Art, Architecture & Photography

TASSO, Torquato. Il Re Torrismondo tragedia.
Venice, Fabio & Agostino Zoppini, 1588. 12mo or long 24mo in 12s (13.5×7 cm). With the Zoppinis' woodcut device on the title-page, a woodcut headpiece, several woodcut tailpieces, several woodcut decorated initials (3 series), and cast fleurons. Gold- and blind-tooled overlapping sheepskin (ca. 1900?). 58, [1], [1 blank] ll. Full description

TAURELLUS, Nicolaeus. Emblemata physico-ethica, hoc est naturae morum moderatricis picta pracepta.
Nürnberg, Simon Halbmayer, 1617. With Halbmayers woodcut globe, bird and book device on the title-page, 116 emblematic woodcuts, in most cases incorporating a coat of arms, woodcut decorated initials.
With: (2) IDEM. Carmina funebria, quae magnorum aliquot, clarorum que virorum felici memoriae dicavit. Nürnberg, Christophor Lochner the elder, 1602. With the title in a frame built up from arabesque typographic ornaments. 2 works in 1 volume. 8vo. Contemporary vellum. [23], [120] ll; 38, [2 blank] pp. Full description

[INDIA]. TAYLER, William. Sketches illustrating the manners and customs of the Indians and Anglo Indians.
London, Thomas McLean, 1842. Large folio (54,5 x 37,5 cm.). With 6 hand coloured lithograph plates and a lithographed title. Contemporary half calf with cloth sides, gold tooled title on front cover. [16] pp; [6] plates. Full description

[TETRAPTYCH ICON]. [Incipit:] Kr[es]tou tvoemou pokli[!]naemsya vl[adi]koi s[vya]toe voskresenie tvoe slavim [= We bow before your cross, master, and praise your holy resurrection].
[Moscow or vicinity?, ca. 1810?]. A Russian Orthodox brass icon comprising 4 panels hinged to each other (15 x 9.5 x 1.5 cm closed; 15 x 35.5 x 0.5 cm open), each of the 4 interior sides with 5 relief scenes with a blue enamel background (1 scene in the onion-dome top and 1 in each of the 4 quarters of the square body), each scene with an inscription above it. Further with a brass relief veneration of the cross on the front of the exterior in a decorated architectural frame, with an oval at the head bearing the text transcribed above. Full description

THESIGER, Wilfred. The marsh Arabs.
London, Longmans, Green and co., 1964. 8vo (21.5 x 14 cm). With a frontispiece, 3 maps in text (including 1 double-page) and 32 plates with reproductions of 109 photographs. Green cloth with illustrated dustjacket. [13], [1 blank], 242 pp. Full description

[TILES - MODEL BOOK]. [Model book of Dutch tile designs].
[Utrecht?, ca. 1810?]. Small square 4to (20 x 19 cm). With 111 pen and wash model drawings for Dutch tiles on the rectos of 105 leaves, most in greys but many in brown or a beautiful Delft blue. Several combine more than one colour, all in the actual size of tiles. Contemporary half calf, gold-tooled spine. [2 blank], 105, [6 blank] ll. Full description

[DRAWING - TROMPE L'OEIL - MAPS]. [Trompe l'oeil drawing of country maps on a decorated background, titled:] Ciels Saint-Vincent.
[France?], August 1888. Brown and black ink, watercolour, chalk and gold paint on paper, mounted on several laminated sheets of paper (69.5 x 52.5 cm). Full description

USTERI, Martin (artist) and Marquard WOCHER (engraver). L'oraison dominicale d'un habitant d'Unterwalde; suite de sept scènes de la Révolution helvétique.
Basel, the author and Schoell et Cie, 1803. 4to (29.5 x 22 cm). With 8 brush etchings or aquatints, including the title page, mounted on green paper with letterpress captions, interleaved with tissue guards. Contemporary gold-tooled calf, black sheepskin spine-label, gilt edges. Full description

UTAGAWA KUNIMARO. Nyogo ga shima engi no irifune. [A treasure ship embarking at the Isle of Women].
[Japan], 1848-1854. 3 volumes. 22.2 x 15 cm. Volume 1: with a full-page woodcut illustration of 3 cranes (on the title-page?) on the inside of the front wrapper, 8 double-page woodcut illustrations showing erotic scenes, and a full-page woodcut illustration of 3 turtles. Volume 2: with a full-page illustration (on the title-page?) of pine needles and bamboo, 5 double-page woodcut illustrations showing erotic scenes, and a full-page woodcut illustration of plum blossoms. Volume 3: with a full-page illustration (of two pans on the title-page?), 4 double-page woodcut illustrations showing erotic scenes, and a full-page illustration of a table with a plant next to a draught screen. All illustrations are beautifully hand-coloured and set within a printed black frame. Original decorated paper wrappers (showing radiating suns in dark blue and blue and orange) in the traditional Japanese fukurotoji manner (double leaves with the fold at the fore-edge, each double leaf printed from a single woodblock on the 2 outside pages with the title and leaf numbers on the fold, stabbed and oversewn with yellow thread through 4 holes without a spine), the front and back wrappers folded in at all 4 edges, the first and last printed leaves pasted down to the wrappers, publishers manuscript title-label on the front wrapper. 3, 16; 16; 16 pp. Full description

VALERIANI, Domenico and Girolamo SEGATO. Nuova illustrazione istorico-monumentale del basso e dell'alto Egitto.
Including: Atlante monumentale del basso e dell'alto Egitto.
Florence, Paolo Fumagalli, 1836-1837 (text) & 1837-1841 (plates). 2 text volumes (8vo) and 2 plates volumes (large folio). With engraved portrait of Segato as frontispiece in the first text volume and the plate volumes with 160 engraved and aquatint plates (7 double-page), including 51 tinted and/or coloured by a contemporary hand; many plates contain multiple illustrations, making 309 illustrations in total. Contemporary green (text vols.) and brown (plates vols.) half morocco. [2], 491, [1 blank], [4]; 788, [6] pp. text Full description