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Early Printing & Manuscripts

Jesuit letters from Hormuz Island and the East Indies

[BERSE, Gaspar, Francis XAVIER etc.]. Epistolae Indicae et Iapanicae de multarum gentium ad Christi fidem, per Societatem Iesu conversione.
Louvain, Rutger Velpius, 1570.
With: (2) GARETIUS, Johannes. De sanctorum invocatione liber...
Ghent, Gislenus Manilius, 1570.
2 works in 1 volume. 8vo. Ad 1 with the title-page in a frame built up from fleurons, and a woodcut publisher's device on last blank, ad 2 with the title-page in a frame built up from fleurons, the woodcut coat-of-arms of Cunerus Petri (bishop of Leeuwarden) on the back of the title-page and on the last leaf a woodcut printer's device within a frame built up from fleurons.
Contemporary limp vellum sewn on 3 leather supports laced through the joints, with the manuscript title on the spine, leather ties, red edges. [24], “361”[=316], [20] pp.; [16], 103, [9] ll. Full description
€ 19,500
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Lavishly and vividly hand-coloured copy of the famous Moerentorf Bible by Moretus & Keerberghen, the standard Dutch translation of the Vulgate for centuries, in contemporary, richly blind-tooled calf

[BIBLE - DUTCH - VULGATE]. Biblia sacra. Dat is de geheele heylighe schrifture bedeylt int out ende nieu Testament: van nieus met groote neersticheyt oversien, ende naer den lesten Roomschen text verbetert door sommighe doctoren inder Heyligher Godtheyt inde vermaerde universiteyt van Loven.
Antwerp, (colophon: printed by Daniel Vervliet and Hendrik Swingen for) Jan I Moretus & Jan I van Keerberghen, 1599. 2 volumes bound as 1. Folio. With an engraved title-page (coloured by a contemporary hand with extensive use of gold) showing Moses on the left, David on the right, and the four evangelists below, and 90 woodcuts in the text of both the Old and the New Testament, all except one vividly coloured by a contemporary hand. Contemporary richly blind-tooled calf over wooden boards, sewn on 5 supports, with brass catchplates, remnants of leather strap fastenings, brass corner pieces on all corners and a brass centrepiece on each board, all with brass bosses. [4], 410; [106] ll. Full description
€ 27,500
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Monumental and seminal critical edition of the Greek New Testament (1550) with all woodcut devices, headpieces and initials coloured, including much gold and silver and extensive additional colour decorations in a rococo style

[BIBLE - NEW TESTAMENT - GREEK]. ESTIENNE, Robert, editor. Tῆò Káéíῆò ÄéáèÞêçò ἅπáíôá [Tes Kaines Diathekes Apanta] = Novum Jesu Christi D.N. Testamentum Ex Bibliotheca Regia.
Paris, Robert Estienne, King's printer, 1550. Folio (35 x 24 cm). With a Greek and Latin title-page including Estiennes woodcut basilisk device as Kings printer (and 1 repeat), his woodcut olive tree device on the otherwise blank last page (N6v), 3 single-piece decorated architectural frames with putti, etc. (plus 3 repeats) for the tables of the Eusebian canons for the Gospels, 9 woodcut headpieces and 21 decorated woodcut initial letters (plus numerous repeats). Set almost entirely in the three sizes of Claude Garamonts famous Greek printing types, known as the Grecs du Roi, and the first use of the largest size. The present copy has been richly decorated, probably around the time it was bound, not just by colouring Estiennes woodcut devices (the basilisk in gold), decorative frames, headpieces and initials, but also by adding extensive decorations in rococo style, the whole using a large number of mostly bright colours plus gold and silver. Gold-tooled black sheepskin, the gold-tooled spine with the title, publisher and date in the 2nd and 6th of 7 compartments in roman capitals, gold-tooled board edges and turn-ins, gilt and richly gauffered edges, Dutch combed and curled endpapers. [32], “272” [= 268], 202, [2] pp. Full description
€ 95,000
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Latin New Testament printed by Plantin, in an attractive binding with elaborately gauffered edges

