Art, Architecture & Photography

BLOEMAERT, Abraham. Eerste beginselen der teken-kunst, vervattende in haar veelerlei oogen, neusen, monden, ooren, als meede natuurlyke beweegingen van hoofden, troniën, handen, voeten, armen, beenen, enz.
Amsterdam, Reinier & Joachim II Ottens, [ca. 1730]. Folio. With engraved frontispiece self-portrait of Bloemaert engraved by Joachim Ottens, here serving as no. [1] of 140 engraved plates with drawn models of parts of the human body, and human figures and characters in various postures, movements and scenes. Mottled half sheepskin (ca. 1840?). [1] leaf plus plates. Full description

BODENHEIM, Nelly (illustrator) en Lizzy ANSINGH. Een vruchtenmandje. Teekeningen van Nelly Bodenheim bij versjes van Lizzy Ansingh.
Amsterdam, De Spiegel, 1927. Folio (ca. 30 x 21.5 cm). All illustrations, including the illustrated front board, are lithographs designed by the illustrator herself on stone and coloured by hand by her as well. The verses by Lizzy Ansingh are written, in colour, by hand in a decorative, ornamental script (varying in style). Contemporary half green cloth portfolio with the original lithographed illustration on the front board, the back board contains the following verse: "Let op de pitten, die binnen in zitten". [1 blank], [24] ll. Full description

BODENHEIM, Nelly (illustrator), Lizzy ANSINGH and Jean-Paul VROOM (lithographer). Tante Tor is jarig.
Utrecht, Stichting De Roos (printed in Amsterdam by Dieperink & Co.), 1950.
With: (2) [ORIGINAL DRAWINGS - BODENHEIM, Nelly]. [2 drawings: one featuring beetles, a maybeetle, and (Spanish) flies and another showing "Aunt Beetle" in bed being congratulated by her mosquito maid]. [ca. 1950].
4to (ca. 27 x 19.5 cm). All text and illustrations, including the illustrated front board, are lithographs by the famous Dutch artist Jean-Paul Vroom in facsimile after the text and illustrations by Lizzy Ansingh and Nelly Bodenheim. The lithographs are hand-coloured under supervision of Vroom. The work is printed on Simili Japon paper. Together with two original drawings by Bodenheim, hand-coloured and signed in her initials, mounted on a grey passepartout folder highlighting the scene with the beetles, maybeetle, and fly. The illustration of "Aunt Beetle" and her mosquito maid can be found on the back. Original hand-coloured lithographed paper over boards with the title stamped in decorative letters on the spine. [1], [1 blank], [1], [1 blank], [25], [1 blank], [1], [1 blank] pp. Full description

BODE, Wilhelm and Cornelis HOFSTEDE DE GROOT. The complete work of Rembrandt. History, description and heliographic reproduction of all the master's pictures with a study of his life and his art.
Paris, Charles Sedelmeyer, 1897-1906. 8 volumes. Folio. With 622 full-page photogravure plates. Later brown mottled calf, with the title and volume number lettered in gold on the spine, the original cloth front wrappers used as title-pages. [2 blank], [8], 178, [2]; [2 blank], [6], 178, [2]; [2 blank], [6], 202, [2]; [2 blank], [6], 223, [1]; [2 blank], [6], 213, [3]; [2 blank], [6], 206, [3]; [2 blank], [6], 254, [2]; [2 blank], VI, [2], 381, [1], [6 blank] pp. Full description

BOECKLER, George Andreas. Architectura Curiosa Nova, Exponens 1. Fundamenta hydragogica. 2. Varios aquarum ac salientium fontium. 3. Magnum amoenissimorum fontium. 4. Specus artificiales sumtuosissimas. 5. Cum auctario figuram elegantissimarum. In Latinam linguam translata per J.Chr. Sturm.
Nuremberg, Paulus Fürst, [1664]. 4 parts in 1 volume. Folio. With richly engraved frontispiece, 4 titles within typographical woodcut borders, the first printed in red and black, and 200 full-page engraved plates of fountain architecture and hydraulic engineering in fountains. Contemporary vellum with the manuscript title on the spine. [10], 30; [2], 13, [1 blank]; [2], 22; [2], 26 pp. Full description

BOISSARD, Jean Jacques. Theatrum vitae humanae ...
Metz, printed by Abraham Faber for Theodor de Bry in Frankfurt am Main, 1596. 4to. With the title set in an elaborate engraved frame of ornaments and illustrations representing the four stages of human life (birth, marriage, active life, and death) with short bible verses below, a half-page engraved portrait of the author (on leaf é2r in the preliminaries), and 60 half-page engraved emblems in the text, engraved by Theodor de Bry. Further with numerous woodcut decorated initials, head- and tail-pieces throughout. 17th-century vellum. [1], [1 blank], [14], 266 pp. Full description

BONFILS, G. LEKEGIAN & CO, Brothers ZANGAKI, Collection MERLIN and Carlo NAYA. [Souvenir album with photographs of the Holy Land, Cairo, Athens and Venice].
[Palestine, Cairo, Athens, Venice, ca. 1890]. Oblong album (41.5 x 31 cm) containing 62 albumen prints, mostly 23 x 28 cm, with 2 smaller prints of ca. 16 x 28 and 5 large prints of 35.5 x 27 cm. Most of the photographs are numbered and captioned in French, and sometimes also in English, on the negative. Contemporary brown half morocco. [59], [11 blank] pp. Full description

BONFILS, Felix and Pascal SÉBAH (photographers). [Photograph album of Palestine, Syria, Turkey and Greece].
[Between 1867-1885]. Oblong folio (ca. 28 x 38 cm). With 75 albumen prints, most signed and numbered in the negative. Contemporary gold-tooled reddish-brown morocco over cushioned covers, gold-tooled turn-ins, watered-silk end papers, gilt edges. [39] ll. Full description

[BONFILS, Félix]. Jerusalem.
[Palestine, 1880s]. Oblong album (44.5 x 31.5 cm) With 71 large photographic albumen prints, mostly ca. 22 x 28 cm, signed and captioned in the negative (in French and English), mounted on both sides of the album's leaves. Includes a three-part folding panorama of Jerusalem from Mount Olivet, measuring 82 x 21 cm. Original auburn morocco with gold-stamped front board, gilt edges. Full description

BOODT, Anselm Boetius de. Gemmarum et lapidum historia, qua non solum ortus, natura, vis & precium, sed etiam modus quo ex iis, olea, salia tincturae, essentiae, arcana & magisteria arte chymica confici possint, ostenditur.
Hanau, Claude de Marne and heirs of Johann Aubry (printed by the heirs of Andreas Wechel), 1609. 4to. With Wechel's elaborate woodcut device on the title-page and the otherwise blank final page, 34 woodcut illustrations in the text (some with multiple figures), and 2 folding letterpress hierarchical tables. Contemporary sheepskin parchment. 8, [8], “288” [= 284], [16] pp. plus 2 folding ll. Full description