Art, Architecture & Photography / Art & Art History

BOUDARD, Jean-Baptiste. Iconologie tirée de divers auteurs. Ouvrage utile aux gens de lettres, aux pöetes, aux artistes, & généralement à tous les amateurs des beaux-arts.
Vienna, Johan Thomas von Trattner, 1766.
3 volumes. 8vo. With Trattners engraved device on the 3 title-pages. Contemporary half calf. [16], 203, [8]; [2], 219, [8]; [2], 208, [12] pp. Full description

[DRAWING]. BRANDS, Eugène. [Two manuscript invitations for an exhibition opening, each including an original drawing in colour].
[Amsterdam, 1948]. Each 14.7 x 11 cm. Pen-and-ink drawings; one with blue watercolour and the other with blue and yellow watercolour. 2 pp. Full description

BRÈS, Jean-Pierre. Le livre-joujou.
Paris, Louis Janet, [24 December 1831]. Large 16mo in 8s (14.5 x 11 cm). With a letterpress title-page, an engraved title-page and 12 engraved plates, the engraved title-page and all plates with movable parts (moved with tabs), all 13 engravings and their movable parts hand-coloured for the publisher. Further with a wide variety of decorated types. Publishers original gold-tooled black half sheepskin, original publishers blue paper sides, printed letterpress, the front and back with the same cover-title, with a wood-engraved vignette, marbled edges. [2 blank], “11” [= 6], vii, [1], 157, [3 blank] pp. Full description

[BROADSIDE - CIRCUS]. Mit hoher Bewilligung wird heute die hier angekommene Gymnastische- und Athleten-Gesellschaft unter der Direction des Hrn. Bartholomäus Ramini die Ehre haben sich zu produciren......
[Austria, ca. 1827]. Oblong folio (ca. 40 x 46 cm). With a large woodcut illustration (ca. 27 x 38 cm). The text is set in a Gothic type. [1] l. Full description

BRUGGE, Geerard ter, and Willem GOEREE. Verligterie-kunde, of, regt gebruik der water-verwen. In welke desselfs kennis, en gebruik tot de schilderkunde, en de illuminatie of verligterie noodig zijnde, kortelijk geleerd word. Eertijds uytgegeven door den voortreflijken verligter Mr. Geerard ter Brugge. Ende nu tot nut der liefhebbers, doorgaans met noodige aanmerkingen vermeerderd, om neffens het illumineeren of afzetten, insonderheid het schilderen met water-verwen te oeffenen, ... Den derden druk.
Amsterdam, Daniel van den Dalen, 1697. 8vo. With an engraved title. Modern half sheepskin parchment, marbled paper sides. 92 pp. Full description

BUIJS, Jacobus. [Set of 22 drawings and 1 engraving].
[Ca. 1781]. Various sizes. 22 washed pen and ink drawings and 1 engraving on paper. Mostly loose, nos. 8, 10, 20-23 pasted on paper support. Full description

[BUONANNI, Filippo]. Verhandeling over de vernissen, waar in de wyze opgegeeven wordt, om 'er een toe te stellen, dat 't Chineesch vernis volmaakt gelykt: benevens verscheyde andere zaken rakende de schilderkunst, 't vergulden, 't etsen, etc. ...
Leiden, Jacobus Willeke, 1742. 8vo. With the title printed in red and black, 4 full-page engraved plates illustrating the necessities for varnishing and lacquering. Contemporary brown sprinkled paper wrappers. 16, 218, [24] pp. Full description

BURNET, John. A practical treatise on painting. In three parts. Consisting of hints on composition, chiaroscuro, and colouring. The whole illustrated by examples from the Italian, Venetian, Flemish, and Dutch schools.
London, James Carpenter, 1826-1827. 3 parts in 1 volume. 4to. With 25 full-page partly handcoloured etched and aquatint plates with 105 reproductions by Burnet of famous paintings. Contemporary calf, covers blind-tooled in a checkered pattern, marbled edges. [4], 31, [1 blank]; VI, 45; V-IX, [3], 64 pp. Full description

BUTRON, Juan Alonso de. Discursos apologeticos, en que se defiende la ingenvidad del arte de la pintura; que es liberal, de todos derechos, no inferior a las sie te que comunmente te se reciben.
Madrid, Luis Sanchez, 1626. 4to. With an engraved architectural title-page by Juan Schorquens. Early 19th-century Spanish gold-tooled, sheepskin (root or maroquin pattern). [36], 122, [37] pp. Full description

BUTTURA, Antonio. Sonetti a Bonaparte.
Paris, Pierre Didot laîné, An VIII [after Floréal, so 1800]. 8vo. Finely printed on vellum. Contemporary long-grained and gold-tooled red goatskin morocco, each board with a frame made from a decorated roll with palm leaves between 2 fine-line fillets, the smooth spine with the title in the 2nd of 6 fields, an acorn with leaves in each of the others, gold-tooled board edges and turn-ins, light green watered silk endleaves. [2 blank], [1], [1 blank], [8], [4 blank] pp. Full description