Early Printing & Manuscripts

THEOCRITUS, HESIOD, and others. [Indication of contents in Greek followed by Latin:] Haec insunt in hoc libro. Theocriti Eclogae triginta. Genus Theocriti & De inventione bucolicorum. Catonis Romani sententiae paraeneticae Distichi. Sententiae septem sapientum. De invidia. Theognidis megarensis siculi sententiae Elegiacae. Sententiae monostichi per capita ex variis poetis. Aurea carmina Pythagorae. Phocylidae Poema admonitorium. Carmina Sibyllae erythraeae De Christo Jesu domino n[ost]ro. Differentia vocis. Hesiodi Theogonia. Eiusdem Scutum Herculis. Eiusdem Georgicon libri duo.
Venice, Aldus Manutius, February "1495" [=1496]. Folio. With 8 fine woodcut headpieces (2 by the famous Poliphilus master) plus 29 repeats, and 23 woodcut outline interlaced initials (3 series: 3-line, 5-line and 7-line) plus 16 repeats. Modern red morocco, gold- and blind-blocked. [140] ll. Full description

THEODOSIUS. Sphaericorum libri tres, nunquam antehac graece excusi.
Paris, André Wechel, 1558. Small 4to (21 x 14 cm). With woodcut publisher's Pegasus device on title-page (repeated on last page), numerous woodcut mathematical diagrams in text, woodcut headpieces and decorated initials. 18th-century tanned sheepskin, gold-tooled spine and board edges. [8], 54, [2], 70, [2] pp. Full description

[THEOPHRASTUS? (pseudo ARISTOTLE)] and Simone PORZIO. De coloribus libellus, à Simone Portio Neapolitano latinate donatus, & cometariis illustratus: una cum euisdem praefatione, qua coloris naturam declarat.
Florence, Lorenzo Torrentino, 1548. 4to. With 2 large woodcut historiated initials. Contemporary limp sheepskin parchment, manuscript spine-title, with 4 fragments of a Latin manuscript in an upright humanistic hand on vellum used as spine lining. 197, [3] pp. Full description

THOU (THUANUS), Jacques-Auguste de. Hieracosophioy, sive de re accipitraria libri tres.
Paris, Mamert Patisson, Kings Printer "in officina Robert Estienne", 1584. Small 4to (22 x 15 cm). With the late Robert I Estienne's large woodcut device on the title-page. With the poem and Thou's 11-page verse letter to Philippe Huralt in italic type and the preliminaries and some end matter in roman. Half parchment (ca. 1892). [4], 95, [13] pp. Full description

THUYS, Jacques. Ars notariatus. Dat is: Conste en[de] stijl van notarischap: begrepen in Theorijcke ende Practijcke... Desen derden druck, grootelijcken vermeerdert ende verbetert ...
Antwerp, Arnout s'Conincx, 1590. Small 8vo (15.5 x 10 cm). With woodcut publisher's device (with letterpress motto "Virtute et constantia") on title-page, a woodcut tail-piece and woodcut decorated initials (3 series). Set in textura types with incidental roman, with sample documents set in civilité with incidental italic. 17th-century parchment. [16], 231, [1] pp. Full description

TORQUEMADA, Juan de (Johannes de TURRECREMATA). [Expositio super toto psalterio, incipit:] Ad sanctissimum ac beatissimum dominum dominum Pium Secundum Pontificem Maximum editio in librum psalmorum quem alii soliloquium dicunt incipit feliciter ... [colophon:] Explanatio in psalterium ...
(Colophon:) Augsburg, printed by Johann Schüssler, [1470/71]. Folio (30 x 22 cm). Set in a single type, largely a rotunda gothic but with some roman influences with 35 lines per page, with about 150 manuscript "Lombardic" initials in red ink, the lines introducing the commentary for each psalm underscored and with manuscript paragraph marks, both in red ink. Late 19th-century(?) half vellum, boards covered with 2 leaves from a Latin Vulgate Bible printed on vellum. [266], [2 blank] pp. ([133], [1 blank] ll.) Full description

