Early Printing & Manuscripts

AUGUSTINE of Hippo (Saint AUGUSTINE). De la cita d'Dio.
[Venice?, Antonio di Bartolommeo Miscomini, ca. 1477? (not after 1483)]. Folio. Printed in two columns, each 47 lines, with spaces for 3-6 line initials left blank. Early 19th-century gold-tooled calf. [1 blank], [322], [1 blank] ll. Full description

AUGUSTINE of Hippo (Saint AUGUSTINE). Collectanea, ex universo opere librorum D. Aurelii Augustini passim decerpta, semitam quanda[m] media[m] Christianis, nu[n]c misere dissentie[n]bus[!] mon[s]trantia, qua unanimiter ad ecclesiam Christi redeant.
Deventer, Albert Paffraet, 1529. 8vo (16.5 x 10.5 cm). With the title in letterpress in a woodcut border and one woodcut initial. With a contemporary manuscript index (31 1/2 pp.) and contemporary manuscript notes (1 1/2 pp.) giving quotations from Saint Augustine on 16 leaves bound at the front. Contemporary blind-tooled brown calf over wooden boards (the back board replaced with paperboard), with a brass catch-plate in the middle of the fore-edge (clasp and anchor plate lacking and binding repaired). 196 ll. Full description

AUGUSTINE of Hippo (Saint AUGUSTINE). Explanatio Psalmorum. [Incipit:] Annotatio principaliu[m] sententiariu[m]/ principaliu[m] sente[n]tiariu[m] in expla-natione psamo[rum]...
(Colophon:) Basel, Johann Amerbach, 1489. 3 parts in 1 volume. Folio (ca. 31 x 21.5 cm).
Contemporary blind-tooled pigskin over wooden boards, with 1 brass clasp and remnants of a 2nd. [1 blank], [14], [1 blank]; [146]; [192]; [192], [5 blank] ll. Full description

AUGUSTINUS DE LEONISSA. Sermones pulcherrimi sup[er] d[omi]nica[m] or[ati]o[n]em Pater noster & angelicam salutat[i]o[n]em Ave Maria. Unicuiq[ue] ad populu[m] vole[n]ti declamat[i]o[n]es facere acco[m]modati. editi p[er] venera[n]du[m] patre[m] Augustinu[m] de Leonissa ...
(Colophon: Cologne, heirs of Heinrich Quentel, 1505). With 3 decorated woodcut initials, many 3-line and 2 larger Lombardic initials. With the first decorated initial hand coloured, and rubricated throughout.
With: (2) BONAVENTURA, Saint (pseudo). Sermo[n]es Quattuor novissimorum perutiles et n[e]cc[ess]arii. unu[m]que[m]que in devot[i]o[n]is ardorem dei quam timore[m] i[n]ducentes. a Beato Bonaventura editi.
(Colophon : Cologne), [Cornelis de Zierikzee, ca. 1502]. With a small woodcut of Christ at the Last Judgement on the title-page framed by 4 decorative woodcut strip borders, a full-page woodcut of King David meeting Christ at the Last Judgement (repeated at the end), a few 3-line Lombardic initials and spaces left for a few larger manuscript initials (not filled in). 2 works in 1 volume. Small 8vo (14.5 x 10.5 cm). Modern blind-tooled brown goatskin morocco. [92]; [128] ll. Full description

[AURELIUS, Cornelius]. Die cronycke van Hollandt, Zeelandt en[de] Vrieslant beghinnende va[n] Adams tiden tot die geboerte ons heren Jh[es]u[m] voertgaende tot de[n] jare M.CCCCC. ende Xvij.
Leiden, Jan Seversz., 18 August 1517. Folio. With the title-page printed in red and black with a large woodcut between different woodcut borders, and 239 woodcuts in text, including 121 woodcut portraits. Black blind-tooled goatskin (1637), with gold-tooled title and binding date on side. [2], 436 ll. Full description

[AURELIUS, Cornelius and Ellert de VEER]. Die cronycke van Hollant, Zeelant ende Vrieslant. Dordrecht, Peeter Verhaghen, 1591, 1591, 1590. 3 volumes bound as 1. Small folio (30.5 x 20.5 cm). With 3 title-pages, each with a different woodcut full-length portrait (the first count of Holland Dirck I, the Holy Roman Emperor Charles V and King Philip II of Spain), 1 double-page engraved map of Holland in part 2 (in its first state), and 36 woodcut portraits in text. Blind-tooled vellum (ca. 1740?). [6], 264; [6], 162; [1], 1-110, 110-130, [6] ll. plus the map. Full description

[AUTOGRAPH]. MELANCHTHON, Philipp. [Autograph letter, signed, from Philipp Melanchthon to Sebastian Boetius].
[Wittenberg], Easter [14 April 1555]. Folio (19.5 x 32 cm). In Latin. [2] pp. Full description

ALVERNUS, Guillelmus (William of AUVERGNE). Libri ... de fide et legibus.
[Augsburg, Günther Zainer, ca. 1475/1476]. Small folio. Set in a hybrid roman type with gothic elements (a single column of 43 lines per page plus running heads), with the first 3 lines, including the title, in a slightly larger rotunda gothic. With all initials supplied in manuscript in red, rubricated throughout. Contemporary, richly blind-tooled vellum over wooden boards, two brass clasps, blue edges, "Nr. 56" in red ink written at the foot of the spine. [139] ll. Full description

BAÏF, Lazare de and [Charles ESTIENNE (editor)]. De re vestiaria libellus, ex Bayfio excerptus: addita vulgaris linguae interpretatione, in adolescentulorum gratiam atque utilitatem.
Paris, Roberti Stephani [Robert Estienne], (colophon: 13 April) 1541. Small 8vo (ca. 16.5 x 10.5 cm). With a woodcut printer's device on the title-page. Modern blueish-grey paper over boards with the title printed in black on the spine, red sprinkled edges. 68, [11], [1 blank] pp. Full description

BAÏF, Lazare de and [Charles ESTIENNE (editor)]. De vasculis libellus, adulescentulorum causa ex Bayfio decerptus, addita vulgari Latinarum vocum interpretatione.
Paris, Roberti Stephani [Robert Estienne], (colophon: 13 October) 1543. 8vo. With a woodcut printer's device on the title-page. Later blueish-grey paper over boards with the title printed in black on the spine. 52, [3], [1 blank] pp. Full description