Literature & Linguistics / Greek & Roman Classics

AESOP Les fables d'Esope phrigien, avec celles de Philelphe. Traduction nouvelle, enriche de discours moraux & historiques, & de quatrains à la fin de chaque discours. On a joint à cette nouvelle traduction les Fables diverses de Gabrias, d'Avienus, & Les contes d'Esope.
A Amsterdam, Chez Pierre Mortier, 1708. Two parts in one volume, 12mo. With an engraved frontispiece showing Aesop standing on a gallery holding an armillary sphere, hunting horn and spear, surrounded by a mixed crowd (including children), with a group of wild and domestic animals standing and lying below, 117 half-page engravings (6,5 x 8 cm) for the 117 numbered Aesop fables, initials, endpieces. Marbled half-morocco binding. [12], 297, [7], [4], 287, [5] pp. Full description

AESOP. Fabellae Graece et Latine, cum aliis opusculis, quorum index proxima refertur pagella.
Venice, (colophon: Giovanni Farri and brothers), 1542. Small 8vo (16 x 11 cm). With 1 woodcut decorated initial but further with spaces left for manuscript Greek and Latin initials (with printed guide letters). Contemporary limp sheepskin parchment, with fragments of a vellum manuscript used to reinforce the spine. 364, [4] pp. Full description

AESOP. Fabulae ... Graecè & Latinè, nunc denuo selectae: eae item quas Avienus carmine expressit. Accedit Ranarum & murium pugna, Homero olim asscripta. Cum elegantissimis in utroque libello figuris, & utriusque interpretatione plurimis in locis emendata.
Leiden, Joannes Maire, 1632. 8vo. With 47 woodcut illustrations (5 x 6.5 cm) by Christoffel van Sichem II in the text. Contemporary vellum, each board with a panel stamp (59 x 50 mm) of the Amersfoort coat of arms. Most endpapers later. 158, [2] pp. Full description

AESOP. (Giulio LANDI, translator). Vita di Esopo Frigio ... Alquale di nuovo sono aggiunti le favole del medesimo Esopo, con molte altre d'alcuni elevati ingegni, ascendentia all somma di 400.
Trevigi, Girolamo Righettini, 1643. 2 parts in 1 volume. 12mo. With 137 small woodcuts in text illustrating the fables, including some repeats. Contemporary sheepskin parchment. 413, [19], [5 blank] pp. Full description

AESOP. Fabulae Graecè & Latinè, nunc denuo selectae: eae item, quas Avienus carmine expressit. Accedit Ranarum & murium pugna, Homero olim asscripta: cum elegantissimis in utroque libello figuris, & utriusque interpretatione, plurimis in locis emendatâ. Ex decreto DD. Hollandiae ordinum, in usum scholarum.
Utrecht, Jurriaen van Poolsum, 1685. Small 8vo. With small woodcut of a fox sitting under a tree on the title-page, a woodcut depicting Aesop with animals dancing around him, and children wearing crowns looking in at the door (illustrating the account Aesop's life), and 48 further woodcuts in the text, 40 illustrating Aesop's fables, and 6 illustrating the "Battle of the frogs and the mice", all by Christoffel van Sichem. Contemporary vellum. 134, [2] pp. Full description

AESOP and [Henri-François d'AGUESSEAU]. Les fables d'Esope, gravées par Sadeler, avec un discours préliminaire, & les sens moraux en distiques. Edition toute différente de la premiere.
Paris, Claude-Charles Thiboust, 1743. 4to (25.5 x 20.5 cm). With a frontispiece and 139 half-page fable illustrations in the text (9 x 11 cm), all etched and engraved by Aegidius Sadeler. Contemporary mottled sheepskin, gold-tooled spine. [24], 306, [4] pp. Full description

