Europe / France, Greece & Italy

MANUEL, Henri. [Collection of 33 Paris fashion photographs from the 1910s].
Paris, Henri Manuel, [ca. 1910/20]. 33 albumen prints , 3 oval (ca. 19 x 15 cm) and 30 rectangular (ca. 27 x 16 cm), including 5 duplicates (with tint variations). The faces on two of the photographs are lightly tinted. Each photograph is mounted on a sheet of paper and signed in pencil "Henri Manuel Paris". Three photographs are also signed in the plate. Full description

[MANUSCRIPT - CALLIGRAPHY - FRENCH]. [Writing masters copy-book].
[Liège?], 1634-1643?. Oblong 4to (17.5 x 21.5 cm). A manuscript writing masters copy-book in French, written on the rectos only, mostly in black ink on paper, each of the first 9 leaves beginning with a very large (9-13 cm) decorated initial drawn in pen and ink, displaying knotwork (sometimes making heart forms) and extensive stylized pictorial elements - both reminiscent of mediaeval Keltic examples - and coloured by a contemporary hand: A-I/J in alphabetical order, and the same letter of the alphabet written below the initial in several styles of gothic capitals and usually also minuscules (A-E in black, F-I/J in red). The two remaining leaves, also in an upright gothic cursive, show an 8-line model text (a letter to a friend, Antoine van Rosendal, dated from Liège, 5 June 1643) with a 2-line minuscule alphabet (beginning with a capital A) below and several other As separately; and a complete capital and minuscule (24-letter) alphabet, including W (6 lines); both with penwork flourishes, including (in the former) a round spiral incorporating 6 faces in profile. Sewn through 3 holes in a contemporary sheepskin parchment wrapper. Kept in a 20th-century French curl-marbled paperboard folder, in a matching marbled slipcase. [11], [10 blank] ll., the 10 blanks including 3 small fragments. Full description

[MANUSCRIPT - MORLOT DE WENGI, Alcibiade]. Etude de diverses parties de l'art de la Guerre
[France], January 1820. Small 4to (ca. 20.5 x 16 cm). With 6 hand-coloured folding illustrations, 3 full-page plates (on pp. 36, 57, and 83), 1 half-page plate (on p. 79), and numerous smaller mathematical figures, tables, and other illustrations in the text, most with grey washes and some in colour. The work is written in French in a very neat cursive hand. Contemporary half green painted sheepskin, red sprinkled paper sides. 151, [152-155 blank] pp. Full description

MAPPUS, Marcus and Johan Christian EHRMANN (editor). Historia plantarum alsaticarum.
Strasbourg and Amsterdam, Johann Daniel Dulsecker and Pieter Mortier, 1742. 4to. With 7 folding copper-engraved plates of plants, an engraved printer's device on the title-page, an engraved coat-of-arms of François-Joseph de Klinglin, baron de Hattstatt etc. as a headpiece above the dedication, 3 woodcut initials, a headpiece made up of typographical ornaments at the start of the main text and the index, a woodcut tailpiece at the end of the main text, and the title-page is printed in red and black. Contemporary gold-tooled, mottled, polished calf. [8], 335, [32] pp. Full description

[MAP - PYRENEES]. SANSON, Nicolas. Les Monts Pyrenées, ou sont remarqués les Passages de France en Espagne.
Paris, Hubert Jaillot, 1719. Engraved map on 2 assembled sheets (54.5 x 88 cm). With title in decorated cartouche (signed F.C.) in upper right corner and scalebars in decorated cartouche in the lower left corner. Coloured in outline. Full description

MARCHESE, Duca Annibale. Tragedie Cristiane.
Naples, Felice Mosca, 1729. 2 volumes in 1. Large 8vo. With two title-pages in red and black, an engraved frontispiece by Jeremias Jakob Sedelmayr after Francesco Solimena, an engraved author's portrait by Antonio Baldi and 11 engraved plates by Sedelmayr and Baldi after Solimena, accompanying the 10 tragedies and the dedication. Also with some engraved initials, woodcut tailpieces and 40 pages of engraved polyphonic music for the choruses. Contemporary gold-tooled brown goatskin morocco, gilt and gauffered edges with an intricate fore-edge painting, incorporating both a closed and fanned design for the fore-edge. The head and foot edges are painted with floral and botanical designs. [4], [16], 502; [4], 504, [2]; pp. plus 40 pp. of engraved music. Full description

MARTINET, Jean. Emblesmes royales a Louis le Grand.
Paris, Claude Barbin, 1673. 8vo. With 60 numbered half-page engraved emblems and one unnumbered emblem on extra inserted leaf. Modern marbled boards. [10 (of 12)], 219, [3] pp. Full description

MAU, August. Geschichte der decorativen Wandmalerei in Pompeji ... Mit 20 Tafeln in einer Mappe.
Berlin, G. Reimer, 1882. 1 text volume & 1 portfolio with plates. 8vo (text volume) and 1mo (plates portfolio 53 x 43 cm). With 20 large numbered plates showing Pompeii wall paintings in situ, mounted on card stock, loose in a separate portfolio with letterpress title-leaf and contents leaf: 9 sepia collotypes (21 x 16 to 26.5 x 24.5 cm) and 11 chromolithographs (21.5 x 19 to 37 x 36 cm), no. 18 actually comprising 7 small chromolithographs on 1 card, each plate with a letterpress label on the back; and 7 black and white floor plans in the text. Contemporary half sheepskin parchment (text); contemporary blue half cloth portfolio (plates). XII, 462 pp. Full description

MAUGENDRE, Adolphe. Société anonyme des mines et fonderies de zinc de la Vieille Montagne[.] Album de 30 vues.
Paris, (printed by Auguste Bry), 1850-1851. Oblong 1mo (55.5 x 38.5 cm). Tinted lithographed title-page and 30 tinted lithographed plates (55.5 x 38.5 cm, one slightly smaller: 35 x 50.5 cm), all in fine contemporary hand-colouring. Loose in modern clamshell box. Full description

MAZZELLA, Scipione. Sito, et antichita della citta di Pozzuolo, e del suo amenissimo distretto ...
Naples, Tarquinio Longo for Giorgio Varisco (part 1) and Bartholomeo Carampello (part 2), 1606. 2 parts in 1 volume. Small 8vo (15 x 10 cm). With 3 title-pages, a large folding woodcut map with letterpress title and text (the woodcut itself 17 x 24.5 cm) showing Pozzolo and the surrounding area (omitted in some copies), 15 woodcut illustrations (plus 4 repeats) in text. 17th-century limp sheepskin parchment. [16], 284, [4], 103, [1 blank] pp. Full description