GYSELAAR (GIJSELAAR), Johanna Maria Nicoletta de. Album amicorum.
Gorkum, Leiden, Warmond, Delft, Amsterdam, The Hague, Laarwoude, Zuidlaren and Assen, 1800-1805. 8vo (14.5 x 10 cm). Manuscript album amicorum on paper, with entries in Dutch, French and German. With 3 watercolours of flowers, a small watercolour of roses, and a fine washed pen drawing of a view on a lake with fishermen at work by the owner's niece, J.M. de Gyselaar. Contemporary calf, richly gold-tooled spine and turn-ins, yellow silk endpapers. 192 pp. Full description

VOLDER, Willem de (Guilielmus GNAPHEUS). Acolastus. De filio prodigo comoedia Acolasti titulo inscripta.
Antwerp, Martinus de Keyser for Willem Vorsterman, March 1535. With title in a 4-piece architectural woodcut border.
With:
(2) PLAISIER, Jean le (Johannes PLACENTIUS). Susanna. Eusebii Candidi Elegia, in vanam brevemque humanae vitae gloriolam. Item Ode Sappica eiusdem Eusebii, in mortis recordationem. Item Plausus luctificae mortis ad modum dialogi, expemporaliter ab eodem Eusebio lusus.
(Colophon: Antwerp, Willem Vorsterman), 1536. With title in a woodcut border.
(3) CRÔCUS, Cornelius. Comoedia sacra, cui titulus Joseph, ad Christianae iuventutis institutionem iuxta locos inventionis, veteremque artem, nunc primum & scripta & edita.
Antwerp, Joannes Steelsius, 1537 (colophon: printed by Joannes Graphaeus). With a woodcut decoration on the title-page and Steelsius's woodcut device on the last page.
(4) PLAUTUS. Aulularia Plautina, comoediarum lepidissima. Quae etsi alias incomplete, à Codro Urceo, & Martino Dorpio tamen est perfecta. Cum familiari explanatione. Index dictionum hic insertarum, in calce est additus.
Antwerp, Michiel Hillen van Hoochstraten, 1531. With title in a 4-piece woodcut border.
(5) LUCIANUS Samosatensis. Dialogi aliquot, per D. Erasmi versi, ac à Nicolao Buscoducensi, succinctis pariter & eruditis scholiis explanati, recens per eundem diligenter recogniti.
(Colophon: Antwerp, Michiel Hillen van Hoochstraten, August 1533). With Hillen van Hoochstraten's device on the last page.
(6) SCHOTTEN(NIUS), Hermann(us). Vita honesta, sive virtutis: quomodo quisque vivere debeat, omni aetate, omni tempore, & quotlibet loco, erga Deum & homines. Cui novissime adiecimus Institutionem Christiani hominis, per Adrianum Barlandum Aphorismis digestam. Omnia multo quam antehac emendatiora.
Antwerp, Joannes Steelsius, 1538 (colophon: printed by Joannes Graphaeus).
(7) ERASMUS, Desiderius.De civilitate morum puerilium ... libellus ab autore recognitus, & novis scholiis illustratus per Gisbertum Longolium Ultratraiectinum.
Antwerp, Willem Vorsterman, 1533. Title in a 4-piece woodcut border.
7 works in one volume. Small 8vo (16 x 10.5 cm). Contemporary (ca. 1538) Antwerp panel-stamped calf, each side with the same panel stamp (85 x 55 mm), showing a roundel with a half length portrait of the then reigning Holy Roman Emperor Charles V, the Imperial double-headed eagle stands above the roundel between two small columns and Charles's motto below the roundel (":PLUS:OVLTRE. | .KAROLVS.V.IMP:"), with two 5-pointed stars above it and a lion face with decorations below it; the whole is flanked by decorative columns. Full description

[ALBUM AMICORUM & SCRAPBOOK - THE NETHERLANDS]. [Album amicorum of a Miss van Boetzelaer (?)].
Heerenveen, 1831-1849. Oblong 4to. Manuscript with many contributions in French and English, a single contribution in Dutch and a four-line verse in German, mainly written in the same hand, probably of the owner of this album. With 45 mounted or occasionally loosely inserted drawings, paintings and prints in various formats, some coloured by contemporary hands. Contemporary gold- and blind-tooled brown morocco, each board richly decorated with frames and an oblong lozenge-shaped centrepiece, gilt edges. [96] ll. Full description

