Art, Architecture & Photography / Drawings, Prints & Watercolours

[NATURAL HISTORY - DRAWING]. [Album with natural history drawings].
[Netherlands?, ca. 1700?]. Small 4to (18 x 13 cm). Album with 22 drawings on 21 leaves, mostly in watercolour and pencil. Contemporary marbled boards. 21 ll. of drawings + 17 blanks Full description

[NEDERLANDSCH BLOEMWERK]. Nederlandsch bloemwerk. Door een gezelschap geleerden.
Amsterdam, J.B. Elwe, 1794. 4to. With 54 contemporary hand-coloured engraved plates of flowers, including an engraved title page signed by Paul Theodor van Brussel and Hendrik Leffert Myling. (Near-) contemporary gold-tooled half calf. [2 blank], [6], 128, [3], [1 blank] pp. Full description

[NETO, Estêvao Gonçalves, circle of (attributed)]. [Historiated initial - Capital "G"].
[Viseu?, first quarter of the 17th century]. Frame: ca. 36.5 x 33.5 cm. Tempera on parchment (ca. 20 x 21 cm), heightened with gold. Mounted in a passe-partout (ca. 28.5 x 25.5 cm), framed behind glass in a later gold frame. Full description

[NETO, Estêvao Gonçalves, circle of (attributed)]. [Illuminated initial - Capital "S"].
[Viseu?], 1617. Frame: ca. 39.5 x 38 cm. Tempera and gold leaf on parchment (ca. 33 x 30 cm). Mounted in a passe-partout (ca. 33.5 x 32.5 cm), framed behind glass in a later gold frame. Full description

NEWHOUSE, Charles B. The roadsters album.
London, George Thomas Fores & Arthur Blücher Fores, 1845. Large folio (38 x 28.5 cm). With an extensively illustrated aquatint title-page, unsigned, but drawn by Henry Thomas Alken (1785-1851), and 16 aquatint plates drawn by Newhouse. Title-page and plates coloured in great detail by a contemporary hand in opaque gouaches and watercolours, and highlighted with shellac. Gold-tooled, red morocco for Henry Arthur Johnstone (ca. 1900), leather endleaves with Johnstone's 1899 blind-stamped ex-libris, top edge gilt. Full description

[NORTHWEST PASSAGE - PAINTING]. [The ships Erebus and Terror in the Arctic].
[England?, ca. 1850?]. Oil painting on canvas (65.5 x 91 cm), showing 2 ships in a rough sea amid dangerous rocks and ice. Later mounted on another canvas and stretched over a wooden frame, with a handwritten note about the painting pasted on the back. Full description

ONGANIA, Ferdinando (ed.). Calli e canali e isole della laguna [frontispiece: "Calli et canali in Venezia"].
Venice, Tipografia Emiliana, 1894-1895. Imperial folio (ca. 55 x 37 cm). With a lithographed frontispiece showing a gondola in a Venice canal and 100 colletypes of the Venice canals, streets and buildings, mounted on guards and covered with flyleaves, index printed in red and black. Original publishers half brown sheepskin, beige cloth sides with blind-tooled frame on the front and back board and with a centrepiece with a boat in the lagoon of Venice and the gold-stamped title and author's name on the front board. [6] including the frontispiece, plus 100 collotypes. Full description

OS, Georgius Jacobus Johannes. [Flowers and fruits on a marble plinth].
[Paris or Holland], [ca. 1815-1825]. Four watercolour drawings on paper, three signed "G.J.J Van Os", edged with a thin black border. [4] ll. Full description

OTTO VAN PASSAU. Boeck des gulden throene of der xxiiij ouden.
Utrecht, [printer with monogram "tC"], [30 March] 1480. Folio. With 24 illustrations in text (ca. 9 x 6.2 cm), printed from 1 complete woodcut (plus 4 repeats) and 15 components assembled in different combinations, all rubricated and with architectural frames. The book has no printed initials, but spaces for manuscript initials, which have been filled with letters in the uncial style. Each of the 24 chapters begins with a large manuscript initial (the first 5-line with a penwork face in profile and further 4-line), 11 with two or more colours (mostly with penwork decoration extending into the margin), and others with interior white decoration. A smaller (2-line) initial with penwork extending into the margin opens the book's first page and there are numerous further 1-line and 2-line initials. Set in a textura type with capitals rubricated throughout. Woodcut printer's device at the end: a date palm tree with monogram "tC" (6.5 x 5.5 cm), the "t" perhaps also (or instead) representing a cross. Contemporary (Utrecht?) blind-tooled calf over wooden boards, each board in a panel design with the central part ruled in a lozenge pattern with about 200 impressions of 4 small separate stamps; re-backed, with modern morocco title label. [4], 197 ll. Full description

OTTO VON PASSAU. Boec des gulden throe[n]s of der xxiiij. ouden en[de] hoemen elke[n] vinden mach en[de] va[n] hoerre leringhen die si leren om te comen totten ewighen leven.
(colophon: Haarlem, [Jacob Bellaert], 25 October 1484). Folio (29 x 21.5 cm). With large woodcut printer's device (142 x 82 mm) on verso of last leaf (with the arms of the city of Haarlem above an eagle holding a larger blank shield, here filled in by a contemporary owner); 4 woodcut illustrations and 20 repeats, representing the 24 elders, each showing one of the male elders, standing, teaching a female novice kneeling before him. Further with spaces left for initials, all filled in with uncials by hand, about 25 with penwork decoration in 1 or 2 additional colours: 1 blue 6-line initial with decorations in red and violate extending far into the margin, about 24 red 3 to 9-line (mostly 7-line) initials with lavendar penwork (1 with 2 green dots), some extending into the margin, and more than 70 2-line red initials without penwork decoration; a few spaces left for ¶-marks, also filled in in red; capitals rubricated throughout. Set entirely in Baellart's textura (99 or 100 mm/20 lines or about 14.5 point). Lacking leaf 137 (the second to last text leaf) and the final blank. Modern sheepskin. [1 blank, 3], "136" [= 135 (of 136)], [1] ll. Full description