TORRENTINUS, Hermannus. Elucidarius carminu[m] et historiaru[m] vel vocabularius poeticus co[n]tine[n]s fabulas: historias: provincias: urbes: insulas: fluvios: et montes illustres.
(Colophon:) Hagenau, Heinrich Gran for Johann Rynmann, 1510. 4to. 19th-century blind-tooled red morocco, with a gold-tooled centre-piece on both sides, title, date and location of printing lettered in gold on the spine, gold- and blind-tooled broad turn-ins, gilt edges, blue endpapers. [1 blank], [60], [1 blank] ll. Full description

TORRENTINUS, Hermannus (Herman van der BEKE). Elucidarius poeticus co[n]tinens historias poeticas, fabulas, insulas regiones, urbes, fluvios, mo[n]tesq[ue] insigniores, atq[ue] huiusmodi alia, ...
Antwerp, Michiel Hillen van Hoogstraten, 1527. With the title in an elaborate woodcut border.
With: (2) [FIOCCHI, Andrea Dominico (Andras Dominicus FLOCCUS)] under the name of Lucius FENESTELLA. De magistratibus, sacerdotiisq[ue] Romanorum libellus, iamprimum nitori restitutus.
[Cologne, Hero Fuchs, 1527]. With the title in a finely cut 4-piece woodcut border. 2 editions in 1 volume. 8vo. 16th-century(?) limp vellum (formerly used for a slightly thinner book). The binding is an interesting example of a spine reinforced with a horizontal metal rod at the central sewing support to give more support and prevent the bookblock from becoming concaved or developing sharp kinks; probably bound in Flanders. [88]; [88] ll. Full description

TORRENTINUS, Hermannus (Herman van der BEKE). Elucidarius poeticus continens historias poeticas, fabulas, insulas, regiones, urbes, fluvios, montesq[ue] insigniores, atq[ue] huiusmodi alia, omnib[us] adolescentibus in poesi versantibus oppidoquam necessarius, ...
Cologne, Eucharius Cervicornus (colophon: Godefried Hittorp), July 1529. With the title in an elaborate woodcut architectural border with the Cologne coat of arms in the head, the death of Cleopatra in the foot, further figures in the right and left sides and 3 putti, one holding a shield with a monogram or mark, perhaps of the artist or woodblock cutter. Set in roman types with 8 and 14 mm roman capitals used as initials.
With: (2) FREUDENBERG, Aethon Johann von. De abusu & impostura medicantiu[m] libellus perquam utilis jucundusq[ue] omnibus, quibus cum medicis erit negocium.
Marburg, Eucharius Cervicornus, 1538. With 1 woodcut decorated initial (white on black with floral decoration) and a vine-leaf ornament (Vervliet 7). Set in roman type with the dedication in an Aldine-style italic and with occasional words in Greek.
2 works in 1 volume. 8vo. Sheepskin parchment (ca. 1700?), sewn on 4 supports, red edges, first title lettered in ink in the second spine compartment. [85], [1 blank]; [23] ll. Full description

TOSTATUS (TOSTADO DE MADRIGAL), Alfonso. Super Leviticum in sensu litterali nova et hactenus abscondita a se edita commentaria.
(Colophon: Venice, Petrus Liechtenstein, 1529). With title-page printed in red and black with a large woodcut containing the coats of arms of the Emperor Charles V (Charles I of Spain) and two bishops (the author and perhaps a relative), leaf 2 with a woodcut of the author writing at his desk, with his arms, and a woodcut initial with the other bishop's arms inside the letter, the arms in the initial and some lines of text printed in red. Printed in two columns.
With: (2) TOSTATUS, Alfonso. Opus super Deuteronomium.
(Colophon: Venice, Petrus Liechtenstein, 1528). With title-page printed in red and black, leaf 1 with a woodcut of the author writing at his desk, with his arms (not the same woodcut as in ad 1), and a woodcut initial with the other bishop's arms as in ad 1. Printed in two columns. 2 works in 1 volume. Folio. Contemporary blind- and gold-tooled tanned sheepskin over wooden boards; each board in a panel design with 2 (on the back board 3) different vine rolls, rules, and on the front board a central medaillon depicting Bathsheba kneeling before King David playing his harp, and a half dozen separate stamps, with author and title at the head, "Thostati Super Leviti et Deuteronomy" and the binding date MDXXXII (1532); blind-tooled spine, remnants of brass anchor plates on the back board (for straps?), catch plates on the front board lacking. 249, [1 blank]; [1], 120 ll. Full description