Book History, Education, Learning & Printing / Bindings

CAMPER, Petrus. Verhandeling van Petrus Camper, over het natuurlijk verschil der wezenstrekken in menschen van onderscheiden landaart en ouderdom; over het schoon in antyke beelden en gesneedene steenen. Gevolgd door een voorstel van eene nieuwe manier om hoofden van allerleye menschen met zekerheid te tekenen.
Utrecht, B. Wild and J. Altheer, 1791. Large 4to (ca. 26 x 20 cm). With 10 engraved plates: 5 folding double-page plates, 4 full-page plates, numbered I-IX and all dated ca. 1768-1786 in the plates, depicting heads and skulls of humans and apes engraved by Reinier Vinkeles after Petrus Camper, and 1 unnumbered plate depicting a geometric figure. 19th-century mottled calf, with a circular green morocco inlay lettered in gold, within a gold-tooled laurel wreath as a centre piece on both boards. "VIII" [= X], 108, [1]. [1 blank] pp. Full description

CARACCIOLO, Roberto. Sermones per adventu[m] domini cu[m] multis aliis inclusis. sermocionanti per utiles. famosissimi predicatoris Maiistri Ruberti de Licio Italici ordinis minoru[m]. [= Sermones de adventu, Sermo de S. Joseph, Sermo de Beatitudine, Sermones de divina caritate, Sermones de immortalitate animae].
Including: BOLLANI, Dominico (Dominicus BOLLANUS). De co[n]ceptione gloriosissime Virginis Marie [= De conceptione Beatae Virginis Mariae].
[Strasbourg, Martin Schott, 1484]. Small (Chancery) folio mostly in 8s (28.5 x 20.5 cm). Printed in 2 columns, set in 2 sizes of rotunda gothic type that Schott used for the first time in the present publication. With spaces left (without guide letters) for perhaps a hundred 3-line and dozens of larger manuscript initials, not filled in in the present copy.
Near contemporary (ca. 1500?), richly blind-tooled pigskin over square-edge boards (Eindbanddatenbank workshop w002296, active in Bavaria ca. 1473(?)-1502). With the remains of one strap-fastening (brass anchor-plate, remnants of the alum-tawed leather strap, but catchplate and clasp lost), blue-green edges. Vellum manuscript waste used for reinforcement, showing bits of Isaias 5:8-26 from a Vulgate Bible in a large textura hand. [100], [17], [1 blank] ll. Full description

CATS, Jacob. Alle de wercken, so ouden als nieuwe.
Amsterdam, Jan Jacobsz. Schipper, 1655. Folio. With an engraved frontispiece incorporating a portrait of the author, a full-page engraved portrait of the author, 2 double-page engraved plates, hundreds of engravings in text (including 1 full-page and 1 integral double-page) by J. Swelinck, W.H. Hondius, C. van Dalen and others. Gold-tooled grey-black morocco (ca. 1758), richly gold-tooled spine, boards and board edges, gilt edges; by the so-called "star bindery" in The Hague. [18], 151, [1 blank]; [20], 26, [2], 27-30; [4], 1-15, [5]; 195, [7]; [2], 32; [8], 184; [16], 266, [6]; [12], 184; 84; 60; 24 ; [8], 36; 159, [1 blank] pp. Full description

CHESNEAU, Augustin. Orpheus Eucharisticus ... Tomus primus [all published].
Paris, Florentin Lambert, 1657. 8vo. With an engraved title-page, a typographical title-page with a small woodcut ornament, 101 engraved emblems by Albert Flamen in the text (1 unnumbered on page 5, 100 numbered I-C), further with woodcut initials and woodcut tail-pieces. Late 17th- or early 18th-century gold-tooled red morocco. 699, [33] pp. Full description

CHRYSOSTOMUS, Johannes (Antonius VAN HEMERT, translator). Van die beweechnisse des herten, tot berouwe der sonde[n]. ...
(Colophon:) Antwerp, Symon Cock, 18 August 1546. 8vo. With the title-page in red and black in a framework of thin rules, 6 woodcut decorated initials and 2 vine-leaf ornaments. Set in 3 sizes of textura gothic types. A very interesting Antwerp binding of contemporary panel-stamped calf, each board with the same panel, showing 2 medallion portraits in, the whole surrounded by a floral decorative border, interesting fastenings with cord loops that fasten to bone buttons on leather straps. [131], [1 blank] ll. Full description

