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First Aldine edition of Pedanius's commentaries on Cicero's orations

ASCONIUS PEDANIUS, Quintus. Expositio in IIII orationes M.T. Cic. contra C. Verrem [&c.]
(colophon:) Venice, heirs of Aldo I Manuzio & Andrea Torresano, December 1522. 8vo. With Aldos woodcut anchor and dolphin device on the title-page, repeated on the verso of the last otherwise blank leaf (each with letterpress "AL ... DVS" flanking the device), with spaces (with guide letters) left for manuscript initials, not filled in. Set in Aldos famous italic (with upright capitals), the worlds first italic printing type, first used in 1501 (showing the alphabet a-z and A-N in the register of quires above the colophon). Dark purple sheepskin (ca. 1880?). [12], 283, [1] ll. Full description
€ 4,500
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73 proof impressions of all 12 illustrations

BAYARD, Émile. [Proof impressions of illustrations for Alphonse Daudet's Fromont jeune et Risler aîné].
[Paris, 1885]. Folio (35 x 29 cm). Proofs of 12 engraved plates in many different states, giving 73 prints in total, engraved by Jules Massard and Eugène Abot after Emilé Bayard (image size 10.7 x 7.3 cm; plate size 19 x 14 cm). Contemporary half goatskin morocco. Full description
€ 4,750
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Bellarmino's Arabic catechism with the rare Arabic instructions for confession and communion

BELLARMINO, Roberto. [Title in Arabic] | Dichiarazione piú copiosa della dottrina cristiana... Tradotta dalla lingua italiana nellaraba, e dora di bel nuovo stampata.
Rome, [Propaganda Fide], 1770.
With: (2) BORGIA, Stefano. Irsad li-ajl al-i'tiraf wa-tanawul al-qurban, ... [= Instructions for confession and communion]
[Rome, Propaganda Fide, 1770?].
2 works in 1 volume. 8vo. The catechism with a woodcut of fruits and branches on the title-page and 2 woodcut headpieces The instructions with the title in a decorative border built up from cast fleurons, 1 woodcut headpiece and several further decorations built up from cast fleurons. Except for the bilingual title-page to the Bellarmino and the imprimatur on the last printed page of the Borgia, both works are set entirely in Arabic type. Contemporary half sheepskin, manuscript title on spine, paste paper sides, sprinkled edges. 411, [1 blank]; 109, [1 blank], [1], [3 blank] pp. Full description
€ 4,500
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8 Italian sonnets praising Napoléon Bonaparte: printed on vellum by Pierre Didot
and finely bound in long-grained, gold-tooled morocco for presentation to Napoléon

BUTTURA, Antonio. Sonetti a Bonaparte.
Paris, Pierre Didot laîné, An VIII [after Floréal, so 1800]. 8vo. Finely printed on vellum. Contemporary long-grained and gold-tooled red goatskin morocco, each board with a frame made from a decorated roll with palm leaves between 2 fine-line fillets, the smooth spine with the title in the 2nd of 6 fields, an acorn with leaves in each of the others, gold-tooled board edges and turn-ins, light green watered silk endleaves. [2 blank], [1], [1 blank], [8], [4 blank] pp. Full description
€ 35,000
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Paris manual for priests, by the Bishop of Condom with Clichtove’s work on the priesthood, inaugurating Parisian Renaissance typography: two Paris first editions (1519) bound for a relative of Clichtove’s editor

CLICHTOVE, Josse (Judocus CLICHTOVEUS). De vita et moribus sacerdotum, opusculum: singularem eoru[m] dignitatem oste[n]dens, & quibus ornati esse debea[n]t virtutibus: explanans.
Paris, Henri Estienne I, 1519 (colophon: 4 August). With woodcut title-page with the letterpress title and imprint in the central opening; further with about 21 woodcut initials (4 series, mostly criblé) plus about 4 repeats.
With: (2) MARRE, Jean. Enchiridio[n] sacerdotale concinnatu[m] ad salutarem eruditionem Christifideliu[m] ab lo[n]ge revere[n]do in Christo patre d[omi]no Ioanne Mare Co[n]domien[sis]. episcopo. In quo haec sunt capita. ...
[Paris], (colophon: Jodocus Badius Ascensius, 25 November 1519). With numerous woodcut decorated initials (4 series, the largest 45-47 mm. criblé initials). 2 works in 1 volume. 4to (20 x 14 cm). 16th-century blind- and gold-tooled calf, each board in a panel design, with the owner's name "D. Ioa[n]mes[!] Lassere" on the front and motto "memento mortis" on the back, the motto and fleurs-de-lis on the back in gold. 75, [1 blank]; “LXI” [= LXXI], [1 blank] ll. Full description
€ 7,500
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Censored copy of works on the language of the Holy Scripture by the orientalist Johannes Drusius

