 cm) with explanatory text tipped onto the foot of the passe-partout. The publication has no title-page but includes a letterpress folio leaf that serves as a table of contents and has the drop-title given above (the present copy contains two copies of that contents leaf). The display typeface used in the letterpress leaves (and on the portfolio) is the 1938 Libra by the Dutch designer Sjoerd de Roos, inspired by uncial manuscripts. Publishers original portfolio (48.5 x 34 x 4.5 cm) covered with black cloth with on-lays in black and red on the front and the authors name in white and title in red on the spine, with three pairs of black ties (one on the inside) and a label on the inside of the right black flap giving information about the limited edition: "Edition limited to forty numbered sets of which this is No 33". [1] leaf (plus a duplicate) plus 15 original manuscript leaves mounted in white passe-partouts. Full description

[PHOTOGRAPHY - EGYPT]. Book I-[II] Egypt 1906-7. Book III Naples, Rome, Florence. Book IV Criccieth N. Wales, Zara, Khargeh Upper Egypt, Cairo, Freshwater Bay I.W.Egypt, Naples, Rome, Florence, Criccieth and the Isle of Wight, 1906-1908. Oblong (23 x 32 cm). An album in 4 volumes with 323 silver gelatin prints (8 x 5.5 cm to 14 x 8 cm, mostly ca. 10 x 7 cm). Side-stitched.
With:
(2) LEHNERT & LANDROCK. Souvenir of Cairo. 12 real artistic photos. Serie A.
Egypt, [late 1920s]. Envelope containing 12 silver gelatin prints (12 x 9 cm).
(3) [PHOTOGRAPHY - SINGAPORE?]. Photograph of a woman and a baby sitting in a rickshaw, with a child in front and the rickshaw puller.
[Singapore?], [late 1920s]. Silver gelatin print (7.5 x 12.5 cm). 9; 7; 12; 11 ll. Full description

ERPENIUS (VAN ERPE), Thomas. Rudimenta linguae Arabicae.
Leiden, Boneventura and Abraham Elzevier, 1628. Small 8vo (15 x 9.5 cm). With title-page printed in red and black. 19th-century green sheepskin. [10], 172, [48] pp. Full description

FORESTI DE BERGAMO, Jacobus Philippus. Supplementum chronicarum.
Brescia, Boninus de Boninis, 1. XII. 1485. Small folio (21 x 31 cm). Double rules along inner margins of text and between table columns, rubricated throughout. Contemporary richly blind-tooled vellum over wooden boards, bound in the monastic shop of the Würzburg Benedictines, two clasps. [1 blank], [18], [1 blank], [3], 358, [1] ll. Full description

GALLAND, Antoine (translator). Les mille et une nuit, contes Arabes, traduits en Français.
Paris, La Compagnie des Libraires (colophon vol. VI: printed by [André-François] Le Breton, imprimeur ordinaire du Roi), 1745. 6 volumes. 12mo in 4s & 8s. Uniform gold-tooled mottled calf. [16], 350; [12], 352; [8], 415, [1 blank]; [4], “369” [= 375], [1 blank]; [4], 419 [1 blank]; [4], “181” [= 183], [3], [2 blank] pp. Full description

GROTE-HASENBALG, Werner. Der Orientteppich[:] seine Geschichte und seine Kultur.
Berlin, Scarabaeus (colophon: Dr. Selle & Co.), 1922. 3 volumes (26 x 26 cm). The text volume with colour-printed frontispiece, 28 plates numbered I-XXII (13 colour-printed), 139 numbered and 14 unnumbered illustrations in text, and a folding map; the two plate volumes with a total of 120 colour-printed plates mounted on grey-black paper. Original publisher's cloth. XVI, [2 blank], 228, [8] pp. (text) Full description

GROTE-HASENBALG, Werner. Der Orientteppich[:] seine Geschichte und seine Kultur.
Berlin, Scarabaeus (colophon: Dr. Selle & Co.), 1922. 3 volumes (26 x 26 cm). The text volume with colour-printed frontispiece, 28 plates numbered I-XXII (13 colour-printed), 139 numbered and 14 unnumbered illustrations in text, and a folding map; the two plate volumes with a total of 120 colour-printed plates mounted on grey-black paper.Original publishers cloth. XVI, [2 blank], 228, [8] pp. plus plates(text). Full description

HEINE, Maurice. L'Islam sous la cendre.
Paris, [Jules Meynial] (colophon: Frazier-Soye), (19 February) 1918. Square 4to (25 x 26 cm). With three different versions of the frontispiece: a lithographed plate, a hand-coloured miniature painting on vellum, highlighted with gold, and an engraved plate; and with the half-title printed in blue and several words in the text printed in green and blue. Original green cloth. 26 ll. Full description