Art, Architecture & Photography / Drawings, Prints & Watercolours

PRISSE D'AVENNES, Achille Constant Théodore Émile. Oriental album. Characters, costumes, and modes of life, in the valley of the Nile.
London, James Madden, 1848. Imperial folio (52.5 x 37.5 cm). With an additional decorative title-page, separately chromolithographed in black, gold and 7 colours, tinted and hand-coloured lithographed frontispiece portrait of the dedicatee, and 30 tinted and hand-coloured lithographs. Numerous wood-engraved illustrations in the text. Modern half calf, richly gold-tooled spine. [6], 60 pp. Full description

PRISSE D'AVENNES, Achille Constant Théodore Émile. Oriental album. Characters, costumes, and modes of life, in the valley of the Nile.
London, James Madden (back of title-page: printed by John Wertheimer & Co.), 1851. Super Royal folio (33 x 45.5 cm). With 31 tinted and hand-coloured lithographed plates, including the frontispiece, and a black-and-white illustration on the title-page. Contemporary gold-tooled red half morocco. [5], [1 blank], 60 pp. plus plates. Full description

[UTRECHT]. PRONK, Cornelis. Gezigt op de Leidschevaart & Catrijnepoort te Utrecht.
[Utrecht, ca. 1730]. 23 x 29 cm. Washed pen and ink drawing on paper. Full description

PUGET DE LA SERRE, Jean. L'isthoire [!] et les portraits des imperatrices, des reynes, et des illustres princesses de l'auguste maison d'Austriche, qui ont porte le nom d'Anne.
Paris, Pierre de Bresche, 1648. Folio (44 x 30.5 cm). With 10 (of 14) hand-coloured full-page engraved plates, 14 contemporary hand-coloured engraved initials, 14 hand-coloured engraved headpieces, 8 engraved tailpieces, and a hand-coloured engraved vignette on the title page, all heightened with gold. The leaves have been outlined in red, and the title page has been outlined and decorated in red and gold, lacking the frontispiece. Contemporary gold-tooled red morocco, with the coat of arms of Anne of Austria onlaid in the centre of both boards, surrounded by two triple fillet frames, with ornaments in the corners of the inner frame, gold-tooled board edges, gilt edges, marbled pastedowns. [6], "51" [= 45], [1] pp. Full description

[AMSTERDAM]. [RADEMAKER, Abraham?]. 't Huis Kostverlooren.
[Netherlands, ca. 1700]. A view in brown ink with light and dark grey watercolour washes on laid paper (16.5 x 21.5 cm), with a manuscript caption at the head. Mounted in passepartout. Full description

REMBRANDT van Rijn. [Abraham's sacrifice].
[Amsterdam], Rembrandt, 1655. 4to leaf (16.5 x 14 cm). Etching and drypoint on European laid paper (plate size 15.7 x 13.2 cm). Mounted with two hinges in a passepartout, which is kept in sturdy cardboard folder, covered on the outside with beige suede. Full description

RICH, Claudius James and Siegmund Ferdinand von PERGER. Sammlung und Darstellung verschiedener Pferde intressanter Zuchten, Landeskarten und Rassen ...
Vienna, Müllersche Kunsthandlung, 1815. Oblong folio (31 x 42.5 cm). Engraved print series, including a title-page engraved by Dorneck and 6 numbered engravings of horses engraved by Siegmund Ferdinand von Perger, hand-coloured and loose as issued. [1], VI engraved ll. Full description

RIDINGER, Johann Elias. [Drop-title:] Vorstellung der Pferde ... = Description du cheval ...
[Augsburg, Martin Elias Ridinger and Johann Jakob Ridinger, 1770 or ca. 1768]. 4to. With an engraved allegorical frontispiece or title-print showing the corner of a garden with an equine statue and an asymmetric decorated shield with text, 50 plates with captions in German and French, conceived, drawn and engraved by Ridinger, each giving a lively and personal portrait of a horse. All plates, including frontispiece, beautifully coloured by a contemporary hand as published, some highlighted with white chalk. Further with decorations built up from cast fleurons. Set in 2 columns, mostly with the German in fraktur type on the left and the French in roman and italic on the right (some lists with the German and French on facing pages). Mottled, tanned half sheepskin (ca. 1840), sewn on 3 tapes, with a hollow back, shell-marbled sides (brown shell with blue veins, similar to Wolfe 128), red edges. Recased, with new headbands.
With:
(2) [DRAWING - EQUINE]. RIDINGER, Johann Elias. [Die guthe Gestalt eines Pferdes. = La beauté et les parties exterieures du Cheval.]
[Augsburg, ca. 1765].
Drawing in pen and brown ink, ink washes and white chalk on grey-blue paper (24 x 17 cm, frame of pen-drawn rules 18.5 x 13.5 cm, with an empty panel at the foot for the title), for the second plate of Vorstellung der Pferde. With the small ink stamp of an eagle (9.5 x 7 mm) from the collection of Aldalbert Freiherr von Lanna (1836-1909). In a passe partout. 39, [1 blank] pp. plus plates. Full description

RIDINGER, Johann Elias. [Naturhistorisches Original-Thierwerk].
[Augsburg, Engelbrecht, 1825]. Oblong folio. With 127 numbered engraved plates including frontispiece incorporating a small portrait of Johann Elias Ridinger (1698-1767) in profile on a base with his name and profession, surrounded by animals, and plates showing all kinds of animals classified in 9 (of 10) sections. Lacking the title-page and part of the text, but with all plates complete. Contemporary diced half calf, gold-tooled spine, marbled sides. 28 pp. plus 127 plates. Full description

RITCHIE, Alexander (engraver). Clans of the Highlands of Scotland.
Edinburgh, C. Sinclair, [between 1850 and 1873]. 15.5 x 12 cm. With 12 very detailed, hand-coloured engravings of Scottish men representing 12 clans in their traditional tartans. All engravings are mounted on dark green moiré-grained cloth in 2 sets of 6, respectively folding out from the front and back pastedowns. All engravings are captioned in the plate, giving the name of the clan depicted and a short description of the scene, and signed by the engraver, Alexander Ritchie. Original publisher's gold- and blind-stamped green wave-grained cloth, with the title in gold within an elaborate gold-stamped frame on the front board and a blind-stamped ornamental oval centrepiece (a personification of Scotland?) within an elaborate blind-stamped frame on the back board, remnants of red cloth ties. [2 sets of 6 engravings folding out]. Full description