DRUSIUS, Johannes. Opuscula quae ad Grammaticam spectant, omnia, in unum volumen compacta.
Franeker, Gilles van den Rade, 1609.
With:
(2) DRUSIUS, Johannes. De litteris mosche vechaleb libri duo.
Franeker, Gillis van den Rade, 1608.
(3) DRUSIUS, Johannes (junior). Lachrymae, Iohannis Drusii Iunioris, tribus carminum generibus expressae, in obitum illustriss. et incomparabilis Heroïs Josephi Scaligeri.
Franeker, Gillis van den Rade, 1609.
. 3 works in 1 volume. 4to. Each title-page with a woodcut vignette (ad 1 and 2 the same, ad 3 different) and with some woodcut decorated initials (3 series). The text is set in roman and Hebrew type. Contemporary limp vellum, with the author and title in manuscript on the spine, remnants of ties. [8], "152" [= 160]; 55, [1 blank]; [8] pp. Full description
€ 6,000
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First edition of nearly all Euripides plays, in Aldus's best and last Greek, type:
Thomas More's fictional hero gave a copy to the Utopians in 1516!

EURIPIDES. [Title in Greek then Latin:] Tragoediae septendecim [recté octodecim], ex quib[us]. quaedam habent commentaria. & sunt hae. Hecuba[,] Orestes[,] Phoenissae[,] Medea[,] Hippolytus[,] Alcestis[,] Andromache[,] Supplices[,] Iphigenia in Aulide[,] Iphigenia in Tauris[,] Rhesus[,] Troades[,] Bacchae[,] Cyclops[,] Heraclide[,] Helena[,] Ion[, Hercules furens].
(Colophon to each volume: Venice, Aldus Manutius, February 1503). 2 volumes. 8vo. With Aldus's anchor device on the last page of each volume, printed in Aldus's beautiful Greek type.Matching limp vellum (made from 2 leaves from a ca. 1560/70? Spanish legal manuscript), constructed or reconstructed ca. 1900. [268]; [190] ll. Full description
€ 40,000
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Principal work of 18th-century dance in Spain

FERRIOL Y BOXEREAUX, D. Bartolome. Reglas utiles para los aficionados a danzar: provechoso divertimiento de los que gustan tocar instrumentos. Y politicas advertencias a todo genero de personas. Adornado con varias laminas.
Capoa, Joseph Testore, 1745. Small 8vo (14×10 cm). With 35 woodcuts in text (including many full-page), 7 folding leaves with woodcut music notation and letterpress text, and some letterpress text set along curves. Many of the full-page woodcuts and some on the folding leaves also include dance notation. Mid 19th-century gold-tooled green calf, with the emblematic device of the "Bibliotheca de Salvá" and initials VSP (=Vicente Salvá y Pérez) on each board. [20], 302 pp. Full description
€ 16,500
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Drawings made as models for the plates in the complete works of Flavius Josephus

FOKKE, Simon. [12 drawings of Old Testament scenes].
Amsterdam, 1783. Twelve pen and ink wash drawings (each ca. 8 x 6.5 cm) in subtle shades of grey and sepia. All 12 drawings mounted on a single contemporary stiff paper support (44 x 61 cm), neatly arranged in three rows of four, each with a border of lines drawn around it in ink. A contemporary pencil inscription below the lower right drawing reads "S. Fokke Amsterdam 1712-1784". Another in a later hand in the lower right corner of the support reads "S. Fokke". Full description
€ 2,500
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Entomologists in the network of freemasons between American and the French Revolutions

FORSTER, Johann Reinhold. [Letter to an unnamed fellow freemason in Braunschweig, probably Ferdinand, Herzog von Braunschweig-Lünenburg or someone in his inner circle].
Halle (Saale), 9 August 1781. 4to. Autograph letter in German, signed, written in brown ink on laid paper in a clear German hand, with foreign words and names in a Latin hand. [4] pp. Full description
€ 12,500
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