ANACREON. Anakreontos Teiou mele praefixo commentario quo poëtae genus traditur et bibliotheca Anacreonteia adumbratur.
Parma, in aedibus Palatinis [Typis Bodonianis], 1791. 16mo in 4s (15 x 11 cm). With a small engraved portrait of Anacreon in a roundel on the title-page, a small engraved portrait of the dedicatee J. N. de Azara in a roundel on the dedication page. Part of the text is set in Greek type. Contemporary gold-tooled green morocco with the title lettered in gold on the spine, gold-tooled board edges and turn-ins, shiny pink endpapers, with a frame of small silver leaves mounted on the pastedowns. [4], CXVIII, [2], 111, [1] pp. Full description

APHTHONIUS of Antioch; Rodolphus AGRICOLA and Giovanni Maria CATANEO (translators). Aphthonii sophistae progymnasmata. Partim à Rodolpho Agricola, partim à Ioanne Maria Catanaeo latinitate donata. Cum luculentis & vtilibus in eadem Scholiis Reinhardi Lorichii Hadamarii. Nunc verò omnia multò quàm antea & emendatiora & meliori artificio disposita.
Paris, Gilles Gourbin, 1580. 16mo in 8s. With a woodcut printer's device on the title-page, 3 woodcut headpieces in the beginning of the work, and 9 decorated woodcut initials throughout. 17th-century limp vellum. [12], 259, [3 blank] ll. Full description

ARATOR. Acta Apostolica, carmine heroico descripta.
Antwerp, Joannes Grapheus, 1535 (title 1534). 8vo. Old boards. (48) ll. Full description

ASCONIUS PEDANIUS, Quintus. Expositio in IIII orationes M.T. Cic. contra C. Verrem [&c.]
(colophon:) Venice, heirs of Aldo I Manuzio & Andrea Torresano, December 1522. 8vo. With Aldos woodcut anchor and dolphin device on the title-page, repeated on the verso of the last otherwise blank leaf (each with letterpress "AL ... DVS" flanking the device), with spaces (with guide letters) left for manuscript initials, not filled in. Set in Aldos famous italic (with upright capitals), the worlds first italic printing type, first used in 1501 (showing the alphabet a-z and A-N in the register of quires above the colophon). Dark purple sheepskin (ca. 1880?). [12], 283, [1] ll. Full description

[BECH, Philipp, ed.]. De disciplina puerorum, recteque formandis eorum & studiis & moribus, ...
Basel, Joannes Oporinus (colophon: Bern, Samuel Apiarius, March 1556).
With: (2) [MOREL, Guillaume, ed.]. Graecorum veterum selectae brevesque epistolae.
Paris, Guillaume Morel, King's printer for Greek, 1562. With a remarkable woodcut device on the title-page. With the Greek text set in Claude Garamont's famous Grec du Roi and the Latin translation set in his Aldine-style italic. 2 works in 1 volume. 8vo (15 x 10 x 4.5 cm). Richly gold-tooled tanned sheepskin (ca. 1700), gilt edges. 31, [21]; [16], "840" [= 804] pp. Full description

CATULLUS, Gaius Valerius and Marc-Antoine MURET. [Carmina]. Catullus, et in eum commentarius M. Antonii Mureti.
Venice, Paulus Manutius, 1554. 8vo. With Aldus's woodcut device on the title-page, repeated on the verso of the otherwise blank final leaf, and spaces with guide letters left for 2 5-line and about 60 3-line manuscript initials (not filled in). Set in an Aldine italic (with upright capitals) with occasional words (mostly names) in roman and frequent passages in Greek. Gold-tooled mottled calf (ca. 1700). [4], "134" [= 136], [2] ll. Full description

CATULLUS, Gaius Valerius; Albius TIBULLUS; Sextus PROPERTIUS (Hieronymus AVANTIUS, ed.). [Opera]. Catullus. Tibullus. Propertius.
[colophon:] Venice, Aldo I Manuzio, January 1502. 8vo. With more than 100 spaces (2 8-line, 6 6-line and the rest 2-line) with guide letters left for manuscript initials, none filled in. Set in Alduss italic type (with upright capitals) throughout, the first italic printing type, first used in 1501, with titles, headings, running heads, etc. set in the capitals of the same type, with an occasional word of Greek in the text. Gold-tooled, green long-grained sheepskin (vertical grain) (ca. 1800). [152] ll. Full description

