ALBERTI, Leon Battista. Della pittura e della statua.
Milan, Societa Tipografica de' Classici Italiani (monogram of Giusti, Feriario & Co), 1804. 4to. With an engraved portrait of the author and 6 engraved plates (including 4 folding). Early 19th-century half sheepskin parchment, Stormont on shell marbled sides, title lettered in ink on the spine, yellow edges. XVII, 136 pp. Full description

ALBRECHT, Andreas. Instrument zur Architectur damit die fünff Seülen auch aller sorten Stück und Morsser, sowol allerley Bilder und dergleichen Sachen, leicht und recht proportionirt zuu ergrössern oder zuu erkleinern seindt, erfunden.
Nürnberg, (colophon:) printed by Ludwig Lochner, 1622. 4to. With an engraved title-page, showing all components of the newly invented instrument designed to help draftsmen enlarge or reduce drawings, and 9 numbered figures on 5 plates: 4 plates showing the instrument and its use and 1 large folding plate (32.5 x 30.5 cm) with model drawings of the five orders of architectural columns. Further with a woodcut headpiece, 3 woodcut decorated gothic initials (3 series), a woodcut headpiece and a headpiece built up of cast fleurons. Set in fraktur types. Modern nonpareil marbled boards, red morrocco spine-label, by Ateliers Laurenchet (stamp on paste-down) in Paris, established by Henri Laurenchet in 1947. [16] pp. Full description

BECKER (VON HERVORD), Peter. Nieuwe manier van vestingbou, hoe men alle regulare en irregulare vestingen met hare buytenwerken na haer behoorlijke proportie, sonder eenige rekeninge, door den gemeenen cirkel op een nieuwe en gansch lichte manier tekenen, afsteken en opbouwen sal. Van nieuws van den autheur selve, met het offensive en defensive vermeerdert, en door de tabulae sinuum uytgerekent, en met nodige demonstratien en figuren allen liefhebbers deser kunst verrijkt.
Amsterdam, Johannes Janssonius van Waesberge I, 1673. 8vo. With an engraved allegorical title-page, a letterpress title-page, 7 engraved plates (5 folding), 3 engraved illustrations in the text and 3 folding tables. Contemporary vellum. [16], 146 pp. Full description

BEHR, Johann Heinrich. Der aufs Neu-verschantzte Turenne oder gründlich alt- und neue Kriegs-Bau-Kunst.
Frankfurt and Leipzig, widow of Reinhard Wächtler, printed by Christoph Balthasar Lampe, 1690. Oblong 8vo (11 x 17 cm). With engraved frontispiece and 32 engraved plates. Contemporary calf. [3], [1 blank], [20], 616 pp. Full description

BERBRUGGER, Louis Adrien. Algerie historique, pittoresque et monumentale, ou Recueil de vues, costumes et portraits faits d'après nature dans les provinces d'Alger, Bone, Constantine et Oran.
Paris, Delahaye (part-titles: printed by Dondey-Dupré), 1843. 5 parts in 3 volumes. Royal 1mo (57 x 42.5 cm). With chromo-lithographed general title-page, tinted lithographed frontispiece, 2 lithographed maps hand-coloured in outline, and 133 lithographed plates (image size up to 44.5 x 30.5 cm, nearly all non-botanical ones tinted and one with 2 chromolithographed and hand-coloured costume prints) by and after artists including Charles Bour, Eugène Flandin, Félix Emmanuel Henri Philippoteaux and Denis Auguste Marie Raffet. Also with lithographed views (and a few lithographed maps) printed in the tail margins at the ends of many chapters, and 45 white-on-black wood-engravings of coins (each with obverse and reverse) in the text. The 72 botanical illustrations on the last 10 lithographed plates are coloured by hand and highlighted with gum arabic. The non-botanical plates have the publisher's embossed stamp in the foot margin. Contemporary, uniform dark green half goatskin morocco with a gold-tooled spine. XIV, [3], [1 blank], 80; [3], [1 blank], 68; [3], [1 blank], 42; [3], [1 blank], 21, [1 blank], 18, 16, [1], [1 blank] pp. including the chromolithographed title-page. Full description

