Literature & Linguistics / Dutch Literature

LUYKEN, Jan (and Caspar). [Set of 11 works by Jan Luyken].
Amsterdam, widow of P. Arentz, and Kornelis vander Sys, 1708 - 1718 (10 vols.); Haarlem, C.H. Bohn, 1767 (1 vol.). 11 volumes. 8vo. Contemporary uniform half calf, richly gold-tooled spines (10 vols.), the 1767 in slightly different half calf, apparently made to match the earlier ones. Full description

[MARITIME HISTORY - PIRACY - CLAES COMPAEN]. 't Begin, midden en eynde der zee-rooveryen, van den alder-fameusten zee-roover, Claes G. Compaen, van Oostzanen in Kennemer-landt. Vervattende sijn wonderlijcke vreemde en lands schadelijcke drijf-tochten. Waer in vertoont wordt, hoe hy met weyningh schepen de zee onveyligh gemaeckt, een ongelooflijcke buyt, en groot getal van schepen van alle landen gerooft ende afgeloopen heeft
Amsterdam, widow of Gijsbert de Groot, 1697. 8vo. With a large woodcut illustration of a Dutch merchant ship on the title-page, three woodcut illustrations in the text (including 1 repeat of the title-page illustration), and one large decorated woodcut initial. Later greyish-brown wrappers. [1], [1 blank], [4], 42 pp. Full description

MARMONTEL, Jean François and Pieter PIJPERS. Zemire en Azor, zangspel. Met konstwerken en balletten. Gevolgd naar het Fransche.
Amsterdam, Jan Helders, Abraham Mars, 1783. 8vo. With an engraved title-page including a vignette by H.L. Meyling, a letterpress title-page with an emblematic engraved vignette by Reinier Vinkeles. Extra added in this copy are an additional letterpress title-page, also dated "1783", but with a portrait of Pieter Pijpers engraved by Theodorus Koning dated 1789, accompanied by the letterpress explanatory leaf with a poem "Op myne afbeelding door Theodorus Koning", dated 1789, signed by Pijpers in brown ink. Further with 3 extra added engraved plates, plus 1 repeated in an earlier state with no lettering, depicting scenes from the play by various Dutch artists (A. Fokke, H.L. Myling, W. Immink, A. Hulk Jacobsz), 1 dated 1784. And finally with 6 engraved plates by various French artists, made for the original French edition. The engraved title is richly coloured and highlighted with gold (incl. the lettering) by a contemporary hand. The six French plates are splendidly coloured and highlighted with gold and gum arabic by a contemporary hand. Contemporary half calf, gold-tooled spine. [16], 76, [2] pp. Full description

MARRE, Jan de. Batavia, begrepen in zes boeken.
Amsterdam, Adriaan Wor & heirs of G. onder de Linden, 1740.
With:
(2) MARRE, Jan de. Bespiegelingen over gods wysheid in't bestier der schepselen, en eerkroon voor de Caab de Goede Hoop.
Amsterdam, Adriaan Wor & heirs of G. onder de Linden, 1746.
(3) MARRE, Jan de. Hof- en mengeldichten.
Amsterdam, Adriaan Wor & heirs of G. onder de Linden, 1746.
3 works in 1 volume, the first in 6 parts. 4to. With an engraved frontispiece and an elaborate title-vignette (identical on all three title-pages. And ad. 1 with a folding engraved plate of Jakarta "as it was in 1731" by Jan van der Laan. Contemporary vellum, red spine label. [36], 320, [6]; [42], 178, [22], [20], 214, [4] pp. Full description

NOMSZ, Johannes. [A choice collection of 6 original plays written by Johannes Nomsz and 10 plays of French playwrights - Racine, Corneille, Voltaire and others - together with other texts highly interesting for the history of the Amsterdam stage, and Nomszs historical work on the life of Mohammed in 2 volumes].
Amsterdam, Izaak Duim, Johannes Smit, David Klippink, widow of David Klippink, Hendrik Gartman, Johannes Smit, heirs of David Klippink, 1764-1780. 16 plays, 3 essays and 1 biography bound in 11 volumes. 8vo. With two portraits of Nomsz by Reinier Vinkeles (vol. I) and J. Houbraken (vol. IX), a portrait of Mohammed by J. Houbraken (vol. I) and 14 frontispieces by the best engravers of the time: Jan Punt, Reinier Vinkeles, Simon Fokke, P. Tanjé and Th. Koning. Uniform contemporary vellum with a blind-tooled centrepiece and cornerpieces on each board, manuscript titles on spines. [8], 76; [8], 64; [8], 56; 14; 62; [8], 54; 12, [74]; [4], 54; [12], 74; [6], 71; [8], 71; [6], 58; [12], 78; [6], 112; [8], 82, [2]; 35; [4], 88, [2]; 43; [10], 113; [10], 67; [12], 73, [2]; XXVI, 182; [4], 190 pp. Full description

