Early Printing & Manuscripts / Religion & Devotion

[BOOK OF HOURS]. Hore [= Horae beate Marie Virginis] secundum usum Romanum ad longum.
(colophon: Paris, Thomas Kees), [ca. 1511, with an almanac for the years 1511-1530]. 8vo (18 x 12 cm). Printed on vellum in red and black throughout, with illustrations printed from (mostly metal?) relief blocks: 17 nearly full-page plus 1 repeat, 27 small plus 2 repeats in the text, many additional small in the decorated border pieces that surround nearly every page. Dark brown gold- and blind-tooled goatskin morocco (ca. 1870?), signed "HARDY-MENNIL" in the foot of the front turn-in. [216] pp. Full description

[BOOK OF HOURS - DUTCH]. [15th-century manuscript book of hours, written in Middle Dutch]. [Incipit 1r:] Here du saltste op doen mine lippen en[de] mijn mo[n]t sal voert-kundige[n] dijn lof.
[Southern Netherlands, 15th century]. Small 4to (binding 15.5 x 12 cm; leaves ca. 14.5 x 11.5 cm). Manuscript in Middle-Dutch, written in one column (18 or 19 lines to a page) in a very neat gothic textura script, by one or maybe two hands. The vellum leaves are (lightly) ruled in red ink, the main body of the text is written in black ink. Leaf 1r shows a large 9-line painted initial (blue and white on a golden field) and elaborate green vines and blue, gold, and pink leaves in the margins, all tekst on 1r is written within a blue and gold frame. With 37 3- or 4-line painted initials (gold on a blue or pink field) with the same green, blue, gold, and pink vine-and-leaves decorations in the left margins of the leaves and 7 3-, 4-, or 5-line penwork initials (green, blue, and red) with simple red and green penwork decorations in the left margin of the leaves. Further with numerous 1- and 2-line red and blue initials throughout and occasional 6-line red or blue initials in the left margin of the leaves. 17th- or 18th-century gold- and blind-tooled half mottled calf and sprinkled paper sides, red sprinkled edges. [189] ll. Full description

BRANT, Sebastian. Ad divum Maximilianum Caesarem invictissimum conctosque Christiani nominis principes et populos, Nenia Sebastiani Brant, In Thurcarum nyciteria, cum arripiende in eosdem expeditionis exhortatione.
(Colophon:) Strasbourg, [Johann Knoblauch], 9 February 1518. 4to. With a small vignette built up from typographical ornaments on the title-page. 18th-century grey paper wrappers. [1], [1 blank], [5], [1 blank] pp. Full description

BÜNTING, Heinrich and Matthias HASAERT. Itinerarium Sacrae Scripturae, das ist Ein Reisebuch uber die gantze Heilige Schrifft ...
Including:
[BÜNTING, Heinrich]. Itinerarium Novi Testamenti. Das ist: Ein Reisebuch over das Newe Testament.
BÜNTING, Heinrich. De monetis et mensuris sacrae scripturae. Dass ist: Ein eigentliche ausrechnung und beschreibung aller Müntz und Masse in heiliger Schrift. ...
Magdeburg, Paul Donat for Ambrosius Kirchner, 1585. With 3 title-pages, 7 double-page and 2 full-page woodcut maps
With: (2) BÜNTING, Heinrich. Braunschweigische und Luneburgische Chronica.
Including:
Das ander Theil Braunschweigischen Chronica, gehet auff das Land Lüneburg
Das dritte Theil, der Braunschweigischen und Lüneburgischen Chronica, ...
Das vierte Theil dieses Buches, gehet insonderheit auff das Fürstenthumb Grubenhagen, füret ... den geburts Stam des fürstlichen Hauses Braunschweig und Lüneburg.
Magdeburg, Paul Donat for Ambrosius Kirchner, 1584-1585. General title-page in red and black with the woodcut coat of arms of Julius of Braunschweig-Wolfenbüttel, further with numerous finely detailed woodcut illustrations
2 works in 3 and 4 volumes, bound as 1. Folio. Contemporary, richly blind-tooled pigskin, possibly by Nikolaus Müller in Wittenberg. With a matching pair of panel stamps in the central fields: portraits of Martin Luther (front board, 83 x 44 mm) and Phillip Melanchthon (back board, 81 x 45 mm), each with the date 1556 and text below. Ad 1: [16], “141” [= 242], [18]; [6], 110, [9] [3 blank]; [6], “34” [= 33], [1 blank] pp.; ad 2: [14], “150” [= 151], [1 blank]; “46” [= 47]. [1 blank]; [1], 47-82, [1 blank]; [1], “82”-“113” [= 83-109] ll. Full description