CATULLUS, Gaius Valerius; Albius TIBULLUS; Sextus PROPERTIUS (Hieronymus AVANTIUS, ed.). [Opera]. Catullus. Tibullus. Propertius.
[colophon:] Venice, the heirs of Aldo I Manuzio & Andrea I Torresano, March 1515. 8vo. With Aldos woodcut anker and dolphin device on the title-page and on the verso of the last leaf, each flanked by "AL ... DVS" in letterpress capitals. Set in Aldos italic type (with upright capitals), the first italic printing type. Blind-tooled brown goatskin morocco (early 20th-century) by the Paris bookbinder G. Vignal (active ca. 1890-ca. 1930), signed with a blind stamp in the foot of the front turn-in ("G. VIGNAL REL. DOR.". 148, [2] ll. Full description

CATULLUS, TIBULLUS & PROPERTIUS. Catullus, Tibullus et Propertius, pristino nitori restituti, & ad optima exemplaria emendati, cum fragmentis C. Gallo inscriptis.
Paris, J. Barbou, 1754. 3 parts. 12mo. Each part with its own title-page and engraved frontispiece. 19th-century brown morocco, double fillets in gold on the board edges, richly gold-tooled turn-ins, gilt edges. XVI, 96, [2], 97-168, [2], 169-344 pp. Full description

CICERO, Marcus Tullius. De officiis libri tres. Cato major sive de senectute. Laelius sive de Amiciria. Paradoxa. Somnium Scipionis. Ex recensione Joannis Georgii Graevii cum eiusdem animadversionibus.
Amsterdam, Hendrik Wetstein, 1691. 3 parts (books) in 1 volume. 12mo. With an engraved frontispiece, a woodcut vignette on the title-page which is printed in red and black, woodcut initials. Contemporary vellum. [20], 470, [18] pp. Full description

OVIDIUS NASO, Publius (Lodovico DOLCE, translator). Le trasformationi, ... . In questa quarta impressione da lui in molti luoghi ricorrette.
Venice, Gabriele Giolito de Ferrari, 1557. 4to. With title in a richly designed architectural woodcut frame, a half-page woodcut hemispherical map of the Americas, Europe and Africa and 82 large woodcut illustrations (plus 2 repeats) with fine ornamental and grotesque borders at either side. Contemporary(?) Polish(?) blind-tooled calf. 17th- or 18th-century endpapers. [16], 309, [3] pp. Full description

EUCLID and Jan Pieterszoon DOU. De ses eerste boecken Euclidis.
Amsterdam, Willem Jansz. Blaeu, 1626. 8vo. With numerous woodcut geometrical figures in the text. Contemporary vellum. [14], 224 [2 blank] pp. Full description

EURIPIDES. [Title in Greek then Latin:] Tragoediae septendecim [recté octodecim], ex quib[us]. quaedam habent commentaria. & sunt hae. Hecuba[,] Orestes[,] Phoenissae[,] Medea[,] Hippolytus[,] Alcestis[,] Andromache[,] Supplices[,] Iphigenia in Aulide[,] Iphigenia in Tauris[,] Rhesus[,] Troades[,] Bacchae[,] Cyclops[,] Heraclide[,] Helena[,] Ion[, Hercules furens].
(Colophon to each volume: Venice, Aldus Manutius, February 1503). 2 volumes. 8vo. With Aldus's anchor device on the last page of each volume, printed in Aldus's beautiful Greek type.Matching limp vellum (made from 2 leaves from a ca. 1560/70? Spanish legal manuscript), constructed or reconstructed ca. 1900. [268]; [190] ll. Full description

