ALBRECHT, Andreas. Instrument zur Architectur damit die fünff Seülen auch aller sorten Stück und Morsser, sowol allerley Bilder und dergleichen Sachen, leicht und recht proportionirt zuu ergrössern oder zuu erkleinern seindt, erfunden.
Nürnberg, (colophon:) printed by Ludwig Lochner, 1622. 4to. With an engraved title-page, showing all components of the newly invented instrument designed to help draftsmen enlarge or reduce drawings, and 9 numbered figures on 5 plates: 4 plates showing the instrument and its use and 1 large folding plate (32.5 x 30.5 cm) with model drawings of the five orders of architectural columns. Further with a woodcut headpiece, 3 woodcut decorated gothic initials (3 series), a woodcut headpiece and a headpiece built up of cast fleurons. Set in fraktur types. Modern nonpareil marbled boards, red morrocco spine-label, by Ateliers Laurenchet (stamp on paste-down) in Paris, established by Henri Laurenchet in 1947. [16] pp. Full description

BARGAGLI, Scipione. Dell' imprese die Scipion Bargagli ... Alla prima parte, la seconda, e la terza nucoamente aggiunte.
Venice, Francesco de Franceschi, 1594. Small 4to (20.5 x 15 cm). With oval engraved device on title-page, full-page engraved portrait of Rudolf II, full-page engraved dedicatory emblem, and 138 engraved oval emblems in text. 19th-century half sheepskin parchment. [24], “573” [=604], [15], [1 blank] pp. Full description

BÉCHARD, Émile. L'Égypte et la Nubie. Grand album monumental, historique, architectural...
Paris, André Palmieri & Émile Béchard, 1887. Large folio (45.5 x 63 cm). With 150 collotype photographic plates, all signed, numbered and captioned in the wide margins of each plate. The half title-page and divisional half title-page for the explanation of the plates are printed in red , the typographical title-page shows a small vignette of an Egyptian mask. Loose leaves. 23, [1 blank], [3 (numbered [175]-177)], [1 blank], [1], [1 blank], [1], [1 blank] pp. and 150 plates. Full description

BEUNAT, Joseph. Recueil des dessins dornaments darchitecture de la manufacture de Joseph Beunat. A Sarrebourg, et a Paris, Rue St. Avoye, no. 63. Contenant tout ce qui rapport a la decoration des apartments ...
Sarrebourg and Paris, [ca. 1814]. Large 4to (32.5 x 25 cm). Engraved series of 86 prints (including the decorative title-page) with many hundreds of different designs. Contemporary German tree calf, flat spine with contemporary manuscript paper label in ink. With the original publishers grey printed wrappers bound in, with the title in German. Full description

BILDERDIJK, Willem. Redevoering, over de voortreffelykheid der schilderkunst, in derzelver voorwerp beschouwd. ...1794.
[The Hague, B. Scheurleer junior], 1794.
(2). KASTEELE, Reinier Pieter van de. Redevoering tot lof der vaderlandsche schilders en aanspraak.... 1809.
The Hague, P.F. Gosse, [1809]. With an engraved plate with seals of the Academie engraved by C. Lotter.
(3). KASTEELE, Reinier Pieter van de. Redevoering over het aangename en nuttige van de beoefening der teekenkunde. Uitgesproken in de akademiezaal van Pictura. Op den 3 van Bloeimaand 1810.
The Hague, B. Scheurleer junior, 1810. With an engraved plate with seals of the Academie engraved by C. Lotter.
(4). LIMBURG, T. van. Redevoering over het vermogen der schilderkunst ter gelegenheid van het uitdeelen der prijzen... 1811.
The Hague, B. Scheurleer junior, 1811. 8vo. 4 works in 4 volumes. Contemporary decorated paper wrappers. [24], 22, [2]; [16], 43, [3]; [20], 46; [20], 30 pp. Full description

BODE, Wilhelm and Cornelis HOFSTEDE DE GROOT. The complete work of Rembrandt. History, description and heliographic reproduction of all the master's pictures with a study of his life and his art.
Paris, Charles Sedelmeyer, 1897-1906. 8 volumes. Folio. With 622 full-page photogravure plates. Later brown mottled calf, with the title and volume number lettered in gold on the spine, the original cloth front wrappers used as title-pages. [2 blank], [8], 178, [2]; [2 blank], [6], 178, [2]; [2 blank], [6], 202, [2]; [2 blank], [6], 223, [1]; [2 blank], [6], 213, [3]; [2 blank], [6], 206, [3]; [2 blank], [6], 254, [2]; [2 blank], VI, [2], 381, [1], [6 blank] pp. Full description