BOECKLER, George Andreas. Architectura Curiosa Nova, Exponens 1. Fundamenta hydragogica. 2. Varios aquarum ac salientium fontium. 3. Magnum amoenissimorum fontium. 4. Specus artificiales sumtuosissimas. 5. Cum auctario figuram elegantissimarum. In Latinam linguam translata per J.Chr. Sturm.
Nuremberg, Paulus Fürst, [1664]. 4 parts in 1 volume. Folio. With richly engraved frontispiece, 4 titles within typographical woodcut borders, the first printed in red and black, and 200 full-page engraved plates of fountain architecture and hydraulic engineering in fountains. Contemporary vellum with the manuscript title on the spine. [10], 30; [2], 13, [1 blank]; [2], 22; [2], 26 pp. Full description

BOSSE, Abraham. Differentes manieres de dessiner et peindre.
[Paris, Abraham Bosse, engraved 1667?]. 8vo (17.5 x 12 cm). With engraved allegorical title-print and 45 full-page and 1 double-page (ca. 16.5 x 15 cm) engraved plates.
With:
(2) FARINATI, Paulo. Diverses figures a l'eau forte de petits amours, anges vollants, et enfans, propre a mettre sur frontons portes et autres lieux ensemble plusieurs sortes de masques.
Paris, Abraham Bosse, engraved 1644. Suite of 30 numbered double-page engraved prints, including the engraved title-print signed by Abraham Bosse.
(3) [BOSSE Abraham]. [Illustrations of drawing and painting].
[Paris, Abraham Bosse, engraved 1667?]. Suite of 4 full-page engravings of a draftsman (2) and a painter (2) at work, sometimes regarded as part of the Differentes manieres de dessiner et peindre.
(4) BOSSE, Abraham. Le feu ... La terre ... L[']eau ... L[']air.
[Paris, Abraham Bosse, engraved 1630?]. Suite of 4 double-page engravings of the four elements.
(5) [BULLET, Pierre]. [Plates from Traité du nivellement].
[Paris, N. Langlois, engraved 1688]. Complete suite of 11 double-page engraved plates, numbered [1a], [1b], 2-4, 6-11. Sprinkled calf (ca. 1700), richly gold-tooled spine, gold-tooled board edges. [47]; 30; [4]; [4]; 11 [+ 2 added] engraved prints. Full description

BOUCHER, François. Receuil de fontaines inventées par ...
With: Second livre de fontaines inventées par ...
Paris, Gabriel Huquier, [1736]. 2 parts in 1 volume. Royal 4to (32 x 24 cm). With 2 series of 7 finely etched and engraved plates of water fountains, including 2 title-prints, the first series with only the names of the artist François Boucher and publisher Gabriel Huquier, the second also with the name of its engraver Pierre(-Alexandre?) Aveline. 19th-century gold-tooled dark mottled sheepskin, gilt edges. 7, 7 engraved ll. Full description

BRETEZ, Louis. La perspective pratique de l'architecture. Contenant par leçons une manière nouvelle, courte et aisée pour représenter en perspective les ordonnances d'architecture & les places fortifiées.
Paris, Charles Antoine Jombert, 1751. Folio. With an engraved frontispiece, and 59 full page engraved plates (52 numbered, 5 unnumbered, 2 with text). Contemporary gold tooled mottled brown calf, red edges, marbled end papers. [2] ll. + 60 plates. Full description

BRUNETTI, Francesco Saverio. Trattenimenti scientifici su la sfera, geografia istorica, meteore, ed astronomia.
Rome, Bernabò and Lazzarini, 1754. With several woodcut illustrations in the text (including an armillary sphere), and an extra added folding engraved frontispiece.
With:
(2) BRUNETTI, Francesco Saverio. Trattenimenti scientifici su lindrografia, nautica, blasone, statica, meccanica, architectura, pirotecnia, e suono.
Roma, Bernabò and Lazzarini, 1755. With several woodcut illustrations in the text, and an extra added frontispiece (facsimile of an engraving?).
(3) BRUNETTI, Francesco Saverio. Macchina semplicissima per cui lacqua da se stessa salice ad una data altezza.
Rome, Bernabò and Lazzarini, 1747. With folding engraved plate as frontispiece. 3 works (the first in 2 parts) in 1 volume. 4to. Contemporary sheepskin parchment. [24], 180, 112; [8], 173, [3 blank]; 12 pp. Full description