FALCONIA PROBA, Valeria, Francesco POLA, Bernardus BRUSCHUS (all after VIRGILIUS & OVIDIUS) and Carolus SCRIBANIUS. [Elegantes variorum Virgilio-Ovidio-centones de opificio mundi, Christo Deo, Deique Matre, SS. Francisco et Car. Borromaeo].
[Munich, Anna Berg (widow of Adam Berg the elder) for Raphael Sadeler, 1617]. Small 8vo (15 x 9.5 cm). Contemporary French gold- and blind-tooled black morocco, each board with a frame of blind fillets and a gold centrepiece comprising an HD monogram surrounded by 4 gothic S's (Hobson's S fermé), and the 6 spine compartments with alternately a gothic s and a small fleur-de-lis, the 2nd compartment with "[PR]OB[A]" above the fleur-de-lis:, blind fillets on the board edges. 82 of 98, [2] pp. Full description

[FIOCCO, Andrea Domenico] under the name of Lucius FENESTELLA. De magistratibus, sacerdotiisq[ue] Romanorum libellus, iam primum nitori restitutus. Pomponii Laeti itidem de magistratibus & sacerdotiis, & praeterea de diversis legibus Rom[anorum]. Item Valerii Probi grammatici de literis antiquis opusculum.
Including: POMPONIO LETO, Giulio. De Ro[manorum]. magistratibus, ...
Basel, (colophon: Valentino Curio, May 1523). With the general title in a woodcut border, Curio's large architectural woodcut device on the otherwise blank final page.
With:
(2) LUCIANUS OF SAMOSATA. Complures ... dialogi à Desiderio Erasmo Roterodamo ... in Latinum conversi, & à Nicolao Buscoducensi illustrati, additis Fabularum & difficilium vocabulorum explanationibus.
(Colophon: Antwerp, Michael Hillen van Hoochstraten, 1524).
(3) MOSELLANUS, Petrus (Peter SCHADE). Paedologia ..., in puerorum usum conscripta & aucta. Dialogi XXXVII. Dialogi pueriles Christophori Hegendorphini. XII. ...
Including: HEGENDORF, Christoph. Dialogi pueriles ... XII. ...
(Colophon: Antwerp, Michael Hillen van Hoochstraten, 1523).
3 editions in 1 volume. 8vo (16 x 10.5 cm). Contemporary panel-stamped calf, each board with the same 3 panel stamps: 2 virtually identical panels with 6 animals in 2 grape vines (the animals from head to foot in the left vine: a monkey, dog and wyvern; and in the right vine: a squirrel, hare and lion) in a border of a diaper of quatrefoils in lozenges, the two separated by a small panel stamp sith a peacock, paste-downs made from a leaf from an Aristotle manuscript on vellum. 91, [1]; 26, [2]; [40] ll. Full description

HOMER. Iliade di Omero. Traduzione del Cav. Vincenzo Monti.
Milano, Dalla Stamperia Reale, 1812. 2 vols. Large 8vo (23.5 x 16 cm). Contemporary(?) elaborately gold-tooled green calfn (or sheepskin), with a light brown title-label on the spine lettered in gold. All boards show the large gold-tooled crowned coat-of-arms (possibly of the family Paule, from the Provence - similar to Rietstap 5, Pl. XXI) within a gold-tooled frame, brown marbled endpapers, gilt edges. [1], [1 blank], [1], [1 blank], [4], 366; 386 pp. Full description

HORACE. [Opera] cum quattor commentarijs.
Venice, printed by Philippus Pincius for Benedictus Fontana, 1495-1496. With large woodcut printer's device on last leaf, and numerous woodcut initials.
With:
(2) PERSIUS. [Opera] cum tribus commentariis.
Venice, Giovanni Tacuino de Tridino, 4 November 1499. With woodcut printer's device on verso of penultimate leaf, and fine woodcut on title-page.
(3) JUVENALIS. [Opera] cum commento Ioannus Britannici.
Reggio Emilia, Francesco de Mazalibus, 1503. With fine woodcut at the head of text, and some woodcut initials. 3 works in 1 volume. Folio. Contemporary blind-tooled vellum over wooden boards with 2 brass clasps. [264] ll. Full description