[ALBUM AMICORUM - AUSTRALIA - INDIA]. DICKEN, Charles Shortt and DICKEN FAMILY. [Album containing illustrations and photographs of Australia and India]. [Illustrated title-page:] Contributions thankfully received.
Australia [and England and India?], 1870s. Oblong album (ca. 23 x 30 cm). With 36 albumen prints, including 14 photographs of Australia. These include houses, churches, buildings in Springsure, Queensland around 1870, photos of Charles with his horse, a wonderful picture of an "Alligator killed in the Mackay River" and "bottle trees near Taroon", 5 photographs of India: Bengal Camp Delhi, multiple group photos in Darjeeling, a group photo in front of the government house in Calcutta, and the crew of the H.M.S. Narcissus, 17 photographs of Gibraltar, America, Switserland, art pieces and the Dicken family. Further with 24 watercolour paintings of flowers, landscapes and people, including two of the Taj Mahal, and 17 coloured pencil and ink drawings of people. The drawings and paintings are almost all signed S. P. D. or F. E. D., who were likely members of the Dicken family. Most photographs and art pieces are captioned in pencil or brown ink, several leaves are decorated with additional drawings or dried plants. Contemporary maroon cloth, embroidered with yellow flowers. Comes in a custom-made black-cloth clamshell box (internally covered in burgundy cloth), with a black morocco title-label on the spine, lettered in gold, and a folding liner of the same burgundy cloth. [50] ll. Full description

[ALBUM AMICORUM - EQUESTRIANISM - HERALDRY]. [Late 16th- and early 17th-century album amicorum].
[North-western Europe (specifically the vicinity of Brussels?)], [1585-1615]. 4to. With 45 hand-coloured and highlighted in gold engraved plates of horses and their riders from Europe, North Africa, and the Near and Middle East, numbered 1-50 (skipping nos. 2, 21, 27, 35, and 36), 46 hand-coloured and highlighted in gold engraved heraldic plates (sometimes filled in with manuscript notes), 2 hand-coloured manuscript coats of arms on l. 15v, and 1 black and gold hand-coloured manuscript coat of arms on the back paste-down. Contemporary elaborately gold- and blind-tooled mottled calf, with gold lettering on both boards (front: RVB HZC VFB C.) (back: 1590). 164 ll. Full description

[WEDDING ALBUM - THE NETHERLANDS - GERMANY]. Zur Erinnerung an die Hochzeits-feierlichkeiten von Ella de Ridder und August Janssen in Frankfurt a/M im August 1896.
(Colophon:) Amsterdam, Calligrafie und Druck von Johan. K. Koning, [1896]. Large folio (ca. 51 x 33 cm). Wedding album comprising five manuscript texts of occasional plays (4 in German, 1 in Dutch), written in a neat cursive in blank ink on thick laid paper, each illuminated with a 4-line decorated initial in red, blue and white on a gold/bronze field, richly decorated with penwork in black ink (extending down into the inner margin). Each text is preceded by a letterpress title leaf set in neo-Gothic type, also used for the general title, several text leaves, and the colophon. Further with 1 gouache illustration on grey paper (sheet size ca. 32 x 24.5 cm, mounted on the first leaf) showing a bouquet of flowers, 14 printed ephemera relating to the "Polterabend" (wedding-eve party) and the wedding on single or double leaves in various sizes (the wedding announcement/introduction to the wedding-eve party and attached is a photo of the couple in a circular frame of red wax, 5 menu cards, the lyrics to 6 German songs, a musical score by the German composer Wilhelm Aletter (1867-1934), and an announcement of the comic opera Des Teufels Antheil by the French composer Daniel Auber (1782-1871), performed by the Frankfurter Opernhaus on 25 August 1896 in Frankfurt am Main. Also with two manuscript wedding speeches in German, written in black ink on paper, two mounted albumen prints, the first showing two actors dressed as a Frisian farmer and his wife and the other showing a man in Chinese dress, 56 large ornamental vignettes printed in red or blue throughout, 17 ornamental tailpieces printed in black, blue, and red, and some dried flowers mounted on several leaves. Contemporary gold-tooled burgundy leather, the front board with a large gold-stamped monogram as a centrepiece (the intertwined initials of the couple: AJ and EdR) with the date ("24-26 August") above and the year ("1896") below lettered in gold, both boards show a single fillet frame along the outer edges, gold-tooled turn-ins, beige watered silk endleaves. [60] ll. Full description