CICERO, Marcus Tullius. De officiis libri tres. Cato major sive de senectute. Laelius sive de Amiciria. Paradoxa. Somnium Scipionis. Ex recensione Joannis Georgii Graevii cum eiusdem animadversionibus.
Amsterdam, Hendrik Wetstein, 1691. 3 parts (books) in 1 volume. 12mo. With an engraved frontispiece, a woodcut vignette on the title-page which is printed in red and black, woodcut initials. Contemporary vellum. [20], 470, [18] pp. Full description

CONDIO, Luigi. Preghiere. Miniature di Vittorio Vulten.
Torino, Carlo de Martini (printed by Stab. Litografico Giovanni Fraschini & C., Milan), 1902. 18mo (13.5 x 7.5 x 1.5 cm). A wholly chromolithographed Art Nouveau prayer book, printed in numerous pastel colours plus gold, with (mostly floral) decoration on every page and numerous additional illustrations. In a silver binding (hallmarked "800" at the foot of the otherwise blank back cover), with "Our Lady of the Rosary" from the shrine of the Virgin of the Rosary in Pompei depicted on the front cover in high relief (madonna and child presenting rosaries to Saint Dominic and Saint Catherine) flanked by two irises, above "Ave Maria" and a panel with "SS. Vergine di Pompei", endpapers lithographed in pastel colours plus gold, in a repeating pattern of abstracted flowers, crosses, anchors, hearts and initials "VD" or "DV", gilt edges. [104] pp. Full description

COTTON, Sir Robert Bruce. Warrs with forregin[!] princes dangerous to our Common-Wealth: or reasons for forreign wars answered. With a list of all the confederates from Henry the first reign to the end of Queen Elizabeth. Proving that the kings of England alwayes preferred unjust peace before the justest warre.
London, William Shears, 1657.
Including: [COTTON, Sir Robert Bruce]. The French charity; written in French by an English gentleman, upon occasion of Prince Harcourt's coming to England; and translated into English by F.S.J.E.
London, William Shears, 1655. Small 8vo. Woodcut head- and tailpieces & initials. Contemporary calf. [2], 96; [2], 10 pp. Full description

DAM, Jan Albertsz. van. Nieuw geinventeerde koopmans comptoir- en schrijf-almanach, op het schrikkel-jaar onzes heeren J. Christi M DCC XII. Na de nieuwe styl. Versien met de jaarmarkten, paarde- beeste- en leer-markte, en de dageliksche uure van de maans op en ondergang.
Amsterdam, the heirs of Albert Magnus, [1711 (for the year 1712)]. 12mo. Printed in red and black throught, the title-page with Magnus's woodcut device (Atlas with an armillary sphere on his shoulders), numerous typographical symbols in the text: for example a horse and a goat representing horse and other animal market days, moons in different phases, planetary signs and manicules (pointing hands). With a small etching of an angel (39 mm tall) holding a wreath, cut out of an unidentified source and loosely inserted between 2 blank pages at the end of the book. Contemporary, elaborately gold-tooled mottled calf over thin wooden boards by the so-called Art Book Bindery (1705-1741) in the style made famous by Albert Magnus himself, with more than 100 impressions of about a dozen stamps and one roll, gold-tooled board edges. Further with 4 silver anchor plates (2 on each board), each with the coat of arms of the States of Holland in a decorative cartouche, and each with a silver eye extending over the fore edge, with a silver combination stylus/lead pencil used to fasten the book through the eyes, gilt edges. [120] pp. bound with 46 blank free endleaves: [12] pp. at the front and [22 (coated paper)], [12] pp. at the back. Full description

DAM, Meyndert Dirksz. van. D'erven Stichters comptoir almanach, op t schrikkel-jaar onses heeren Jesu Christi, 1788 ...
Amsterdam, the heirs of the widow of Cornelis Stichter, [1788]. 4to. With the title-page and 23 calendar pages printed in red and black, a half-page woodcut vignette (depicting Father Time pointing at an armillary sphere) by Hendrik Numan on the title-page and 12 half-page woodcut illustrations for the 12 months (each ca. 7 x 11 cm) by Hendrik Numan, nearly all signed in the block (including two dated "1779"). Contemporary gold-tooled brown mottled calf, bound by the so-called Acorn-and-Foliage Tool Bindery in Amsterdam (Storm van Leeuwen). Both boards show the large gold-tooled monogram of the Amsterdam chamber of the VOC as a centre piece sandwiched between the gold-tooled date "Anno 1788", all within a gold-tooled floral frame with floral corner pieces in the inside corners. [16] ll. interleaved with 24 blank (except for manuscript annotations) ll. Full description