HULTHEM, Charles van (A. VOISIN, cataloguer). Bibliotheca Hulthemiana ou Catalogue méthodique de la riche et précieuse collection de livres et des manuscrits.
Ghent, J. Poelman, 1836-1837. 6 volumes. 8vo. With lithographed portrait of Charles van Hulthem as frontispiece. Contemporary half goatskin. Full description

JUSTINIANUS I, Emperor and Jean CHAPPUIS (editor). Codex. Codicis d[omi]ni Justiani sacratissimi principis libri novem...
Paris, Yolande Bonhomme for Jean Petit, 1538. 4to. With the woodcut printer's device of Thielman Kerver on the title-page, one full-page woodcut illustration, a near full-page woodcut illustration of emperor Justinian I, and numerous woodcut initials throughout. The title-page and text are printed in red and black. Contemporary blind-tooled pigskin, with the manuscript title on the spine and the front board. [40], CCCCCCCIIII, ll. Full description

MARO, Publius Virgilius. Opera. Interpretatione et notis illustravit Carolus Ruaeus, Soc. Jesu, ad usum Serenissimi Delphini. Editio nova, auctior et emendatior ... Iuxta editionem noovissimam Parisiensem A. 1722.
The Hague, brothers Vaillant & N. Prevost, 1723. 8vo. With a woodcut printer's device on the title, woodcut initials, an engraved folding map of the eastern part of the Mediterranean showing the route of Aeneas on his way home and 8 full-page engravings. XXIV, 637, 223 pp. Full description

NEPOS, Cornelius. Vitae excellentium imperatorum, observationibus ac notis commentatorum ... illustratae. Accesserunt huic edition praecipuorumn Graeci Imperatorum icons ... ut & Index rerum & verborum praecidenti multo auctior & emendatior.
Amsterdam, Pieter and Joan Blaeu, prostant apud Abr. Wolfgang, Gillis & Joh. II Janssonio-Waesbergios, Widow Dirk & Henrik Boom, Widow Joh. à Someren, & Rembertus Goethals, 1687. 8vo. With an engraved frontispiece by Jan Visscher (Hollstein Dutch, 175-1(4)), 14 small engravings (mainly used as tailpieces), 11 depicting Greek and Carthaginian commanders in a medallion. Contemporary vellum, author's name written on the spine. [32], 439, [40] pp. Full description

NICANDER of Colophon and Jean de GORRIS. Alexipharmaca. Io. Gorraeo Parisiensi medico interprete.
Paris, Michel de Vascosan, 1549. 8vo. Contemporary sheepskin parchment. 70, [1] ll. Full description

OPPIAN of Anazarbus and OPPIAN of Syria (C. RITTERSHUSIUS, translator). Oppiani poetae Cilicis de venatione libri IV. De piscatu libri V.
Leiden, Franciscus Raphelengius, 1597. 2 parts in 1 volume. 8vo. With Raphelengius' (Plantin's) printer's device on the title-page, decorated woodcut initials, and the text is partially set in Greek script. Late 18th-century gold-tooled red morocco. [1], [1 blank], [86], 376, [32]; [8], 344, 164, [3], [1 blank] pp. Full description

OPPIAN of Anazarbus and OPPIAN of Syria (C. RITTERSHUSIUS, translator). Oppiani poetae Cilicis de venatione libri IV. De piscatu libri V.
Leiden, Fransiscus Raphelengium (Officina Plantiniana), 1597. 8vo. With Raphelengiuss woodcut compasses device on the title-page, an arabesque woodcut tailpies (plus repeats) and woodcut decorated initials. Near contemporary (1602) calf with the elaborately blind-tooled coat of arms and monogram of Johann Beckmann "I B M 1602", with later gold tooling and a red morocco spine label lettered in gold, red edges, modern endpapers. [88], 376, [40], 344 pp. Full description

