Early Printing & Manuscripts

[REBOUL, Guillaume]. La cabale des Reformez, tiree nouvellement du puits de Democrite.
Montpellier [= Lyon?], "chez Le Libertin, imprimeur juré de la saincte Reformation" [= Jacques Roussin?], 1597.
With: (2) REBOUL, Guillaume. Apologie ... sur La cabale des Reformez.
[Lyon?, Jacques Roussin?], 1598. 2 works in 1 volume. 8vo. 17th-century gold-tooled calf; rebacked, preserving most of the backstrip. 224; 141, [1 blank] pp. Full description

[RHETORICIANS]. Spelen va[n] sinne byde[n] .xix. gheconfirmeerden cameren van rhetorijcken binnen der stede van Ghendt comparerende, verthoont, volghende den octroye vander K. Maiesteyt, Grave va[n] Vlaendren, onsen gheduchte[n] Heere, schepenen der selver stede, en[de] camere van rhetorijcke vander heylige drievuldicheyt, gheseyt de fonteynisten, verleent, en[de] der charte uutghesonde[n] op de questie, welck den mensche stervende, meesten troost is: die selve spele[n] beghinnende by ordre, so hier na volcht, de[n] .xii. junij, int jaer m.ccccc.xxxix. En[de] werde[n] volspeelt en[de] gheeyndt, den .xxiii. vanden jare en[de] maent voorsz.
(Colophon: Antwerp, [Matthias Crom], 25 October 1539). 8vo. 18th-century half vellum. [220] ll. Full description

[RICETTARIO FIORENTINO]. Ricettario utilissimo et molto necessario à tutti gli spetiali, che uogliono preparar le medicine regolatamente...
Venice, Vincenzo Valgrisi, 1558. 12mo. Later half sheepskin parchment, decorated paper sides. 164, [10] ll. Full description

RIVA DI SAN NAZARRO, Gianfrancesco. Iura interpretantis in flore[n]ti achademia Avenionensi ad cives Avenionenses de peste libri tres.
[Colophon:] Avignon, Jean de Channey, 12 September 1522. 4to. With the title in a 4-piece woodcut border (white on black), a woodcut illustration of the author presenting a book to the dedicatee on the verso of the title-pageWith numerous woodcut decorated initials (at least 3 series) throughout the text. Later overlapping vellum. [28], CLXII, [1] ll. Full description

ROGEL, Hans the elder. Capital und Versal Buech, allerhanndt grosser und kleiner Alphabeth, zue den Hauptschrifften und Büechern, dessgleichen in Canntzleyen unnd gemein, zuegebrauchen ganntz zierlich geordiniert.
Augsburg, Johann Jacob Schönig, [1680/94, printed from the woodblocks of 1568]. Oblong folio (21 x 34 cm). With a richly calligraphic woodcut title-page (18 x 28 cm), with text in white fraktur lettering on black, with a white panel at the foot with the letterpress imprint in a fraktur type; and 9 (of 10) full-page woodcuts (about 17 x 25.5 cm) showing alphabets in white on black, one dated 1568: 8 with decorated gothic capitals (versals: 22-150 mm) and 1 with textura capitals, textura lowercase and roman capitals, all versos blank. With a small and perhaps fragmentary manuscript on parchment (2 ll., 11.5 x 13.5 cm, written on both sides): a Protestant copybook written (soon?) after 1557, probably in Basle or vicinity, with 7 writing samples, including alphabets of capitals and minuscules, the first two pages in fraktur gothic styles, and the last two in humanistic styles. Vellum (ca. 1985?), in a cloth slipcase. [10 (of 11)] ll. Full description

ROLEWINCK, Werner. Formula vivendi canonico[rum] sive vicario[rum] seculariu[m] aut etiam alio[rum] devoto[rum] presbiterorum.
(Colophon: Delft, [Christiaen Snellaert], April 1496). 4to (19.5×13.5). With the main text in a rotunda type (64G), quire signatures in a slightly larger rotunda (82G), title and text opening in a larger textura (145G) and a few small printed "Lombardic" uncial initials. Rubricated throughout, with 1 4-line and a few smaller red "lombardic" uncial initials written or drawn in the blank spaces provided, red paragraph marks; type area 14.5×9 cm. Half vellum (ca. 1900?). [11] ll. Full description

[ROMAN MISSAL]. Missale ad consuetudinem Ecclesie Romane; ...
[Paris], Thielman Kerver, [colophon: anno domini 1506. x. kalendas apriles = 23 March 1507]. 8vo. Printed in red and black throughout in 2 columns, with Kervers finely executed criblée armorial device on the title-page, a crucifixion woodcut, hundreds of impressions of at least 28 finely executed lombardic initials with decorations, as well as dozens of spaces left for manuscript initials, about half with printed guide letters, and a two-impression plainchant music type. The capitals are rubricated throughout. The main text is set in a rotunda gothic type, and the Canon in a larger textura gothic. The woodcut crucifixion, Kervers device and the criblée initials are all coloured by a contemporary hand. Gold- and blind-tooled black goatskin morocco (1st half of the 18th century), the front board dated "ANNO|DOMINI|1506" in gold, and the spine-title "MISSALE|ROMANUM" in gold, marbled endpapers, gilt edges, 2 brass fastenings. [8], 233, [3] ll. Full description

ROSEMONDT, Godschalc. Confessionale sive libellus modum confitendi pulcherrime co[m]plecte[n]s, necessarius atq[ue] utilis, & cuilibet recte confiteri vole[n]ti, & ipsis sacerdotibus, qui aliorum confessiones audire habe[n]t. Editus a celeberrimo academie Lovanien[sis]. ... Denuo ab eodem recognitus et castigatus anno mil. CCCCC. XIX. men. Junii. die. xxvii.
(Colophon: Antwerp, Michiel Hillen van Hoochstraten, 8 July 1519). Small 8vo (14 x 10 cm). Title-page in red & black with a red woodcut rebus of the author's name at the foot. 17th-century(?) vellum with the vellum. 251, [5] ll. Full description

RUTILIUS LUPUS, Publius and 15 others (François PITHOU, ed.). [Antiqui rhetores Latini.] ... Omnia ex codd. manusc. emendatiora vel auctiora.
Paris, Adrien Périer (ex officina Plantiniana), 1599. Large 4to. Set in roman types with incidental italic, Greek and Hebrew. Contemporary gold-tooled calf with 18th-century restorations, with the arms of Aire-sur-la-Lys (an eagle) flanked by "S.P.Q. ... Arien[sis]". Rebacked with the original backstrip laid down. [4], 382, [15], [1 blank] pp. Full description

SALVIANI, Ippolito (Hippolito). Aquatilium animalium historiae, liber primus [all published], cum eorumdem formis, aere excusis.
Rome, Hippolito Salviani, 1554 (colophon: January 1558). Folio. With an engraved title-page and 98 figures on 81 full-page engravings (plate size 33 x 22.5 cm) printed on integral leaves, a Salviani's woodcut device on the last page, and about 100 decorated pictorial woodcut initials (2 series) including repeats. Recased in 18th-century(?) sheepskin parchment. [8], 256 ll. Full description