NOOT, Jan van der. Cort begryp der XII. boeken Olympiados. ... Abregé des douze livres Olympiades.
Antwerp, Gillis van den Rade, 1579. With 1 engraved plate (portrait of the author), 17 full-page engravings (ca. 16 x 11.5 cm.) by Dirk Volkertsz. Coornhert after designs of the monogrammist CVSK and a full-page woodcut of an obelisk at the end, signed with the monogram "HE".
With:
(2) NOOT, Jan van der. Lofsang van Braband. ... Hymne de Braband.
Antwerp, Gillis van den Rade, 1580. With 4 full-page woodcuts (portrait of the author, allegorical illustration, arms of Brabant and the other 16 provinces, and an obelisk).
(3) NOOT, Jan van der. Verscheyden poeticsche werken. ... Divers oeuvres poetiques.
Antwerp, Gillis van den Rade, 1581. With full-page woodcut portrait of the author, and a full-page woodcut obelisk at the end. 3 works in 1 volume. Folio. All 3 works with text in Dutch and French. Early 18th-century gold-tooled mottled calf. [14], 87, [1]; [8], 33, [4]; [40] pp. plus 1 plate. Full description

NOOT, Jan van der. De poeticsche werken van mijn Heer vander Noot. Les oeuvres poetiques du Sr. Jan vander Noot.
Antwerp, Daniel Vervliet and Arnout Coninx (shared printing), "1594" [=1588-1595]. Folio. With the general title-page bearing Vervliets 1594 imprint, the only part-title (for the Inkomste bifolium) bearing sConincxs 1594 imprint, 7 small bust portraits, 2 portraits of the author, 10 small rectangular illustrations, 2 medium illustrations and 8 full-page illustrations (on integral leaves), all woodcut, some (and the 2 title-pages) in architectural and/or arabesque woodcut frames. The text is variously set in 1, 2 or 3 columns, sometimes even mixing them on one page, each page in a frame (made partly from rules) and with the running titles in Dutch and French at the foot of the page. An occasional bifolium includes a woodcut decorated initial. The text, in Dutch, French, Spanish, Italian, German, Latin, and Greek, is set in dozens of roman, italic, textura, civilité, fraktur and Greek printing types plus interlaced typographic capitals and arabesque typographic ornaments. Blind-tooled calf (ca. 1725/30?) by the so-called "Minnewit" bindery in Amsterdam, sewn on 6 supports, each board with two double-fillet frames, the inner field sprinkled and the outer field blackened, with a large centrepiece and 2 different corner pieces, the smaller inside and the larger outside each corner of the inner frame, headbands in red and green, red sprinkled edges, plain endpapers. [102] ll. Full description

NYENBORGH, Johan van. Variarum lectionum selecta, figuris æneis applicata.
Groningen, Jacobus Sipkes, 1660. Small 8vo. With an engraved vignette showing Europa on a bull, and 21 full- or half-page engravings in the text from various series or suites: one by Cornelis Kittensteyn (1598-1652) after A. van de Venne (p. 17) and 8 by Cornelis Visscher after a series with Roman Heros by Hendrick Goltzius. Further with one decorated woodcut initial and a small woodcut tailpiece on the last page of a castle and three roses. Contemporary vellum. 189, [3] pp. Full description

PALINGH, Abraham. 't Afgerukt Mom-aansight Der Tooverye ...
Amsterdam, J. Rieuwertz, 1659. Small 8vo. WIth a woodcut title-vignette showing a witch on a broomstick leaving a house through the chimney (4.3 x 5.2 cm), 13 etched full-page illustrations on 8 plates by Salomon Savry. Contemporary overlapping vellum. [16], 429, [19] pp. Full description

[PAUWELS, Jan Antoon Frans]. Berigt, van constig-gemaeckte sneeuwe beelden van half Januario tot het begin Februarii tot Antwerpen gezien . . .
Antwerp, Joannes Petrus de Cort, 1772. 4to. With title-page in a geometric border built up from cast fleurons and each page in a thick-thin border built up from cast units. 19th-century(?) decorated cloth, modern endpapers. 30 pp. Full description