OVIDIUS NASO, Publius (OVID). Den metamorphosis ofte herscheppinghe ... In onse Nederduytsche tale overgeset ende met figuren verciert elck tot sijnder historien dienende. Seer nut voor alle schilders, beeltsnijders, goutsmeden, ende liefhebbers der historien.
Rotterdam, Pieter van Waesberge, [1635]. 8vo. With engraved title-page, a full-page woodcut depicting the Creation in 6 small scenes, and 178 nearly half-page woodcuts in text after Virgil Solis. Contemporary vellum. Engr. t.-p. plus 425, [3 blank] pp. Full description

OVID. (Jacob REENSTIERNA, translator). Nägre fabler af Ovidii Metamorphoses, förswanskade (af Jacob Reenstierna).
Stockholm, Julius G. Matthiae, 1708. 8vo in 4s. With woodcut device on the title-page, engraved armorial headpiece to the dedication, 19 small engraved illustrations in the text by N. Guerard (ca. 5 x 6 cm), and woodcut headpieces, tailpieces and initials. Contemporary half calf, gold-tooled spine with title in gold. [xvi], [138] pp. Full description

PERSIUS FLACCUS. Satirarum opus [= Satyrae/Saturae].
(Colophon:) Venice, Dionysius de Bertochus & Pelegrinus de Paschalibus Bononienses, 10 September 1484. Small folio (29.5 x 21 cm). With the verse text surrounded on three sides by Fonzio's prose commentary, Bertochus and Pelegrinus's woodcut device next to the colophon on the last printed page, with spaces left for manuscript initials without guide letters (not filled in). Set in 2 sizes of Venetian-style roman type (110 and 83 mm/20 lines) with an occasional Greek letter. 19th-century(?) sheepskin parchment. [1 blank], [54], [1 blank] pp. Full description

PHILES, Manuel. De animalium proprietate, ex prima editione Arsenii et libro Oxoniensi restitutus a Joanne Cornelio de Pauw, cum ejusdem animadversionibus et versione Latina Gregorii Bersmanni. Accedunt et eodem libro Oxoniensi non pauca hactenus inedita.
Utrecht, Willem Schouw (colophon: printed by Pieter Muntendam), 1730. 4to. Modern gold-tooled brown half morrocco. [16], 347, [4] pp. Full description

PLINIUS SECUNDUS, Gaius. Opus divinum, cui titulus historiae naturalis, multoqua[m] antehac unqua[m] prodiit in luce[m] castigatius, una cu[m] annotationibus Hermanolai Barbari ...
Paris, Jean Petit (colophon: Nicolaus Sauetier), 1526. 2 parts in 1 volume (bound in reverse order). Folio. With title-page to the main work (bound second) printed in red and black and title-page to the index (bound first), each in a four-piece woodcut border. Contemporary or near contemporary calf, with the boards richly blind-tooled in a panel design; rebacked with part of the original backstrip laid down. [188], [34], "CCCCCXXXVI" [= CCCCCXXXVIII] pp. Full description

PLUTARCHUS. Aureus libellus, Peri paidoon a'googès, id est, de educatione liberorum, tum interpretatione Latinam, ad verbum ferè applicatam, & paraphrasi Gallico-Germanicam... Petit livret de Plutarche,... Das güldene Büchlein Plutarchi, von der Kinderzucht.
Frankfurt, Erasmus Kempffer, 1612. 8vo. Set in 2 columns. Contemporary green vellum. 175, [1] pp. Full description

QUINTILIANUS, Marcus Fabius. [De institutione oratoria].
(Colophon: Florence, Filippo I Giunta, October 1515). Small 8vo (14.5 x 10 cm). With a title-page containing only the author's name, but with the title in the heading to liber I, and Giunti's woodcut device on the verso of the otherwise blank final leaf. Set entirely in an Aldine-style italic (with upright capitals). Vellum (ca. 1850?). [4], "269" [= 367], [1] ll. Full description

QUINTILIANUS, Marcus Fabius. [Institutiones oratoriae].
(Colophon: Venice, "aedibus Aldi et Andreae soceri" [= Aldus Manutius & Andre Torresani d'Asola], August 1514). 4to. With Aldus's famous woodcut anchor device on the title-page, repeated on the back of the last text page. Gold-tooled red morocco (ca. 1700), rebacked and given a black morocco spine label in the 19th century. [4], 230 ll. Full description

