Art, Architecture & Photography

DENYS DE MONTFORT, Pierre. Conchyliogie systématique et classification méthodique des coquilles; ...
Paris, F. Schoell, 1808-1810. 2 volumes. 8vo. With 261 woodcut illustrations of shells (most nearly full-page). Contemporary half calf, gold-tooled spine, red ribbon marker. LXXXVII, [1], 409, [1]; [4], 676 pp. Full description

[DEVOTIONAL PRINTS]. [Gebeden en evangelien op de zondagen].
[Antwerp, Johannes Carolus Craen or his son-in-law Hendrik Leys, late 18th- or early 19th century]. 16mo (ca. 13 x 9.5 cm). 351 devotional engravings (including 8 repeats), printed on wove paper, engraved by several 17th-century engravers, printed from the original copper plates at the end of the 18th- or beginning of the 19th century. Early 19th-century(?) gold-tooled red sheepskin, with a general title in Dutch lettered in gold on the spine, gold-tooled board edges, marbled endpapers, gilt edges. [351] ll. Full description

[DEVOTIONAL PRINTS]. [Collection of 37 devotional prints and drawings].
[Flanders and Paris, various publishers, ca. 1630-1850]. 2 volumes. Oblong folio (ca. 29 x 42.5 cm); sheet size ca. 12 x 9 to 35 x 23 cm. With 24 contemporary hand-coloured engravings, of which some heightened with gold, 1 contemporary hand-coloured woodcut illustration, 1 chromolithographed print, 7 watercolour drawings (including 2 on vellum), 3 silk embroidered prints in various sizes, and 1 image made of paper ornaments glued onto a black netting fabric. Further with a folded alphabetical list of the Antwerp printers and engravers of devotional prints in a 19th-century hand tipped onto the first leaf of the album. Several prints are tipped into a 19th-century elaborately gold- and blind-tooled brown morocco album, a blind-tooled ornament in the centre of both boards with the crowned initials "J.B." on the front, surrounded by a double fillet frame with elaborate corner pieces, gold-tooled board edges and turn-ins, gilt edges, white watered silk endpapers. The work is housed in a 19th-century marbled slipcase, with a paper label with the name of Countess Julie Visart de Bocarmé mounted on the front. The remaining prints have been tipped onto a sheet of sturdy paper, inserted into a clear plastic file folder, which are loosely inserted into a 19th-century elaborately gold- and blind-tooled purple morocco album, with the word "album" lettered in gold on the front, surrounded by a blind-tooled Gothic style border and an elaborate gold-tooled border, gilt edges, black watered silk end papers. Full description

[DEVOTIONAL PRINTS]. [Collection of two devotional prints and a drawing].
[Antwerp, mid 17th century].
With: [DRAWING]. De liefde alleen maeckt twee maer een.
[18th century?]. 2 prints and 1 drawing. Prints: ca. 9 x 7 cm; drawing: ca. 12.5 x 9.5 cm. With 2 full-page engravings on vellum, silk embroidered, hand coloured, and heightened with gold, and 1 ink drawing on vellum, partly made with golden ink. The three works are housed in a clear plastic folder. Full description

DICKEN, Charles Shortt and DICKEN FAMILY. [Album containing illustrations and photographs of Australia and India]. [Illustrated title-page:] Contributions thankfully received.
Australia [and England and India?], 1870s. Oblong album (ca. 23 x 30 cm). With 36 albumen prints, including 14 photographs of Australia. These include houses, churches, buildings in Springsure, Queensland around 1870, photos of Charles with his horse, a wonderful picture of an "Alligator killed in the Mackay River" and "bottle trees near Taroon", 5 photographs of India: Bengal Camp Delhi, multiple group photos in Darjeeling, a group photo in front of the government house in Calcutta, and the crew of the H.M.S. Narcissus, 17 photographs of Gibraltar, America, Switserland, art pieces and the Dicken family. Further with 24 watercolour paintings of flowers, landscapes and people, including two of the Taj Mahal, and 17 coloured pencil and ink drawings of people. The drawings and paintings are almost all signed S. P. D. or F. E. D., who were likely members of the Dicken family. Most photographs and art pieces are captioned in pencil or brown ink, several leaves are decorated with additional drawings or dried plants. Contemporary maroon cloth, embroidered with yellow flowers. Comes in a custom-made black-cloth clamshell box (internally covered in burgundy cloth), with a black morocco title-label on the spine, lettered in gold, and a folding liner of the same burgundy cloth. [50] ll. Full description

DILHERR, Johann Michael. Heilig-Epistolischer Bericht, Licht, Geleit und Freud. Das ist: emblematische Fürstellung, der heiligen sonn- und festtäglichen Episteln.
Nuremberg, Johann Andreas Endter and the heirs of Wolffgang der Jüngere, 1663.
With: (2) DILHERR, Johann Michael. Augen- und Hertzens-Lust. Das ist Emblematische Fürstellung der Sonn- und Festtäglichen Evangelien.
Nuremberg, Johann Andreas Endter and the heirs of Wolffgang der Jüngere, 1661. 2 works in 1 volume. Folio. Ad 1: with an engraved frontispiece, a woodcut printer's device, and 85 large engraved emblems by M. Küsell after G. Strauch. Further with numerous woodcut initials, and woodcut head- and tailpieces. Ad 2: with an engraved frontispiece, a woodcut printer's device, and 91 large engraved emblems by M. Küsell after G. Strauch. Contemporary calf with the coat of arms of the Nürnberg patrician family Holzschuher Von und Zu Haszlach stamped in gold in the centre of each board, gold-tooled spine, gilt edges, floral chintz end papers. [8 blank], [30], 631, [33]; [8], 234, [4], 235-365, [31], [8 blank] pp. Full description

[DIORAMA - SURINAME]. [An indigenous community in Suriname].
[19th century]. 28.5 x 38.5 x 11.5 cm. A diorama made with papier-mâché, wood, dried plant material, and oil paint. The wooden outside has been covered in black paper. The diorama can be viewed through a glass plate. Full description

DISDÉRI, André. [Collection of 12 photographs of Paris and surroundings just after the Franco-Prussian War (1870-1871)].
[Paris], André Disdéri, 1871. Seven albumen prints by Disdéri (measuring 10/20 x 29 cm), mounted on blue stiff paper leaves, with a caption in pencil in the lower left corner; three albumen prints, each mounted on a white stiff paper leaf, including one by A. Serrault with printed text underneath; and two small portraits of carte de visite format (89 x 54 mm), probably by Disdéri, mounted together on one stiff paper leaf. Full description

DJEMAL PASCHA, Ahmed and Theodore WIEGAND. Alte Denkmaler aus Syrien, Palastina und Westarabien. 100 Tafeln mit beschreibendem Text.
Berlin, Georg Reimer, 1918. Folio (34.5 x 24 cm). WIth 100 plates with 143 reproductions of photographs. Original red publisher's cloth, with the title in Arabic and German on the front board. 10 pp., 100 ll. Full description

DODD, Robert. Plan of the attack by Lord Nelson, on the combined fleet, October 21st 1805.
London, printed by J. Smeeton for Robert Dodd, November 1805. Aquatint plan (26.5 x 36.5 cm) coloured by a contemporary hand on a broadsheet (66 x 44 cm), with letterpress text below. Framed (85 x 60 cm). Full description