ALCIATI, Andrea. Emblematum libri duo.
Lyon, Jean de Tournes et Guillaume Gazeau, 1547. 16mo. With a woodcut printer's device on the title page, a variant woodcut printer's device on the verso of the last leaf, and 113 half-page woodcut emblems by Bernard Salomon. 19th-century gold-tooled orange morocco by Marcellin II Lortic in Paris, with the author, title, and imprint lettered in gold on the spine, the gilt armorial supralibros of the Prince d'Essling in the centre on both sides, and his initials "VM" on the spine, gold-tooled board edges and turn-ins, gilt edges, marbled end papers. 143, [1] pp. Full description

BIVERUS, Pierre. Sacrum oratorium piarum imaginum immaculatae Mariae et animae creatae, ac baptismo, poenitentia, et eucharistia innovatae: ars nova bene vivendi et moriendi.
Antwerp, Officina Plantiniana/Balthasar Moretus, 1634. 4to. With an engraved title page, 42 engraved plates by Charles de Mallery after Adam van Noort and Adriaan Collaert, 2 engravings in text, and 15 heart-shaped engraved emblems in text by Theodoor Galle. 19th-century gold-tooled brown morocco, gilt edges; bound by Émile Bosquet. [20], 769, [9] pp. Full description

BOURGOGNE, Antoine de (Antonius à BURGUNDIA). Mundi lapis lydius sive vanitas per veritatem falsi accusata & convicta.
Antwerp, widow of J. Cnobbarus, 1639. 4to. With an engraved title page, 50 engraved emblems, 31 woodcut tailpieces, and 3 decorated woodcut initials. Contemporary overlapping vellum, with the title in manuscript on the spine. [28], 249, [27] pp. Full description

CAMERARIUS, Joachim. Symbolorum & emblematum ex re herbaria desumtorum centuria una.
Frankfurt am Main, Johann Wilhelm Ammon, 1661.
With:
(2) IDEM. Symbolorum & emblematum et animalibus quadrupedibus desumtorum centuria altera.
Frankfurt am Main, Johann Wilhelm Ammon, 1661.
(3) IDEM. Symbolorum & emblematum ex volatilibus et insectis desumtorum centuria tertia.
Frankfurt am Main, Johann Wilhelm Ammon, 1654.
(4) CAMERARIUS, Joachim and Ludwig CAMERARIUS. Symbolorum et emblematum ex aquatilibus et reptilibus desumtorum centuria quarta.
Heidelberg, Ludwig Bourgeat, 1664. 4 works in 1 volume. 4to. Each work with an engraved title page, 100 round engraved emblems (a total of 400), and numerous woodcut initials. (Near) contemporary overlapping vellum, sewn on 4 supports laced through the joints, with a beige leather title label lettered in gold on the spine. 102 (the first ll. after the title page paginated 1-6); 103, [1 blank]; 104, [1 blank]; 100, [1], [1 blank] ll. Full description

CAPUCIN, Père. Les emblèmes d'amour divin et humain ensemble. Expliquez par des vers François. Par un pere Capucin.
[Paris, ca. 1745]. 8vo. With an engraved title-page and 118 numbered full-page engraved emblems. Contemporary gold-tooled mottled calf, sewn on 4 recessed cords, the spine divided into 6 fields by fillets, the 2nd with a red morocco label and each of the others with a flower (closed thistle?) and several small stamps, each board with a frame of triple fillets with a second flower inside each corner and a star at each corner intersection, gold fillets on board edges, gilt edges, marbled endpapers (red, yellow, green, blue and white, curled). 119 ll. Full description

DILHERR, Johann Michael. Heilig-Epistolischer Bericht, Licht, Geleit und Freud. Das ist: emblematische Fürstellung, der heiligen sonn- und festtäglichen Episteln.
Nuremberg, Johann Andreas Endter and the heirs of Wolffgang der Jüngere, 1663.
With: (2) DILHERR, Johann Michael. Augen- und Hertzens-Lust. Das ist Emblematische Fürstellung der Sonn- und Festtäglichen Evangelien.
Nuremberg, Johann Andreas Endter and the heirs of Wolffgang der Jüngere, 1661. 2 works in 1 volume. Folio. Ad 1: with an engraved frontispiece, a woodcut printer's device, and 85 large engraved emblems by M. Küsell after G. Strauch. Further with numerous woodcut initials, and woodcut head- and tailpieces. Ad 2: with an engraved frontispiece, a woodcut printer's device, and 91 large engraved emblems by M. Küsell after G. Strauch. Contemporary calf with the coat of arms of the Nürnberg patrician family Holzschuher Von und Zu Haszlach stamped in gold in the centre of each board, gold-tooled spine, gilt edges, floral chintz end papers. [8 blank], [30], 631, [33]; [8], 234, [4], 235-365, [31], [8 blank] pp. Full description

GODDAEUS, Conrad. Nieuwe gedichten. Sonder rym, naa de Griexe en Latynse dicht-maten, op allerhande soorten van verssen, ingestelt. Noit voor desen in Neder-duits gesien, noch gebruiklik.
Harderwijk, Joannes Toll, 1656. Oblong 4to. With woodcut of King David playing his harp on the title-page, a fine engraved frontispiece with an open music book below the title in centre, which is flanked by King David playing his harp and Horace playing his lyre, each on a pedestal, with a white swan above and publisher's address below. Contemporary mottled calf. [4], 184, [2] pp. Full description

HAEFTEN, Benedictus van. Regia via crucis.
Antwerp, Balthasar Moretus (Officina Plantiniana), 1635. 8vo. With an engraved title page and 38 full-page emblematic engravings. Richly gold-tooled calf (ca. 1665), each board with the arms of (apparently) Abbot Placidus Buechauer (1611-1669) of Kremsmünster, gilt and elaborately gauffered edges. XL, 404, [26], [2 blank] pp. Full description

LA FEUILLE, Daniel de. Essay d'un dictionnaire contenant la connoissance du monde, des sciences universelles, et particulierement celle des medailles, des passions, des moeurs, des vertus et des vices, &c. Representé par des figures hyerogliphiques, expliquées en prose & en vers.
Wesel, Jacobus van Wesel, 1700. 4to. With engraved frontispiece and 48 engraved plates (incl. 2 double-page). Contemporary half calf, gold-tooled spine. [8], 144, [8] pp. Full description

LA SERRE, Jean-Puget de. Le breviere des courtisans, enrichy d'un grand nombre de figures.
Paris, Jeremie Boüillerot, 1642. 8vo. With woodcut vignette on title page and 7 engraved plates depicting contrasting double-scenes, after designs by Nicolaas van der Horst. Gold-tooled red morocco attributed to Henry Gaillard (active in the third quarter of the 19th century), richly gold-tooled turn-ins, gilt edges. [6], 304 pp. Full description