QUINTILIANUS, Marcus Fabius. Institutionum oratorium libri XII diligentius recogniti M D XXII. Index capitum totius operis. Conversio dictionum Graecarum, quas ipse author in latinum non transtulit.
(Colophon: Venice "In Aedibus Aldi, et Andreae soceri" [= André d'Asola & sons], January 1521 [= 1522]). Narrow 4to in 8s (21 x 13 cm). With Aldus's anchor and dolphin publisher's device on the first and last pages. Set entirely in a single size of Aldine italic, with some headings, running heads, etc., set in its (upright) capitals. Gold-tooled red morocco (ca. 1700), each board with delicate centre-piece a petit fers, rebacked in gold-tooled red morocco. [4], 230 ll. Full description

RACINE, Jean and Antonio José de Lima LEITÃO (translator). Iphigénia tragédia de João Racine. Traduzida em verso portuguez, e offerecida como uma prova da mais sincera gratidão.
Rio de Janeiro, Impressão règia, 1816. 8vo. With a woodcut printer's device on the title-page. Contemporary blue-grey wrappers. [8], 53, [3 blank] pp. Full description

[ROBERTI, Anthonius]. Clavis Homerica, sive lexicon vocabulorum omnium, quae in Iliade Homeri, nec non potissimâ Odyssae parte continentur. Accedit brievis appendix de dialectis. Opus prima in Anglia concinnatum, deinde auctum & saepius editum; nunc tandem summon studio correctius recusum.
Rotterdam, Arnold Leers, 1655. 8vo. Title printed in red and black, with the woodcut printer's device of Arnold Leers and woodcut initials and headpieces. Contemporary vellum. [4], 470, [88] pp. Full description

RUTILIUS LUPUS, Publius and 15 others (François PITHOU, ed.). [Antiqui rhetores Latini.] ... Omnia ex codd. manusc. emendatiora vel auctiora.
Paris, Adrien Périer (ex officina Plantiniana), 1599. Large 4to. Set in roman types with incidental italic, Greek and Hebrew. Contemporary gold-tooled calf with 18th-century restorations, with the arms of Aire-sur-la-Lys (an eagle) flanked by "S.P.Q. ... Arien[sis]". Rebacked with the original backstrip laid down. [4], 382, [15], [1 blank] pp. Full description

SAPPHO [=Vincenzo Maria IMPERIALE]. La Faoniade. Inni ed odi di Saffo tradotti dal testo Greco in metro Italiano da S.I.P.A.
Parma, Giambattista Bodoni, 1801. 8vo. Contemporary half calf. [2], VIII, 79, [1 blank] pp. Full description

SIMPLICIUS of Cilicia. Commentarius in Enchiridion Epicteti, ex libris veteribus emendatus. Cum versione Hieronymi Wolfii, et Cl. Salmasii animadversionibus, et notis quibus Philosophia Stoica passim explicatur & illustratur.
Leiden, Johannes Maire, 1640. 4 parts in 1 volume. 4to. With three title-pages. Set in roman, Greek and Arabic types. Contemporary French pointillé binding in the style of "Le Gascon", richly gold-tooled in concentric panels on both covers, and in the six compartments of the spine, the second with the title. [20], 332, [12]; [1], [1 blank], 329, [23]; [34], 88, 15 pp. Full description

SOPHOCLES. Tragoediae VII. Una cum omnibus graecis scholiis ad calcem adnexis. Editio postrema.
Cambridge, John Field (a false imprint); Leiden, [Pieter, Cornelis and Jacob] Hackius, 1672.
With: (2) SOPHOCLES. [In Greek:] Scholia palaia tôn panu dokimôn, meta kai tres tôu trikliniôu eis Sophokleoûs hepta tragedias.
Cambridge, John Field, 1668 [reissued Leiden, Pieter, Cornelis and Jacob Hackius, 1672]. Set entirely in Greek, in 2 columns. 2 works in 1 volume. Small 8vo. Contemporary vellum [8], “545” [= 547], [5 blank]; [2], 236, [2 blank] pp. Full description

