Book History, Education, Learning & Printing / Book History, Calligraphy & Printing

ROGEL, Hans the elder. Capital und Versal Buech, allerhanndt grosser und kleiner Alphabeth, zue den Hauptschrifften und Büechern, dessgleichen in Canntzleyen unnd gemein, zuegebrauchen ganntz zierlich geordiniert.
Augsburg, Johann Jacob Schönig, [1680/94, printed from the woodblocks of 1568]. Oblong folio (21 x 34 cm). With a richly calligraphic woodcut title-page (18 x 28 cm), with text in white fraktur lettering on black, with a white panel at the foot with the letterpress imprint in a fraktur type; and 9 (of 10) full-page woodcuts (about 17 x 25.5 cm) showing alphabets in white on black, one dated 1568: 8 with decorated gothic capitals (versals: 22-150 mm) and 1 with textura capitals, textura lowercase and roman capitals, all versos blank. With a small and perhaps fragmentary manuscript on parchment (2 ll., 11.5 x 13.5 cm, written on both sides): a Protestant copybook written (soon?) after 1557, probably in Basle or vicinity, with 7 writing samples, including alphabets of capitals and minuscules, the first two pages in fraktur gothic styles, and the last two in humanistic styles. Vellum (ca. 1985?), in a cloth slipcase. [10 (of 11)] ll. Full description

[ROMAN MISSAL]. Missale ad consuetudinem Ecclesie Romane; ...
[Paris], Thielman Kerver, [colophon: anno domini 1506. x. kalendas apriles = 23 March 1507]. 8vo. Printed in red and black throughout in 2 columns, with Kervers finely executed criblée armorial device on the title-page, a crucifixion woodcut, hundreds of impressions of at least 28 finely executed lombardic initials with decorations, as well as dozens of spaces left for manuscript initials, about half with printed guide letters, and a two-impression plainchant music type. The capitals are rubricated throughout. The main text is set in a rotunda gothic type, and the Canon in a larger textura gothic. The woodcut crucifixion, Kervers device and the criblée initials are all coloured by a contemporary hand. Gold- and blind-tooled black goatskin morocco (1st half of the 18th century), the front board dated "ANNO|DOMINI|1506" in gold, and the spine-title "MISSALE|ROMANUM" in gold, marbled endpapers, gilt edges, 2 brass fastenings. [8], 233, [3] ll. Full description

[ROSSI, Giovanni Gherardo de]. Scherzi poetici e pittorici.
(Colophon: Parma, Giambattista Bodoni, 1795). 8vo (22 x 14 cm). With engraved title-page and 40 engraved plates (plate size: ca. 7 x 11 cm). Richly gold-tooled red morocco by Rémy Petit (active 1855-1900), spine with 5 raised bands resulting in 6 compartments, one with black title-label and the other five gold-tooled with black oval inlays; the sides with gilt triple fillet borders, corner ornaments with same oval inlays and a central oval ornament (gold on green); further with gilt fillets on board edges and richly gold-tooled turn-ins with a floral motive, gilt edges. [52] ll. Full description

SALLE, Jean Baptiste de la. Les règles de la bien-seance et de la civilité Chretienne. Divisées en deux parties. Pour l'instruction de la jeunesse.
Rouen, François Oursel, 1729. 8vo. With ornamental woodcut on title-page and some woodcut initials, head- and tail-pieces. Main text in civilité type. Contemporary calf, gold-tooled spine with red label, red sprinkled edges. [16], 240 pp. Full description

SAPPHO [=Vincenzo Maria IMPERIALE]. La Faoniade. Inni ed odi di Saffo tradotti dal testo Greco in metro Italiano da S.I.P.A.
Parma, Giambattista Bodoni, 1801. 8vo. Contemporary half calf. [2], VIII, 79, [1 blank] pp. Full description

SAUMAISE, Claude de. De modo usurarum liber.
Leiden, Bonaventura and Abraham Elzevier, 1639. 8vo. With title-page in red and black with woodcut publisher's device. Contemporary vellum. [56], 891, [93] pp. Full description

SAVAGE, William. Practical hints on decorative printing, with illustrations engraved on wood, and printed in colours ...
London, printed by the Type Press [and by John Johnson] and published for the proprietor by Longman, Hurst, Rees, Orme and Brown; Robert Triphook and 4 others, "1822" [= 1818-1823]. 2 parts in 1 volume. Large 4to (28 x 23 cm). With 2 colour-printed letterpress title-pages (one printed in gold), a colour-printed frontispiece and 34 other wood-engraved illustration plates, mostly printed in colour; 2 leaves of type specimens, 6 leaves showing 18 colour ink swatches, and 9 pages showing 9 of the woodblocks after they were defaced to make a reprint impossible. Dark blue half goatskin morocco (ca. 1950) by Banyan-Rivière in Bath, gold-tooled spine. Copy no. 58, signed by the author. [1], [1 blank], "vi" [= viii], 118 (lacking 101-102), [10] pp. plus the plates and the 1818 notice. Full description

CALL, Jan van; Petrus SCHENCK. [A series of 15 magnificent color-printed plates of the most impressive Dutch palaces of the Stadtholders: Het Loo (Apeldoorn), Huis ten Bosch (The Hague), Honselaarsdijk (near Naaltwijk) and Sorgvliet (The Hague).]
Amsterdam, Petrus Schenck, ca. 1695. 4to (20 x 24.5 cm). 15 (from a series of 25) colour-printed plates (plate size ca. 13 x 17 cm). Loose leaves. Full description

SCRIBANI, Charles. Antverpia.
Including: [SCHONDONCK, Gilles]. Hê prôtogeneia kai epistrephomonê tychê tês Anbersês.
Antwerp, Jan Moretus I, 1610. With an engraved printer's device on title-page and a woodcut printer's device on the otherwise blank page following the main part.
With: (2) SCRIBANI, Charles. Origines Antverpiensium.
Antwerp, Jan Moretus I, 1610. With an engraved printer's device on title-page, woodcut printer's device on the otherwise blank last page, folding engraved map of Antwerp and 6 double-page engraved plates. 2 works in 1 volume; 1st work in 2 parts. 4to. Contemporary vellum. [8], 146, [1], [1 blank]; 1-24; 1-172, [3], [1 blank] pp. Full description

SENAULT, Louis (calligrapher & engraver). Heures nouvelles tirées de la Sainte Ecriture. Écrites et gravées par L. Senault.
Paris, "l'autheur" and Claude De Hansy, [1690 or soon after]. 8vo. With an engraved frontispiece, a richly engraved title-page with the title in a wreath of flowers with 2 dolphins and the crowned coat-of-arms of the Dauphine, and 260 engraved calligraphic text-pages, richly decorated and illustrated, including 8 engraved divisional titles, this copy with the frontispiece, the 4 illustration plates and 2 otherwise blank pages with gilt borders. 18th-century richly gold-tooled (browned) olive-green goatskin morocco, each board with a wide border, spine with the title in roman capitals in the 2nd of 6 compartments and a flower built up from several stamps plus several decorations in each of the other compartments, rolls on the raised bands and at the head and foot, gold-tooled turn-ins and board edges, 2 silver clasps with a stamped mark, red silk paste-downs, gilt edges, red silk ribbon marker. [1], [1 blank], 260 engraved pp. plus 5 engraved plates including frontispiece. Full description