BODENHEIM, Nelly (illustrator) en Lizzy ANSINGH. Een vruchtenmandje. Teekeningen van Nelly Bodenheim bij versjes van Lizzy Ansingh.
Amsterdam, De Spiegel, 1927. Folio (ca. 30 x 21.5 cm). All illustrations, including the illustrated front board, are lithographs designed by the illustrator herself on stone and coloured by hand by her as well. The verses by Lizzy Ansingh are written, in colour, by hand in a decorative, ornamental script (varying in style). Contemporary half green cloth portfolio with the original lithographed illustration on the front board, the back board contains the following verse: "Let op de pitten, die binnen in zitten". [1 blank], [24] ll. Full description

BODENHEIM, Nelly (illustrator), Lizzy ANSINGH and Jean-Paul VROOM (lithographer). Tante Tor is jarig.
Utrecht, Stichting De Roos (printed in Amsterdam by Dieperink & Co.), 1950.
With: (2) [ORIGINAL DRAWINGS - BODENHEIM, Nelly]. [2 drawings: one featuring beetles, a maybeetle, and (Spanish) flies and another showing "Aunt Beetle" in bed being congratulated by her mosquito maid]. [ca. 1950].
4to (ca. 27 x 19.5 cm). All text and illustrations, including the illustrated front board, are lithographs by the famous Dutch artist Jean-Paul Vroom in facsimile after the text and illustrations by Lizzy Ansingh and Nelly Bodenheim. The lithographs are hand-coloured under supervision of Vroom. The work is printed on Simili Japon paper. Together with two original drawings by Bodenheim, hand-coloured and signed in her initials, mounted on a grey passepartout folder highlighting the scene with the beetles, maybeetle, and fly. The illustration of "Aunt Beetle" and her mosquito maid can be found on the back. Original hand-coloured lithographed paper over boards with the title stamped in decorative letters on the spine. [1], [1 blank], [1], [1 blank], [25], [1 blank], [1], [1 blank] pp. Full description

BORJA, Juan de. Empresas morales ...
Prague, Georg Nigrin, 1581. 4to (17.8 x 13.6 cm). With a hand-coloured engraved title-page, incorporating the coat of arms of the dedicatee King Philip II of Spain, 100 hand-coloured engraved emblems, 2 hand-coloured woodcut decorated initials, and numerous woodcut ornamental tail-pieces throughout, all text and illustrations are set within a frame of double red lines. Contemporary overlapping limp vellum with the manuscript title on the spine and remnants of ties. [2], 101, [3] ll. Full description

BOSSE, Abraham. Differentes manieres de dessiner et peindre.
[Paris, Abraham Bosse, engraved 1667?]. 8vo (17.5 x 12 cm). With engraved allegorical title-print and 45 full-page and 1 double-page (ca. 16.5 x 15 cm) engraved plates.
With:
(2) FARINATI, Paulo. Diverses figures a l'eau forte de petits amours, anges vollants, et enfans, propre a mettre sur frontons portes et autres lieux ensemble plusieurs sortes de masques.
Paris, Abraham Bosse, engraved 1644. Suite of 30 numbered double-page engraved prints, including the engraved title-print signed by Abraham Bosse.
(3) [BOSSE Abraham]. [Illustrations of drawing and painting].
[Paris, Abraham Bosse, engraved 1667?]. Suite of 4 full-page engravings of a draftsman (2) and a painter (2) at work, sometimes regarded as part of the Differentes manieres de dessiner et peindre.
(4) BOSSE, Abraham. Le feu ... La terre ... L[']eau ... L[']air.
[Paris, Abraham Bosse, engraved 1630?]. Suite of 4 double-page engravings of the four elements.
(5) [BULLET, Pierre]. [Plates from Traité du nivellement].
[Paris, N. Langlois, engraved 1688]. Complete suite of 11 double-page engraved plates, numbered [1a], [1b], 2-4, 6-11. Sprinkled calf (ca. 1700), richly gold-tooled spine, gold-tooled board edges. [47]; 30; [4]; [4]; 11 [+ 2 added] engraved prints. Full description