[BIBLE - NEW TESTAMENT - LATIN]. Novum Jesu Christi Testamentum.
Antwerp, Christoffel Plantin, 1564[-1565].
With: (2) [INDEX]. Hebraea, Chaldaea, Graeca, et Latina nomina virorum, mulierum, populorum, idolorum, urbium, fluviorum, montiu[m], caeterorumq.; locorum quae in Bebliis sparsa leguntur ... cum Latina interpretatione: additis etiam Bibliorum locis in quibus ita scripta legu[n]tur: qua in re interpretationem quae in Bibliis Compluti excusis erat ....
Antwerp, Christoffel Plantin, 1565. With Hebrew and Greek types.
2 works in 1 volume, the 1st in 2 parts. 16mo (11.2 x 7.2 cm). Contemporary blind- and gold-tooled calf. 316, [68]; [111] [1 blank] ll. Full description
€ 2,950
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Bishop Pierre-Daniel Huet's psalmbook with his annotations

[BIBLE - PSALMBOOK]. PSALTERION. Prophetou kai Basileoos tou David [in Greek type] - Davidis Regis ac Prophetae Psalmorum Liber. Ad exemplar Complutense.
Antwerp, Christopher Plantin, 1584. 16mo (11,8 x 8 cm). With woodcut printer's device on the title-page, text is partially printed in Greek. Late seventeenth-century dark brown calf, with gold-stamped coat of arms of Pierre-Daniel Huet on both covers and gold-tooled dubbel-lined borders on covers and spine, (remnants of) red speckled edges. 267, [13] pp. Full description
€ 3,500
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A commentary on and epitome of Laurentius Valla's De Elegantiis

BIENATO, Aurelio. In elegantiarum sex libros Laurentii Vallae disertissimi epithomata nuper recognita.
Venice, Giovanni Antonio Nicolini da Sabbio, for Melchiorre Sessa, 1539. Small 8vo. With Sessas charming woodcut device showing a cat with a mouse in its mouth, with motto "Dissimilium infida societas" below, repeated on the last page. Later half vellum, gold-tooled spine, boards covered with decorated paper. 63, [1] ll. Full description
€ 6,500
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First edition of the so-called Golden Bible, by the Augsburg Benedictine Abbeys printing office
set in nearly the first (and the best early) roman printing type north of the Alps
Robert Proctors copy, with generous margins

[BINDO GUERRI of Siena] with a prologue by Antonius de RAMPIGOLLIS. Reportatorium Biblie aureum [= Biblia aurea].
[Augsburg], [printing office of the Abbey of Saints Ulrich and Afra], [in the period 1473 to early 1475]. Chancery (Foolscap) folio (28 x 22 cm). With the title in a note following the prologue, at the foot of the first page (and abbreviated at the end of the book), a 2-page alphabetical table of contents and the main text comprising 139 entries.
Burgundy goatskin morocco (ca. 1890?). With the armorial bookplate of Robert Proctor. [231], [1 blank] pp. Full description
€ 16,500
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First edition of first French translation of Boccaccio's first work, with woodcut illustrations

BOCCACCIO, Giovanni. Le philocope ..., contena[n]t l'histoire de Fleury & Blanchefleur, divise en sept livres traduictz d'Italien en Francoys par Adrian Sevin ...
Paris, Jean André, bookseller to the University (colophon: printed by Denis Janot), 1542 (colophon: 24 February 1542). Folio (31.5 x 21.5 cm). With Jean André's woodcut device on the title-page and 15 woodcut illustrations plus 21 repeats in the text (mostly 5.5 x 8 cm, each in any of several 4-piece decorative borders, including 8 foot pieces, each with a different coat of arms; one illustration 13.5 x 8.5 cm with an 8-piece decorative border), 5 woodcut decorated initials (2 series) plus 1 repeat, and many spaces with guide-letters for manuscript initials (not filled in). French calf (ca. 1760?), richly gold-tooled spine, gilt edges. VI, CLXXIIII ll. Full description
€ 12,500
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Boccaccio’s first important work, prepared by the editor of the first variorum Decameron

BOCCACCIO, Giovanni. Il Filocopo ... Di nuovo riveduto, corretto, & alla sua vera lettione ridotto da M. Francesco Sansovino. ...
Venice, [device of Domenico Giglio] (colophon: Francesco Rampazetto, 1554). Small 8vo (15 x 11 cm). With Giglio's woodcut device on the title-page, 6 woodcut decorated initials (3 series) plus 2 repeats. Set in Aldine-style italic types (with upright capitals) with incidental roman. Contemporary limp vellum. “390” [= 380] ll. Full description
€ 2,250
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