THEOCRITUS, HESIOD, and others. [Indication of contents in Greek followed by Latin:] Haec insunt in hoc libro. Theocriti Eclogae triginta. Genus Theocriti & De inventione bucolicorum. Catonis Romani sententiae paraeneticae Distichi. Sententiae septem sapientum. De invidia. Theognidis megarensis siculi sententiae Elegiacae. Sententiae monostichi per capita ex variis poetis. Aurea carmina Pythagorae. Phocylidae Poema admonitorium. Carmina Sibyllae erythraeae De Christo Jesu domino n[ost]ro. Differentia vocis. Hesiodi Theogonia. Eiusdem Scutum Herculis. Eiusdem Georgicon libri duo.
Venice, Aldus Manutius, February "1495" [=1496]. Folio. With 8 fine woodcut headpieces (2 by the famous Poliphilus master) plus 29 repeats, and 23 woodcut outline interlaced initials (3 series: 3-line, 5-line and 7-line) plus 16 repeats. Modern red morocco, gold- and blind-blocked. [140] ll. Full description

THEODOSIUS. Sphaericorum libri tres, nunquam antehac graece excusi.
Paris, André Wechel, 1558. Small 4to (21 x 14 cm). With woodcut publisher's Pegasus device on title-page (repeated on last page), numerous woodcut mathematical diagrams in text, woodcut headpieces and decorated initials. 18th-century tanned sheepskin, gold-tooled spine and board edges. [8], 54, [2], 70, [2] pp. Full description

[THEOPHRASTUS? (pseudo ARISTOTLE)] and Simone PORZIO. De coloribus libellus, à Simone Portio Neapolitano latinate donatus, & cometariis illustratus: una cum euisdem praefatione, qua coloris naturam declarat.
Florence, Lorenzo Torrentino, 1548. 4to. With 2 large woodcut historiated initials. Contemporary limp sheepskin parchment, manuscript spine-title, with 4 fragments of a Latin manuscript in an upright humanistic hand on vellum used as spine lining. 197, [3] pp. Full description

TORRENTINUS, Hermannus (Herman van der BEKE). Elucidarius poeticus co[n]tinens historias poeticas, fabulas, insulas regiones, urbes, fluvios, mo[n]tesq[ue] insigniores, atq[ue] huiusmodi alia, ...
Antwerp, Michiel Hillen van Hoogstraten, 1527. With the title in an elaborate woodcut border.
With: (2) [FIOCCHI, Andrea Dominico (Andras Dominicus FLOCCUS)] under the name of Lucius FENESTELLA. De magistratibus, sacerdotiisq[ue] Romanorum libellus, iamprimum nitori restitutus.
[Cologne, Hero Fuchs, 1527]. With the title in a finely cut 4-piece woodcut border. 2 editions in 1 volume. 8vo. 16th-century(?) limp vellum (formerly used for a slightly thinner book). The binding is an interesting example of a spine reinforced with a horizontal metal rod at the central sewing support to give more support and prevent the bookblock from becoming concaved or developing sharp kinks; probably bound in Flanders. [88]; [88] ll. Full description

ULPIANUS of Emesa and Valerius HARPOCRATION. Commentarioli in olynthiacas, philippicasque Demosthenis orationes. Enarrationes saneque necessariae in tredecim orationes Demosthenis. ...Dictionarium decem Rhetorum. [preceded by the titles in Greek].
(Colophon: Venice, heirs of Aldus Manutius, and his father-in-law Andrea Torresano dAsola [& sons], June) 1527. Folio (31 x 21 cm). With Aldus's famous woodcut dolphin device on the title-page and an older but very similar version on the verso of the otherwise blank last leaf. Set in Greek type (the Upianus in 1 column; the Harpokation in 2 columns) with incidental roman. Recased in 18th-century vellum over flexible boards. 119, [1] ll. Full description