CALVIN, Jean. Uutlegghinghe ... op alle de Sendbrieven Pauli des Apostels: ende oock op den Sendbrief tot den Hebreen. Met een schoon register.
Emden, Gillis van der Erve and Willem Gailliart, 1566. Folio. With Van der Erve's woodcut device on title-page and several woodcut decorated initials. Contemporary blind-tooled calf over bevelled wooden boards, each board in a panel design with 4 different rolls, engraved brass catchplates (remains of straps but clasps lost), later(?) brass decorated corner and centre pieces, each with a boss, rebacked. The rolls show (from outside to inside) decorative crests and foliage, 4 half-length portraits with mottos, and 4 nude putti, 1 with a saint's halo. [6], "464" [= 462], [16] ll. Full description

CAMERARIUS, Joachim. De Philippi Melanchthonis ortu, totius vitae curriculo et morte, implicata rerum memorabilium temporis illius hominumque mentione atque indicio, cum expositionis serie cohaerentium.
Leipzig, (colophon: Ernst Voegelin, 1566). Large 8vo (19.5 x 12 cm). With woodcut printer's device on title-page. Contemporary pigskin, richly blind-tooled in a panel design, monogrammed and dated "I.V.S | 1566", by the Swabian bookbinder Wolfconrad Schwickart. [20], 423[=424], [2 blank], [18] pp. Full description

CARACCIOLO, Roberto. Sermones per adventu[m] domini cu[m] multis aliis inclusis. sermocionanti per utiles. famosissimi predicatoris Maiistri Ruberti de Licio Italici ordinis minoru[m]. [= Sermones de adventu, Sermo de S. Joseph, Sermo de Beatitudine, Sermones de divina caritate, Sermones de immortalitate animae].
Including: BOLLANI, Dominico (Dominicus BOLLANUS). De co[n]ceptione gloriosissime Virginis Marie [= De conceptione Beatae Virginis Mariae].
[Strasbourg, Martin Schott, 1484]. Small (Chancery) folio mostly in 8s (28.5 x 20.5 cm). Printed in 2 columns, set in 2 sizes of rotunda gothic type that Schott used for the first time in the present publication. With spaces left (without guide letters) for perhaps a hundred 3-line and dozens of larger manuscript initials, not filled in in the present copy.
Near contemporary (ca. 1500?), richly blind-tooled pigskin over square-edge boards (Eindbanddatenbank workshop w002296, active in Bavaria ca. 1473(?)-1502). With the remains of one strap-fastening (brass anchor-plate, remnants of the alum-tawed leather strap, but catchplate and clasp lost), blue-green edges. Vellum manuscript waste used for reinforcement, showing bits of Isaias 5:8-26 from a Vulgate Bible in a large textura hand. [100], [17], [1 blank] ll. Full description

CARACCIOLO, Roberto. Sermones de laudibus sanctorum.
[Reutlingen, Michael Greyff, not after 1492]. 4to. Contemporary half pigskin, blind-tooled initials on the front board, with white pigskin restorations on the upper and lower third of the spine, gold-tooled parchment label on the spine, remnants of a central clasp, manuscript waste pastedowns. [230] ll. Full description

CENTENO, Amaro. Historia de cosas del oriente primera y segunda parte...
Cordoba, Diego Galván, 1595. 2 parts in 1 volume. 4to. With a woodcut coat of arms on the title-page and the divisional title-page for part 2, an elaborate Jesuit woodcut IHS vignette on the verso of the last leaf above the colophon and woodcut initials throughout, with a few typographical or woodcut tail-pieces, al text is set within a simple woodcut frame. Later tree marbled sheepskin. [8], 138, [4] ll. Full description

CHRYSOSTOM, John. In sanctum Jesu Christi evangelium secundum Matthaeum commentarii, diligenter ab Arrianorum faecibus purgati, & in lucem in sacrae paginae tyronum gratiam modo recens sub minoriforma aediti.
Antwerp, Joannes Steelsius, 1542.
With: CHRYSOSTOM, John. Passio Domini Nostri Iesu Christi secundum Matthaeum in decem Homilias divisa.
Antwerp, Joannes Steelsius, 1542.
2 works in 1 volume. 8vo. Ad 1: with two woodcut initials at the beginning of the introduction and the prologue, of 2 different series, and a large woodcut printer's device on the last page, showing a staff, surrounded by doves and the text 'steelsius', stuck in a plaquette that says 'concordia, res parue crescunt'. Ad 2: with a woodcut initial on the first leaf. Contemporary Flemish blind-tooled, panel-stamped calf, with a tripartite panel on both sides and remnants of ties. [8],"313" [=314], [1]; 47, [1] ll. Full description